Categories
Tunes

Best tunes of 2011: #12 Noel Gallagher’s High Flying Birds “The death of you and me”

<< #13    |    #11 >>

One of the earliest posts on my old blog, Music Insanity, was some initial thoughts on this tune, “The death of you and me.” It was the first single off Noel Gallagher’s first album of recorded material that wasn’t released under the Oasis name. And I was pretty excited because, as I wrote at the time, my first thought after hearing that he was leaving Oasis was: “God, I hope he releases some solo material!”

As great a frontman as his younger brother Liam was and is, I was always certain that Noel was the more talented of the Gallagher siblings. He was definitely the more gifted as a songwriter and I would argue that he has a better voice. It’s not for no reason that of all Oasis’s songs, I always preferred the ones on which Noel took the microphone for himself (“The masterpiece”, “Don’t look back in anger”). Don’t get me wrong. Liam has a great voice and he certainly had the stance and the swagger down but Noel didn’t need any of that.

A few months before the release of “The death of you and me”, the leftovers of Oasis had released their own first collection of new material without Noel under the moniker, Beady Eye. And although there were some good songs on “Different gear, still speeding” (e.g., “The roller” and “The beat goes on”), I will admit that I was a bit disappointed with their album. As my friend Andrew Rodriguez so eloquently put it, at the album’s best parts “they simply sound like Oasis”. It was as if they changed their name just to signify a break from their Oasis past but in reality, were still so deeply mired in it. Beady Eye would go on to release another album (and another disappointment) before calling it quits in 2014.

Liam finally hit the mark with a solo album, “As you were”, in 2017 but Noel Gallagher, on the other hand, hasn’t ever really looked back, just continued doing his thing with his new band The High Flying Birds. I remember seeing Noel and the band perform live in 2016, the set a mixture of his solo work off the group’s first two records and some of the songs he wrote in the Oasis days, having the whole crowd in his hands, and me thinking to myself, “It doesn’t at all look like he needs an Oasis reunion”.

And well, “The death of you and me” is the single that started it off. There’s no mistaking that it’s Noel but it doesn’t sound like an Oasis re-hash. Yes, some of the Oasis hallmarks are there (the violin backing and the anthemic chorus) but he has infused a carnival/sideshow theme into the song (also reflected in the video) that would have never appeared on an Oasis album. The song is also instantly likeable, something lacking in many of the songs on the Beady Eye albums and also on much of Oasis’s later material. I guess what I’m saying is that if I were to compare: I’d say it sounds more “What’s the story” than “Dig out your soul”. As a lead off single, “The death of you and me” definitely did its job. After hearing it, I was looking forward to the rest of the self-titled album and thankfully, it didn’t disappoint.

For the rest of the Best tunes of 2011 list, click here.

Categories
Tunes

Best tunes of 2002: #29 Primal Scream “Miss Lucifer”

<< 30    |    #28 >>

A couple of weeks ago, I posted about Primal Scream’s “Loaded” as my third favourite tune of 1991. That particular ditty turned me on to the Primals and then, after buying and listening to “Screamadelica”, I quickly grew obsessed.

I got to see them live in 1994, when they opened for Depeche Mode at Kingswood Music Theatre, a show I saw with my friend Tim, my eventual wife Victoria, and her cousin Rosa. By this time, Primal Scream were touring “Give up but don’t give out”, a blues-rock hippie jam that I didn’t love quite as much as its predecessor but that had some great, great tunes. After that album didn’t perform quite as well critically or commercially, the band regrouped and dropped “Vanishing point” on all of us in 1997. I survived that bomb but 2000’s “XTRMNTR” almost killed me. In its wake, a handful of years needed to be taken before I was ready to dip my toe back in, eventually doing so with “Riot city blues” in 2006.

So yeah, I completely missed their 2002 album “Evil heat” upon its release. I only got to it after I warmed to the next few albums, building a lasting love rather than the meteoric lust and infatuation I suffered with “Screamadelica”. And only then was I able to revisit their back catalogue without such a black demeanour. I still don’t think it’s their best work but after the maelstrom that was “XTRMNTR”, Bobbie Gillespie and his cohorts really needed a bridge album and in that, “Evil heat” was successful.

“Miss Lucifer” is one of the album’s hot spots, the first single released off it, and it’s a real dancefloor razer. Don’t go looking for any witty or deep lyrics here because you’ll find none. It’s your typical femme fatale/evil woman motif and warning. It’s the drone and angry beat that’s special here, hoofing it like Saturday night’s leftovers from Prodigy’s Friday rave and tumble. Gillespie whispers and hisses and spits venom before getting to the chorus and turning admonitions into invitations to “shake it baby”, over and over and over again.

It’s not “Loaded” but it’s a trip nonetheless.

For the rest of the Best tunes of 2002 list, click here.

Categories
Vinyl

Vinyl love: Doves “The last broadcast”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Doves
Album Title: The last broadcast
Year released: 2002
Year reissued: 2019
Details: Limited edition, reissue, 2 x 180 gram, orange vinyl, numbered 0177

The skinny: My first words of the year on this blog was care of a post counting down my top 5 Doves tunes. I was fresh off the excitement generated the previous month that one of my all-time favourite bands was putting an end to their hiatus and getting back to performing live. Back in January, we didn’t know if this meant anything more but the success of the first spate of live shows and the interest generated with the buying public has got them talking and working on new material. And yes, they have reissued their first three albums as 180 gram, double LP, numbered, and coloured vinyl. You can be sure I jumped on those pre-orders as soon as they became available and now I’ve got them in my grubby hands. Their sophomore album, “The last broadcast”, is my favourite of all their albums (though the debut is a very close second) so it had to be the one to first hit my turntable on Friday and yes… once again this morning. Can’t wait to spin the others…

Standout track: “There goes the fear”