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Tunes

Best tunes of 1991: #21 Ned’s Atomic Dustbin “Kill your television”

<< #22    |    #20 >>

“Kill your television” was first released as a single in the UK in 1990 and in the US in 1992. So why is it on my best of 1991 list? Because that is when I first heard it while listening to Ned’s Atomic Dustbin’s debut album, “God fodder”. And well, it’s my list dammit.

Ned’s were a five piece that formed in Stourbridge, England in 1987. They were slotted into the Grebo pigeonhole with compatriots, The Wonder Stuff and Pop Will Eat Itself, and they certainly were as fun-loving as those other two bands. However, their sound was definitely more aggressive from the start and highly irregular, with dual bass players leading the assault. “Kill your television” is a perfect example of what they were all about. Storming out with total abandon, without a care of the consequences. Complete bluster and adrenaline, stage diving, arms and long (perhaps crimped) hair flailing, just a ruckus, really. But a hell of a lot of fun.

I distinctly remember watching an interview with frontman Jonn Penney (distinct because I had it on VHS at one point) on the old Friday night video show, “Good rockin’ tonight”. And he was asked about names, the band and the single. I’m pretty sure he was regretful about the band name. The band had thought it funny at the time, all being youngsters, some still teens when the band formed, but later, felt a bit saddled with it after they had found success. As for the song, he had still found it quite funny because people were constantly asking about its meanings, looking for depth and profundity where there was none. You’re never really going to find much of that with early Ned’s. In truth, the song title was lifted from a sticker that bassist Alex Griffin had picked up somewhere and had affixed to his instrument.

Sometimes in life, you need something as simple and as fun as that. And Ned’s were always willing to abide.

For the rest of the Best tunes of 1991 list, click here.

Categories
Vinyl

Vinyl love: Suede “Suede”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Suede
Album Title: Suede
Year released: 1993
Year reissued: 2018
Details: Gatefold sleeve, Limited edition, 25th anniversary, 180 gram, Double LP, silver vinyl, Record Store Day exclusive

The skinny: Along with Blur’s “Modern life is rubbish”, Suede’s debut, self-titled LP set the groundwork and etched out the blueprints for the Britpop phenomenon of the mid-1990s. The deadly duo of Brett Anderson and Bernard Butler made for sleazy and salacious glam rock, the likes of which we will never see again. This 25th anniversary silver edition comes with 9 B-side tracks released during the era on the second disc of the set, which spells bonus, any way you slice it.

Standout track: “The drowners”

Categories
Tunes

Best tunes of 1991: #22 Red Hot Chili Peppers “Under the bridge”

<< #23    |    #21 >>

So I’ve never been a big fan of Red Hot Chili Peppers.

My friend Elliott tried back in the day, playing their fourth album, 1989’s “Mother’s milk”, for me incessantly. I understood that it was different and in some ways innovative, but it never spoke to me. Then, when the first single from “Blood sugar sex magik” came out and my friend was all over it, I was not. In fact, “Give it away” drove me nuts. The rest of the album wasn’t my thing either but there was one song (and I’m sure you can guess which) that caught my ear and I’ll get back to that in a sec.

Since then, the LA-based funk rock band led by founding members Anthony Kiedis and Flea has reached legendary status, becoming one of the more successful bands to come out of the early 90s alt-rock explosion. But because I’ve never really paid that much attention, I hadn’t really grasped the true extent. That is, until they were slotted to play Ottawa Bluesfest a couple of years ago and the night they were headlining sold out, the first time a night has sold out in the festival’s history.

Of course I would like “Under the bridge” out of all of RHCP”s songs up to that point. At first listen, it didn’t really sound like them. In fact, when Kiedis wrote it, he didn’t want to bring it to the band because he didn’t think it fit in with the rest of their work. It was a deeply personal piece for him, expressing his loneliness and reflections on his history with drugs. “Blood sugar sex magik”’s producer, Rick Rubin convinced Kiedis to share it with the rest of the band and he was right to do so.

That now famous guitar intro by John Frusciante is just beautiful. You know the one where he is standing solo on a pedestal, wearing a chullo, like he is a misfit angel casting glory on us all before Kiedis lays down his heavy weight.

“Sometimes I feel
Like I don’t have a partner
Sometimes I feel
Like my only friend
Is the city I live in
The city of angels
Lonely as I am
Together we cry”

Though the feel is completely different than, say “Suck my kiss”, the sound is still definitely Red Hot Chili Peppers. The drumming is somewhat more restrained but Flea’s bassline is still muscular and funk heavy. Frusciante’s guitar through the rest of the song tempers Kiedis’s mood and almost eases him into a faster tempo. Then, the choirs joins in and it is epic.

For the rest of the Best tunes of 1991 list, click here.