Categories
Vinyl

Vinyl love: Secret Machines “Now here is nowhere”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Secret Machines
Album Title: Now here is nowhere
Year released: 2004
Year reissued: 2017
Details: gatefold, 2 x 180 gram, clear with silver swirl, clear with red swirl, limited 1625 copies, numbered 1239

The skinny: Just over a week ago, Brandon Curtis’s Secret Machines came out with a new album, their first in 12 years and first since the death of the frontman’s brother and ex-bandmate Benjamin. I had only heard news of this release a few weeks before, just enough time to get suitably excited. I had loved the neo-space/prog rock of the band’s first two albums and was only slightly disappointed by the sole release (up to now) after Benjamin’s departure. “Awake in the brain chamber” is an excellent new album and immediately got me thinking about their other work. So I dug out “Now here is nowhere”, the band’s very excellent debut, to take for a spin. This pressing was done by Run Out Groove Vinyl, a label that releases special edition vinyl reissues as voted by fans. ROGV-008 is pressed to two 180-gram slabs, clear with swirls, both a different colour, numbered, and artwork lovingly redone on a gatefold sleeve. It sounds just awesome, rocking and droning for days.

Standout track: “The road leads where it’s led”

Categories
Tunes

Best tunes of 1992: #9 The Beautiful South “Old red eyes is back”

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I’ve already written in passing on these pages about how I wrote all of my first year university essays to Beautiful South’s third album, “0898”. The reason behind this was quite simple: it was one of the first albums I purchased on compact disc. Of course, it was a quieter album and I wrote most of my first years essays late at night. You see, I was living at home at the time and it was the only quiet time I had to myself in a very full house. I remember one night in particular when I had two essays due on the following day and I hadn’t started either one. I hopped myself up on Jolt Cola and set myself down with the intention to write both that night. I finished one and started the other, printing both in the early hours of the morning while sipping away at a Folgers instant. And the whole night long, “0898” was playing.

You might think that the way I experienced this album that year might have intrinsically led to me tying it up with bad memories. But not so. It is because of those long, arduous sessions that I know this album I intimately. I know every song, every note, every word. Whenever I listen to it, a smile is brought to my lips, many times throughout the listen, for different songs, for different reasons.

Is this Beautiful South’s best album? In my opinion, yes. I realize I am biased here. But I am willing to fight anyone who disagrees.

“Old Red eyes is back
Red from the night before the night before
Walked into the wrong bar walked into a door“

The album starts off with “Old red eyes is back”, a track that wasn’t particularly obvious as a single, but there it was nonetheless, the first single, poking at us with a sturdy red finger. It begins with Heaton singing passion, all alone against the heavy-handed playing of a grand piano, then, at the end of the first verse, the rest of the band joins in, drums and guitars and synthesized strings, back up vocals and all, making a statement, an exclamation mark, railing against the evils of alcoholism. I was new to alcohol at the time, only just  experimenting here and there with beer and wine and rum. I’d had a good time with it but understood there were dangers there. And of course, I clung to the tragedy of it all.

“Old Red he died
And every single landlord in the district cried
An empty bottle of whiskey laying by his side
A lazy little tear running from each eye
They could never be blue“

The Beautiful South were a pop band but they were also a social conscience and that’s what I loved about them, especially at the beginning. Yes, there was that singular voice of Paul Heaton. But without the meaning that spoke to me, I may never have fallen for them.

I did, though, and this song is a big reason why. So, so good.

For the rest of the Best tunes of 1992 list, click here.

Categories
Vinyl

Vinyl love: Depeche Mode “Violator”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Depeche Mode
Album Title: Violator
Year released: 1990
Year reissued: 2014
Details: 180 gram, gatefold

The skinny: A couple of weekends ago, I started spinning some Depeche Mode and sharing snaps of the few albums I own of theirs in my vinyl collection (yeah, I need few more), all in a bid to stir up the creative juices and finish my Top Five Tunes post that featured their best tunes of the 90s. Well, it worked. I posted that on Friday and if you’ve read it, you’d know that 60% of the songs on that list come from this very album (and the song below wasn’t even one of them). To say that “Violator” is my favourite Depeche Mode album is an understatement. Isn’t it everyone’s? Nine tracks and each one is incredible. Not a skippable track in the bunch. One of many reasons why it was a must for my vinyl collection when I first started collecting again. And this 180 gram reissue sounds perfect. That’s all there is to it. It’s perfection.

Standout track: World in my eyes”