Categories
Vinyl

Vinyl love: Weezer “Weezer”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Weezer
Album Title: Weezer
Year released: 1994
Year reissued: 2016
Details: Mobile Fidelity, limited edition, numbered 011775, 180 gram, transparent blue

The skinny: Just over three weeks ago, fellow blogger Super Dekes over at Thunder Bay Arena Rock posted a review of Weezer’s self-titled album (also widely-known as ‘the Blue album’) and mentioned how he had finally gotten a copy of it on vinyl the previous summer. Coincidentally, I had tracked down a vinyl copy of it myself that very week and when I told Deke so, he suggested I also write a review. Well, I figured one of my ‘Vinyl love’ posts would work just as well, so here we are. I actually saw Weezer live before I heard this album. They opened for shoe gazers Lush at Toronto’s Warehouse in the summer ’94 and at the time, I was only vaguely aware of “The sweater song”. Nonetheless, I was blown away by their set – all crunchy guitars and Beach Boys harmonies – and told Rivers Cuomo as much when I spotted him at the merch table. A friend of mine in university later dubbed a copy of the album for me to cassette and I played the hell out of it. This debut is still Weezer’s most successful piece of music in my books, a classic, and though I spent a few dollars more than did Deke, it was well worth it to procure this limited edition Mobile Fidelity release. They do such a great job all round, what with the remastering, the pressing, and the immaculate packaging. Splendid.

Standout track: “The world has turned and left me here”

Categories
Vinyl

Vinyl love: Ned’s Atomic Dustbin “God fodder”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Ned’s Atomic Dustbin
Album Title: God fodder
Year released: 1991
Year reissued: 2019
Details: 180 gram, limited edition, reissue, numbered 939/1000, black and silver marbled vinyl

The skinny: The moment that I heard that Music on Vinyl was reissuing one of my favourite albums from my youth on vinyl, I got on the pre-order machine immediately, especially after seeing that the initial pressing was numbered and limited to 1000 and pressed to black and silver marbled wax. Yeah. It’s oh so pretty. For a band with such a ridiculous moniker, their music stands up remarkably well. So well, in fact, that it squeezed its way to number ten in the Best albums of 1991 series that I just started last week. It’s noisy and high energy but still melodic. And it brings back a ton of memories of blasting a bunch of these tunes (including the one below) on my stereo in my basement bedroom while my parents stomped on the floor above, the universal messaging that the music is too loud. I rarely turned it down, though, and sometimes turned it up. It just begs to be played at a high volume, which is why I always dig out my high quality headphones when I place this disc on my turntable these days.

Standout track: “Kill your television”

Categories
Vinyl

Vinyl love: Mew “And the glass handed kites”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Mew
Album Title: And the glass handed kites
Year released: 2005
Year reissued: 2020
Details: 2 x 180 gram, black and white marbled vinyl, Limited, Numbered 1450/2500, 15th anniversary expanded, RSD 2020 drop 2

The skinny: So here’s one of the four Record Store Day exclusive releases I managed to pick up from this year’s offerings. This 15th anniversary expanded edition of Mew’s fourth album and undisputed masterpiece, “And the glass handed kites”, was released by Music on Vinyl on the second (September) of the three ‘drops’ this year. The record is pressed onto two 180-gram slabs of white and black marbled vinyl, the second disc being of b-sides and alternate versions of the studio album’s tracks, and it includes a lovely 12-page booklet, as pictured above. This album was my introduction to the Danish band and what an introduction it was. An epic and big sound, songs that ebb and flow into each other, creating a sonic dreamscape that would fit snugly in the same solar system as Spiritualized, Ride, and Sigur Ros. Beautiful stuff and this pressing sounds just amazing, well worth the money.

Standout track: “Why are you looking grave?”