Categories
Tunes

Best tunes of 1991: #13 R.E.M. “Losing my religion”

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R.E.M.’s “Out of time” was a massive hit for the band in 1991 and many, the band included, would chalk up the amount of units sold to this one song: “Losing my religion”. I’ve already posted words on thIs great tune in these pages when it appeared on my Top Five R.E.M. Tunes post a year or so ago. So I’ll try not to tread the same ground too much here.

I definitely spent a lot of time with “Out of time” that year, having just recently become a fan of their music. I can remember listening to it on constant repeat while stripping the wallpaper from our upstairs hallway. Hot water, a sponge, and a scraper. It was a crappy job that was made slightly easier by the lightness and jangle of the album and of course, I always got that burst of energy whenever it came round to “Losing my religion” again.

It’s not super upbeat or high energy but there is something bright about and at the same time, it’s dark. It’s quite different for a hit pop song in that it leans heavily on the mandolin to keep it afloat. In fact, the whole thing is built around a riff Peter Buck came up with while fiddling around, trying to learn how to play the instrument. If you listen to everything on offer here, you’ll realize that the bass line and drums are mostly simplistic, taking a back seat to the mandolin while it jumps around and jangles, much like Buck’s guitar would on any other R.E.M. song. Orchestral strings and hand claps were added to fill the midground between the Buck’s noodling and Mills’ bass and to give it more oomph.

Stipe’s vocals are mostly understated and plaintive, singing words that sound more deep and existential than they are meant to be. Of course, the religious imagery in the award-winning video doesn’t help to clear things up any. Stipe has tried to help things along, though, explaining that the title is an expression that basically means losing one’s shit and that the song is really just one of obsession, much like “Every breath you take”.

“Every whisper
Of every waking hour
I’m choosing my confessions
Trying to keep an eye on you
Like a hurt lost and blinded fool, fool
Oh no, I’ve said too much
I set it up”

The great thing about their songs is that you can choose to adapt their original meaning or choose your own adventure. This tune, however, is so ingrained in all of us. It’s timeless and beautiful. It’s R.E.M.

For the rest of the Best tunes of 1991 list, click here.

Categories
Vinyl

Vinyl love: The Sisters Of Mercy “Vision thing”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Sisters Of Mercy
Album Title: Vision thing
Year released: 1990
Year reissued: 2016
Details: standard black, box set (includes 3 x 12″ singles at 45 rpm)

The skinny: Rhino records began issuing box sets of each of The Sisters of Mercy albums, starting with the one off 30th anniversary reissue of the debut “First and last and always”. It did so well in sales, they continued the trend. I didn’t buy the debut because as an album, it represents the band’s material with which I am least familiar. And as you might have noticed a couple of days ago, I already had “Floodland” so I couldn’t see myself purchasing a second copy. However, the moment the “Vision thing” box set was announced, I was on board. To be honest with y’all, this is the album I knew from the start so I have fond memories of every inch of it. The fact that each of the singles from the era were included was just the bonus. I love this album. (And since I’ve already featured my favourite single from the album here and here, I found a different one to feature below.)

Standout track: “Doctor Jeep”

Categories
Tunes

100 best covers: #82 Travis “Baby one more time”

<< #83    |    #81 >>

So here’s one that you can place firmly in the fun column.

I came across this particular cover during a brief period in 2001 where I was a bit obsessed with Scottish alt-pop band Travis and I was on the hunt for everything they’d recorded. Appearing as a B-side to the 1999 single “Turn”, it was recorded live and you can actually hear the laughter from the audience as they start to recognize the song. The band themselves can be heard snickering at the beginning, especially at the forced falsetto moments, but by the end, they are indeed performing it in earnest.

I also didn’t recognize the tune at first during my first sampling of it. It’s slowed some, performed stripped down to only an acoustic guitar with Fran Healy being joined, gang style, by the rest of the band on vocals. When it clicked, I still couldn’t believe what I was hearing and that’s what I think is so wonderful about it. It’s the surprise factor. A teen pop song performed by a pop band of a different sort and it works. I think so anyways.

As for the original, I’m pretty sure I don’t have to work too hard to jog your memory about it. Which is good because I can’t say I know much about Ms. Spears. However, I certainly have been overexposed to a bunch of her songs over the years and this one was particularly ubiquitous at the end of the nineties. I remember watching the video for the first time in disbelief. It was so obviously a ploy, a riff on the catholic school girl fantasy, but it worked. The song was huge, making her over from a former Mouseketeer to a pop star in the blink of an eye. Still, she likely got too big, too fast, given her tabloid ready lifestyle, and has had to forge more than one comeback over her career.

It’s probably pretty obvious by now which version I prefer. But don’t get me wrong, I don’t have a hate on for the Britney, nor her version of the song. It’s well written and has a great hook. Her style and sound is just not to my taste.

Do you have an opinion on the matter? I’d love to hear it.

The cover:

The original:

For the rest of the 100 best covers list, click here.