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Playlists

Playlist: “1993 mix vol. I” (a mixed tape)

Much like the last time I posted one of these playlists based on an old mixed tape, I was downstairs in my basement recently, this time cleaning rather than looking for something, and I came across the same shoebox full of old cassette tapes. Of course, I stopped what I was doing for a good twenty minutes or so and went through said box to remind myself what was in there and to allow the memories of each to come flooding over me. I haven’t played any of these tapes in decades because I have long since dispensed with the last sound system that I had that could play cassette tapes and so I have no idea of any of them even play. I suppose I could get rid of some of the tapes I bought when I was a teenager because I likely now have it digitally or on vinyl format but I’m not certain I’d ever want to throw out any of the mixed tapes. They are as much a document of my own personal history as the photos, yearbooks, letters, and other random bric-a-brac I have stashed away.

Going through these cassettes, I decided it was time to do another of these playlists and opted to replicate one that I created myself, rather than one that was made for me, like the “Raging retro” playlist I previously shared. I chose “1993 mix vol. I” this time around because, as an artifact from 30 years ago, there’s a few fun things you can glean about it’s creator.

Who was 1993 JP Robichaud?

Well, he wasn’t yet inventing creative titles for his mixes, that’s for sure. For a tape called “1993 mix vol. I”, he wasn’t necessarily as concerned with putting together music from the year, indeed, given that it was the first volume, it was likely too early in the year for a mixed tape’s worth of music. Instead, the tape includes music to which I was listening at the time and going through the playlist, it’s obvious to me that I started with songs from the handful of CDs I had in my still new collection and then, moved into the purchased cassettes before finishing off the second side with songs from albums or mixes that had been recorded for me. I can also tell that it was still early on in my mixed tape making career because I hadn’t started strictly following my own self-imposed rule of one song per artist. Indeed, the two appearances by The Wonder Stuff on the tape’s first side betrays how big a fan I was of the band in the early days of 1993.

Some of the photos I’ve included here of the cassette and its J-card sleeve hint that I had a lot of spare time on my hands. I cut out letters from magazines to cobble together a cover and used stickers from old VHS cassette tapes to decorate the cassette. It reminds me that I would later get even more inventive in decorating these things, especially when I made them for others. And finally, the volume one in the title suggests that I fully intended to make more mixes before the year was up but memory does not serve at all as to whether there ever was a second volume created. There definitely isn’t one in the box.

Now before I get right into the playlist itself, here are some highlights that you definitely should check out:

      • The opening song, “Take 5” by Northside is the first song I’d ever heard by the lesser-known Factory Records product and the song that goaded me into purchasing my first CD, given that I was never able to find the band’s only album on cassette
      • I discovered the second edition of Mick Jones’ second band, Big Audio Dynamite II, before I ever really became familiar with his first band and the words to “Rush” were rarely far from my mind after I committed them to memory
      • As I mentioned above, The Wonder Stuff appears here twice, with two very different sounds: “No, for the 13th time” from their debut and “Welcome to the cheap seats” from their third album
      • The version of Spirit of the West’s “Political” here is the re-recorded rocked up version from “Go figure” because at the time, I was blissfully unaware of the far superior folkier original
      • The Barenaked Ladies were a few years from massive world status but they were already pretty big in Southern Ontario and “Hello city” was just one of the excellent tracks that graced their now classic debut album, “Gordon”
      • The Smiths’ “Please please please let me get what I want” closes things off as it did on many a mixed tape because its short length was often a perfect way to fill up the last bit of remaining tape

For those who don’t use Apple Music, here is the entire playlist as it appeared on the original mixed tape:

Side A:
1. Northside “Take 5”
2. Teenage Fanclub “Is this music?”
3. The Wonder Stuff “No, for the 13th time”
4. The Lemonheads “Alison’s starting to happen”
5. The Cure “High”
6. Ned’s Atomic Dustbin “Suave & suffocation”
7. Depeche Mode “World in my eyes”
8. Big Audio Dynamite II “Rush”
9. The Charlatans “Weirdo”
10. The Wonder Stuff “Welcome to the cheap seats”
11. R.E.M. “Stand”
12. The Rocky Horror Picture Show Soundtrack “Time warp”
13. Spirit of the West “Political”

Side B:
14. The Housemartins “I smell winter”
15. The Farm “Love see no colour” (unavailable on Apple Music)
16. Buffalo Tom “Velvet roof”
17. 808 State “Lift”
18. The Sisters of Mercy “More”
19. UB40 “Red red wine”
20. Barenaked Ladies “Hello city”
21. Primal Scream “Movin’ on up”
22. Suzanne Vega “Blood makes noise”
23. Morrissey “Tomorrow”
24. The Smiths “Please, please, please let me get what I want”

And here is the promised link to the Apple Music playlist.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Tunes

Best tunes of 1993: #8 James “Laid”

<< #9    |    #7 >>

“This bed is on fire with passionate love, the neighbours complain about the noises above, but she only comes when she’s on top”

If there’s one song by Manchester-based alternative rock band, James, that you’re bound to know, it’s “Laid”. The title track off their 1993 album is their biggest hit outside of England, especially here in North America where it gained popularity when it was used for the trailers for the first two “American pie” films. Before that, though, it was featured on the first “Frosh” compilation, wildly popular here in Canada in the late 90s, so pretty much anyone of a certain age who was in university or college here around that time knows these first couple of lines quite well. And for sure, they shouted along with them on a packed dance floor or three.

For myself, I’ve been a huge fan of the band since the early 90s and still follow them closely today, as you might already have guessed if you’ve been around these parts before. “Laid” was actually the first album I owned by the band. I picked it up on CD from BMG* after seeing the video for an early single called “Sit down” on MuchMusic’s “CityLimits” and deciding to check them out further. That the album title was provocative didn’t even occur to me until I received my order and I noticed the band photo on the cover and its members’ various states of cross-dress. “Laid”, both the album and the song, became quick favourites of mine, with repeat listens and repeat listens, and remain favourites and see a lot of repeat listens, still, to this day.

“Dressed me up in women’s clothes
Messed around with gender roles
Line my eyes and call me pretty”

The only problem I really have with “Laid” (the song) is that it leaves you wanting more. It is way too short, coming in at just over two and a half minutes. Other than that, it’s pure pop perfection. Staccato and popping drumming, a wooly wall of sound instrumentation care of the massive band and Brian Eno’s intricate production, and, of course, the inimitable vocals of frontman Tim Booth. The words are a fun and hilarious companion to the dance-ready tune, a real floor filler, and creator of good times and good memories.

Go ahead now. Press play, turn it up, and I dare you to not to stomp your feet wildly to that rhythm, wave your arms above your head with abandon, and howl the title “Laid” loudly along with Booth at each chorus break.

*Those who know, know.

For the rest of the Best tunes of 1993 list, click here.

Categories
Tunes

100 best covers: #46 R.E.M. “First we take Manhattan”

<< #47    |    #45 >>

I wrote about the very excellent Leonard Cohen tribute album, “I’m your fan”, back in 2020* when I was posting about Pixies’ cover of “I can’t forget”, which appeared at #71 on this list and was on the very same aforementioned compilation.

At the time, I had never heard R.E.M. covering anyone else (or at least, I thought I hadn’t), given I was a somewhat new convert, and this one blew my mind. Indeed, “First we take Manhattan” was one of my early favourites when listening to “I’m your fan” because the Athens, Georgia quartet was one of the only artists on it that I had heard before. The song appeared as track one on the North American release of the compilation, given R.E.M.’s increasingly high profile, but appeared as track 10 everywhere else in the world. I loved the raging and driving guitars and the contrast of Michael Stipe’s deadpan and austere delivery in the verses with the offset harmonies of the chorus. It was all very clear, though, and respectful of the words, allowing them their own space to breathe.

By the time I purchased Leonard Cohen’s “I’m your man” on CD a couple of years later**, I knew all the words by heart and could sing along with Mr. Cohen*** in his exploration on terrorism. And though I loved the poet’s deep voice and sing-speak delivery, I was less a fan of the instrumentation. Heavy on the synths and drum machine, it was definitely a product of its time and was maybe even a little late to the synthpop party. It definitely took me a little to get past that and for many years preferred the R.E.M. cover but I now can appreciate the version Cohen recorded for “I’m your man”.

Interestingly, though, his wasn’t the original recording of the song. That came two years earlier, care of frequent collaborator Jennifer Warnes, when she recorded it for her Cohen tribute album “Famous blue raincoat”. Hers is a much shorter version and more straightforwardly pedestrian than the versions I’ve already mentioned. To be honest, I only listened to it for the first time this past week while preparing to write this post because I suspected I wouldn’t be a fan and… well… I wasn’t wrong. Sure, it’s got Stevie Ray Vaughan on guitars but even those feel a bit wasted here and Warnes’ vocals a bit too cabaret for the subject matter.

So if we consider this last the original, I can definitely put my vote behind R.E.M.’s cover.

R.E.M.’s cover:

Leonard Cohen’s version:

Jennifer Warnes’ original recording:

*Right around the time that the world was deciding whether to shut its doors to take try to stem the rising COVID-19 tide.

**Incidentally, this was the first Leonard Cohen album I ever owned and purchased on the back of this song and “Everybody knows”, which I knew from the film, “Pump up the volume”.

***Yes, that’s right. I heard R.E.M.’s version before Cohen’s.

For the rest of the 100 best covers list, click here.