Categories
Tunes

Best tunes of 2020: #16 Dehd “Haha”

<< #17    |    #15 >>

Dehd recently announced the upcoming release of their fifth studio album, “Poetry”, due out in May. Some very welcome news for fans of their energetic blend of surf, post-punk, and garage rock.

I only came across Dehd with the release of 2020’s “Flower of devotion”, but that was actually their third album, after forming five years earlier. They are the trio of Emily Kempf (bass guitar, vocals), Jason Balla (guitar, vocals), and Eric McGrady (drums), based in Chicago, which surprises me every time I remember this fact. Because for some completely irrational and unknown reason, to me, they sound like they should hail from the UK.

And though I’ve not heard anything prior to it, I felt completely at home with “Flower of devotion” when I first heard it upon its release in July 2020. It felt alive and raw and vibrating with nervous energy, though from all reports it’s shinier and cleaner than its predecessors. It was exactly the kind of music that we needed as we were coming into the first summer of the pandemic, very much like an invitation to go outside and play.

“How does one get here?
When did we cross the line?
When it comes to falling, yeah
I’m falling all the time“

My favourite tune on “Flower of devotion” was track three, right from the very beginning. “Haha” was never released as a single but it certainly sounds like it could’ve been one. It is just over two minutes of jangly guitars, a hopscotch bassline, tongue clucking, and he said/she said, call and response vocals. With its staccato and twitchy chorus but fun feel throughout, it all seems so simple. But sometimes simple is exactly what you need for a perfect pop gem. And yes, that title makes me laugh every time.

For the rest of the Best tunes of 2020 list, click here.

Categories
Vinyl

Vinyl love: Slowdive “Everything is alive”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Slowdive
Album Title: Everything is alive
Year released: 2023
Details: pale pink

The skinny: From the ‘in case you missed it’ files, I’ve replayed my top five albums from 2023, albeit in a ‘vinyl love’ post format, over the last five weeks; partially because I love these albums and partially because I have them all on vinyl and want to show off their physical beauty as well. If you’ve missed them again, you can go back and admire records five, four, three, and two, but if not, you can read on for my favourite album of the year. Slowdive announced their second album since their 2014 reunion, earlier last year, and I was onboard immediately because of my love for previous one. I preordered a copy of the indie exclusive pale pink pressing that came in a gatefold sleeve from one of my favourite online indie record stores and received it well in advance of seeing them perform songs from it on their North American tour. Spinning it regularly, I quickly fell in love. As I’ve said before: “Everything is alive is hopeful and joyful and full of life. It is eight songs that don’t want to be anywhere near darkness and solitude. It is five musicians and friends that have known each other a long time performing as one, familiar and familial, a large sound that can envelope and absorb and has room for everyone and everything. It is the album we needed, whether we knew it or not.”

Standout track: “Kisses”

Categories
Tunes

100 best covers: #43 Ministry “Lay lady lay”

<< #44    |    #42 >>

Though I haven’t really followed them for a very a long time, I was actually quite the Ministry fan back in the early half of the nineties. I enjoyed so much of their early work, right up to their fifth album, 1992’s “Psalm 69”, but by the time they finally followed it up four years later, I had mostly moved on from my industrial kick. However, I still checked out “Filth pig”, borrowing a copy from my good friend Rylan. After a few listens, I recorded two songs that caught my ear for a mixed tape, one of which was this this rocking tune called “Lay lady lay”. It had this wicked ticky-tack drum line, a menacing melody and a shout-along chorus. I had no idea at the time that it was a cover.

I heard the original for the first time a year or so later when my friend Meagan, also one of my housemates at the time, got up to stop said mixed tape in the middle of this tune. “I know this song,” she said, as she popped in a CD and handed me the jewel case. It was some Bob Dylan compilation album and of course, I immediately spotted the song title in the track listing but the song she put on wasn’t quite reconcilable with the Ministry tune I’d rocked along to on countless evenings. It took some time before I was able to put the two in the same room together and I think it was the drum line that finally did it.

Bob Dylan originally wrote “Lay lady lay” way back in 1969 and it appeared on his ninth studio album, “Nashville skyline”. There is a definitely country feel with plenty of slide guitars and Dylan’s crooning vocals that sounds a bit different than on the popular classics I’d previously known by him. He’s imploring a lovely lady to stay with him the night, likely quite suggestive material back when it was released. It has been covered a great many time over the years but according to Ministry’s Al Jourgensen, Dylan found their version particularly “badass”.

I tend to agree. And I have to go with Ministry’s cover over the original on this one. Not my favourite Dylan recording at all.

Cover:

Original:

For the rest of the 100 best covers list, click here.