(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Phosphorescent Album Title: Muchacho Year released: 2013 Details: Gatefold cover
The skinny: If you’ve not heard the song below, do yourself a big favour and press play on the YouTube clip below. This was my introduction to the world of Matthew Houck and his work under the nom de plume, Phosphorescent. He changed his sound up pretty big for this, his sixth studio album, creating a whole world of sound for us to dive into. It’s now been five long years of waiting but he’s finally coming out with a new album in October and I can’t wait to hear it.
(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: The National Album Title: Sleep well beast Year released: 2017 Details: Limited edition, Double LP, translucent blue vinyl, 24″x24″ poster
The skinny: The National’s seventh record landed on a number of ‘end of the year’ lists last year, notably (for me anyway) finding itself at the number three spot on my own best of 2017 list. They pushed the envelope and experimented with their sound, while keeping the general ethos of their music intact. It is atmospheric and lush and dark. It looks and sounds great on vinyl and I am about hear what it sounds like live and in person later today.
Standout track: “The system only dreams in total darkness”
My memory is super fuzzy about how I came across this one but I remember watching the video quite a bit on AUX TV during my morning routine in 2011. So it might have been there that my interest was piqued and I was coaxed to check out the rest of the album, “Making mirrors”.
Gotye (pronounced phonetically, as you would say the French name “Gauthier”) is the stage name for Wouter De Backer, a Belgian-born Australian with a Dutch name. (I know, right? The man screams globalization.) He is the drummer of an indie pop group from Australia called The Basics, an outfit I did check out after getting into Gotye’s music, a number of years ago, but their material never grabbed me and I have never gone back for a second go. I also have never gone back to check out Gotye’s previous two solo efforts and since he announced in 2014 that there would be no more Gotye music and made good on that promise, “Making mirrors” is the only album I know. However, it really is a great one and worth a look for those out there that only know the single. It is super eclectic, traversing many sounds and referencing multiple genres and musical eras, and yet, surprisingly cohesive, drawn altogether by Gotye’s compelling vocals.
Its sales were of course bolstered by this one monster hit. “Somebody that I used to know” was a smash the world over, making Gotye and New Zealand songwriter Kimbra, whose vocals feature prominently in the song, household names. Very quickly, the song became a favourite to cover by many artists. In fact in Canada, a version by Walk off the Earth rivals the original in popularity. The video they made for their cover shows all five members playing the song on one guitar and it went viral, breaking the Burlington band into the mainstream. It’s so big here that I once got into heated discussion with some people that swore theirs was the original.
But back to that original.
Gotye’s “Somebody that I used to know” starts off quiet and sexy, a little like Edwyn Collin’s “A girl like you”, a little like whispering in your lover’s ear to wake her in the middle of the night. Interesting then, that it’s a break up song. Or rather a song that is weeks or months removed from a break up, wondering at how two people can be so close only to be total strangers.
“But you didn’t have to cut me off
Make out like it never happened and that we were nothing
And I don’t even need your love
But you treat me like a stranger and that feels so rough”
It is right about this point in the song that Gotye lets loose some Sting worthy power vocals and the quiet becomes all power and passion. And just when you thought you knew what the song was about, the point of view and vocals are shifted to Kimbra and she too is quiet and composed at first. Then, they both become all fiery and alive. The instrumentation, meanwhile, mirrors the emotions of the vocals, utilizing samples of jazz guitars and dressing them up in electronic beats and xylophone melodies. To sum up: quite lovely.
For the rest of the Best tunes of 2011 list, click here.
My (life in) music lists 