Categories
Tunes

Best tunes of 1992: #13 Suzanne Vega “Blood makes noise”

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My introduction to American singer/songwriter Suzanne Vega came via a remix of her track “Tom’s diner” back when I was in high school. I won’t tarry long on that particular song lest we run the risk of it getting tangled in all of our heads. But if you so wish it, the song appeared at the twenty-seven spot on my Best tunes of 1990 list and you can read more about it in that post I wrote three years ago.

I wasn’t the only one introduced to Vega in 1990. As I wrote previously, that remix opened the doors to all sorts of new fans and perhaps was the impetus behind the change in direction we heard on her 1992 album, “99.9F°”. I remember not really being phased when I first heard it but then again, I had not yet gotten into her earlier, more folky stuff, save for perhaps being vaguely familiar with “Luka” from the radio. My friend Tim brought the CD over to my place one night, though I’m not sure what we were doing that evening (maybe playing Risk), and I asked him to leave it with me because the sound reminded me of “Pretty hate machine”, an album with which I was quite obsessed at the time.

Number one hit single, “Blood makes noise”, was particularly, jaw-droppingly good. Chains clanking, drums thumping, bass heavy and insistent, demanding insular attention, while Vega chants and incants alongside the tribal rhythms.

“I’d like to help you doctor
Yes I really really would
But the din in my head
It’s too much and it’s no good”

It’s two minutes of racket, an uproar on the dance floor, frenzy and ecstasy. Indeed, this din is not too much, nay, it’s really, really good.

For the rest of the Best tunes of 1992 list, click here.

Categories
Vinyl

Vinyl love: Various artists “Tiny Changes: A Celebration Of Frightened Rabbit’s ‘The Midnight Organ Fight'”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Various artists
Album Title: Tiny Changes: A Celebration Of Frightened Rabbit’s ‘The Midnight Organ Fight’
Year released: 2019
Details: Double LP, 24 page booklet

The skinny: Back in the middle of January, I went on a bit of a Frightened Rabbit kick, posting photos from the one time I saw them live in 2013, as well as ‘Vinyl love’ instalments for the albums “The midnight organ fight”, “Pedestrian verse”, and “Painting of a panic attack”, and all of this in the span of a week. However, I waited until today, what is widely-acknowledged as the second anniversary of frontman Scott Hutchison’s death, to post this, the only other Frightened Rabbit-related vinyl in my collection (for now). This tribute to “The midnight organ fight” was in the works before Hutchison’s suicide, the recording of the album’s tunes by friends of the band were already mostly recorded to celebrate the album’s 10th anniversary, but the remaining band members decided to refocus its release after the fact. They named it for the mental health charity launched in honour of Hutchison and donated a portion of the album’s sales to it as well. The album includes covers by Death Cab for Cutie’s Ben Gibbard, Canadian indie rockers Wintersleep, fellow Scots The Twilight Sad, dream-poppers Daughter, and the lovely one below by Julien Baker. This heavyweight double-LP pressing includes a 24-page booklet filled with words and memories supplied by other members of Frightened Rabbit and by the artists that performed the covers (a few of these are shown above). And reading these really hits you hard and you can’t escape the feeling that we’ve lost a great songwriter. We miss you Scott.

Standout track: “The modern leper” as covered by Julien Baker

Categories
Live music galleries

Live music galleries: Swervedriver [2015]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Swervedriver live at Zaphods in 2015

Artist: Swervedriver
When: May 5th, 2015
Where: Zaphod Beeblebrox, Ottawa
Context: Just over five years ago, much like now, I was starting to feel that it was time to see some live music because I hadn’t seen any shows since the folk festival in the previous fall. (Except at that time, I had options. Concert tours weren’t all shut down due to an international pandemic like they are right now.) So when I saw that the recently reunited and highly influential shoegaze band Swervedriver was hitting Zaphod Beeblebrox here in Ottawa on their tour, I decided to check it out. They were one of the few of the genre that I didn’t get into back in the day so it didn’t bother me that the reunited roster only included two original members, fleshed out by touring musicians Mikey Jones and Mick Quinn (bassist from Supergrass!). The album they had just released, “I wasn’t born to lose you”, was getting a lot of play on my iPod leading up to the show and the set included the best of that album, plus lots of their earlier hits. It was loud and I loved it. And incidentally, it was the last show I ever saw at the iconic Zaphod Beeblebrox before it shut down.
Point of reference song: Autodidact

Adam Franklin of Swervedriver
Jimmy Hartridge of Swervedriver
Mick Quinn of Swervedriver
Mikey Jones of Swervedriver
Jimmy Hartridge rocking the guitar
Adam Franklin making some sound adjustments
The effects pedal setup