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Best tunes of 1994: #30 Beck “Loser”

#29 >>

I’m starting off this list of my favourite tunes of 1994 with an artist with whom many of you are likely quite familiar. In fact, you’re all probably more familiar with Beck Hansen (also known mononymously as Beck) than is this humble blogger.

I remember hearing this very track on alternative radio and watching the video on MuchMusic ad nauseum back in ‘94. I found it amusing at first, deeming the tune catchy yet quirky, but soon grew to dislike it, as well as the other single* that was being slogged from “Mellow gold”. The singles from his next album, “Odelay”, though they too were overplayed, rang more true for me and I purchased that album on CD. I very nearly became a fan after that, if it weren’t for the Britpop explosion that followed, dragging my tastes in a completely different direction for a time. Still, I paid attention when I heard his name spoken on commercial radio over the years that followed but it took catching him at Osheaga back in 2013 to finally hook me for good.

In truth, “Loser” was originally released as a single in 1993. It was released by indie label Bong Load Custom Records with a limited pressing and somehow got picked up by college radio stations along the west coast. Modern rock stations started playing it next and pressings quickly sold out. Our hero musician, who from his folk roots had always been indie at heart, found himself signing with a major label, DGC, to keep up with demand. They re-released the song in 1994 as a preface to Beck’s third album but first on a major label, the aforementioned “Mellow gold”. The rest, of course, is history. A dozen or so albums released, millions of units sold, Brit awards, Grammys, household name.

“You can’t write if you can’t relate
Trade the cash for the beef for the body for the hate
And my time is a piece of wax falling on a termite
That’s choking on the splinters”

In hindsight, this is a crazy tune and crazy that it became so successful. Beck mixes and matches with genres and sounds, throwing blues, folk, and hip hop into the meat grinder and cranking away. He’s got samples, a wicked drum machine beat, slide guitar, and sitar**. Above it all Beck is spewing nonsensical words at random in a rough hewn sing-speak that some have strangely compared to Dylan. By contrast, Beck has called out his own rapping prowess, which incidentally, is the real basis for chorus line that became like a clarion call for the so-called slacker image of generation X.

“Soy un perdedor
I’m a loser baby, so why don’t you kill me?”

*I remember making the connection for a university acquaintance between “Beercan” and the artist that performed “Loser”, without realizing until later I was sounding arrogant and making her feel small. Not one of my finer moments.

**When I saw him at Osheaga, he had Elephant Stone’s Rishi Dhir playing the sitar on stage with him.

For the rest of the Best tunes of 1994 list, click here.

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Vinyl

Vinyl love: Lowest of the Low “Hallucigenia”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Lowest of the Low 'Hallucigenia' on vinyl

Artist: Lowest of the Low
Album Title: Hallucigenia
Year released: 1994
Year reissued: 2018
Details: Black vinyl, 2 x LP, part of five album box set, autographed and limited to 300 copies, (box set includes booklet, lyrics sheets, poster, and stickers)

'Hallucigenia' pronunciation

Box booklet 'Hallucigenia' blurb

Box 'Hallucigenia' stuff

Box lyric sheet reproduction Bit

Box booklet 'Hallucigenia' paraphenalia

Box booklet 'Hallucigenia' lyric sheet

'Hallucigenia' Black Monday lyrics

'Hallucigenia' insert 1

'Hallucigenia' insert 2

'Hallucigenia' inside gatefold

'Hallucigenia' back cover

'Hallucigenia' on the turntable

The skinny: Last weekend, I took the opportunity to do a Vinyl Love revisit of Lowest of the Low’s “Shakespeare my butt…” (my favourite album of 1991) and it also served as an introduction to the next four weeks of Vinyl Love posts. I finally broke down and purchased the “Shakespeare my box” vinyl box set just after Christmas this year using money received as gifts. The box includes the group’s first four records, as well as a bonus disc of rarities and b-sides, not to mention a 24-page full colour booklet and various other goodies. No regrets at all. The only reason I had put it off so long was because I already had the debut and hoped that the other albums would be released individually. “Hallucigenia” was a big part of why I finally bit the “Bullet”*. Interestingly, I was originally disappointed with Lowest of the Low’s sophomore album when it was released in 1994 but I grew to love it over time and many of these tunes became personal favourites in their catalogue. This first ever pressing to vinyl is done over two discs and side four, includes 3 B-sides that weren’t on the original release.

Standout track: “Black Monday”

*The pun was not intended but appreciated after re-reading what I wrote.

Categories
Vinyl

Vinyl love: Weezer “Weezer”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Weezer
Album Title: Weezer
Year released: 1994
Year reissued: 2016
Details: Mobile Fidelity, limited edition, numbered 011775, 180 gram, transparent blue

The skinny: Just over three weeks ago, fellow blogger Super Dekes over at Thunder Bay Arena Rock posted a review of Weezer’s self-titled album (also widely-known as ‘the Blue album’) and mentioned how he had finally gotten a copy of it on vinyl the previous summer. Coincidentally, I had tracked down a vinyl copy of it myself that very week and when I told Deke so, he suggested I also write a review. Well, I figured one of my ‘Vinyl love’ posts would work just as well, so here we are. I actually saw Weezer live before I heard this album. They opened for shoe gazers Lush at Toronto’s Warehouse in the summer ’94 and at the time, I was only vaguely aware of “The sweater song”. Nonetheless, I was blown away by their set – all crunchy guitars and Beach Boys harmonies – and told Rivers Cuomo as much when I spotted him at the merch table. A friend of mine in university later dubbed a copy of the album for me to cassette and I played the hell out of it. This debut is still Weezer’s most successful piece of music in my books, a classic, and though I spent a few dollars more than did Deke, it was well worth it to procure this limited edition Mobile Fidelity release. They do such a great job all round, what with the remastering, the pressing, and the immaculate packaging. Splendid.

Standout track: “The world has turned and left me here”