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Best tunes of 1993: #18 Saint Etienne “You’re in a bad way”

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I don’t remember exactly when I first heard Saint Etienne’s sophomore album, “So tough”, but I can definitely tell you that I fell in love with it in 1994, a whole year after its release.

I’ll try to elaborate.

My friend Tim recorded a copy of it to cassette tape for me. That much is true. I probably listened to it a few times after he first gave it to me but it really only fell into rotation on my walkman that second year of university. Don’t ask me why I switched back from discman to cassette tape player that year, though if I had to guess, it was probably because I was so impoverished that my only real entertainment came from making mixed tapes. I’m pretty sure I had the album on the other side of a C100 with Lush’s “Gala”, though I no longer have said tape so I can’t confirm or deny. What I can be certain of is the regularity with which visited my ears that year.

“So tough” is technically Saint Etienne’s sophomore LP, it could also be considered the debut by the band as a trio. They began as the duo of Bob Stanley and Pete Wiggs and had originally planned to employ a series of guest vocalists as needed. They settled on Sarah Cracknell as a permanent vocalist after working with her for one of the singles from the debut, 1991’s “Foxbase Alpha”. “So tough” was her coming out as third official band member and that’s her (a much younger version, of course) gracing the album’s cover.

All in all, “So tough” is as much an album about mood and ambience as it is about getting you out on the dance floor, and with all the sampled soundbites from older, esoteric films that provide segue ways between tunes, it almost feels like a soundtrack, a narrative to a trip of sorts. It certainly soundtracked a number of trips for me, long walks and bus rides. I remember the album keeping me warm on more than one occasion waiting, shivering for the bus that would rocket me down Steeles, away from my institution of higher learning, towards the basement apartment I was lodged in, just north of the ‘416’, near Dufferin Street. It was in that same basement apartment that I, quite by accident, caught an episode of Life on Venus Ave. and that whimsical, extraterrestrial VJ, Ziggy Lorenc, played the video for “You’re in a bad way”.

The album’s second single and sixth track certainly fit* with Ziggy’s love and sexuality funhouse vibe. It’s an obvious kick at 60s throwback bop and pop. It kicks off with a sample from the 1963 film “Billy Liar”: “A man could lose himself in London.” And despite the song’s bright and spritely joy, the lyrics address a man who’s been beset by the humdrum of life and has let it get him down. But have no fear, our good friend Sarah will save him (and us) with that golden voice of hers.

“You’re in a bad way
Every day seems just the same (every day)
Just dial my number
Or call my name”

*And yeah, so did the throwback video.

For the rest of the Best tunes of 1993 list, click here.

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Best tunes of 2020: #26 Andy Shauf “Try again”

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Andy Shauf is a Canadian indie singer/songwriter that was born and raised in the prairie province of Saskatchewan but later relocated to Toronto, Canada’s largest city. Depending on how you count them, he’s released between four and seven full-length albums and a handful of EPs between 2006 and 2021. I personally only really became aware of him after the release of his breakthrough album, 2016’s “The party”, when I saw him perform on the side stage at Ottawa’s City Folk festival in 2017 and was really impressed by the low key but sweet vibe of his set.

Much has been made of “The party” and the fact that it was a concept album, telling multiple stories surrounding the attendees of a house party. By Shauf’s own admission, the end result was a happy accident but for its follow up, he purposefully set out to create a fully realized narrative when he began work on it. “The neon skyline” is like a thematic sequel, its characters a little older (but perhaps not wiser), graduating from house party to dive bar, and the tone is purposefully lighter, with Shauf realizing that months of touring somber material can actually get you down.

The events of the album take place over the course of an evening at one of Shauf’s favourite local haunts in the Parkdale neighborhood of the ‘Big Smoke’* and the eleven tracks are culled from a purported fifty or so that he wrote during the sessions. Over the course of the album’s thirty-five minute duration, we meet the narrator and his friends and some bar regular passing acquaintances. Through conversational lyrics, we learn about a recent ex named Judy, our narrator’s thoughts on the relationship, and eventually, said ex turns up at “The neon skyline”.

“Try again” is track nine of eleven on the album and describes the awkwardness of meeting and conversing with this recent ex, the Judy that we hear tell of a few times during “The neon skyline”. Interestingly, this is the most upbeat track on the album, yet still lilting and light, a boppy and whimsical thing. Woodwinds and handclaps and plenty of fun, keeping at bay, for as long as possible, the unfortunate ending that we are certain has to come to pass.

“Somewhere between drunkenness and jealousy
I watch her talking to some old friend
What a reunion, he recognized her across the room
How many years could there be to catch up on?
And somewhere between drunkenness and honesty
I make a silent toast to the things that I do and don’t miss”

*Toronto really isn’t smoky. This is really just my tongue-in-cheek nickname for the city, playing upon many people’s vision of it.

For the rest of the Best tunes of 2020 list, click here.

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Best tunes of 2003: #25 The Stills “Still in love song”

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“We were lovers
We were kissers
We were holders of hands
We were make believers
Just losing time”

The four original members of Montreal’s The Stills – vocalist and guitarist Tim Fletcher, guitarist Gregory Paquet, bassist Olivier Corbeil, and drummer Dave Hamelin – met when they were all still teenagers. Each performed in various bands prior to forming The Stills in 2000 and perhaps because of these previous experiences, they quickly gained a following based on their heavy duty live show. They finally released their debut album, “Logic will break your heart”, late in 2003 to critical acclaim*, earning favourable comparisons to Echo & the Bunnymen and fellow post-punk revivalists Interpol. They would go on to release two further albums before amicably splitting up in 2011. The band’s members continue to work in the industry, in other bands, and doing session or production work for other great Canadian acts.

It’s unfortunate to me that the quartet didn’t have more success and longevity, given the promise of their outstanding debut. I remember being super excited when I first heard “Logic will break your heart”, right around the time that I heard “Turn on the bright lights”. I admit that I didn’t feel the same way about those latter albums but that original excitement never waned and I often found myself putting on the debut when I felt the urge to be dark and sombre and angsty.

The third single off that debut would forever remain my favourite by the quartet. “Still in love song” can be universally understood by all but those who have never had a love crushed by someone over whom that person chose someone else, a career, or whatever other passion.

“And you said you’d rather live in TV land
Than say that you care
But you don’t
That’s heartless and I will not cry”

Musically, the tune is – purely and simply – post punk revival at its best. Sinister, arpeggiating guitars, menacing bassline that won’t quit, punishing and bass heavy drum rhythms, snarling vocals, and all this captured in stasis in a vacuous and hermetically sealed wind tunnel. It’s a song that begs repeat plays, tailor made for ear phones and closed eyes and all sorts of other mopery.

*Discounting, of course, the lambasting they received from Pitchfork.. and I always will.

For the rest of the Best tunes of 2003 list, click here.