Tag: Finn Andrews

Categories
Albums

Best albums of 2025: Honourable mentions

I know most people are not a fan of Mondays, given that it’s the start of a new work week and all that that entails, but I like the idea of new starts and all of the potential they bring. And what better day than a Monday to start a new series… and one that celebrates another year of great music at that.

Yes, indeed, it is that time again.

And though I’m not one to want to wish the days away, I gotta say I won’t be sad to kiss 2025 goodbye. It’s been, for the most part, an uneventful year, but also one that I won’t ever forget. I’ve spent the lion’s share of it in recovery mode. Health concerns that I don’t really want to get too deep into here but ones that, at many times this year, have had me worried that I’d never fully recover from. I am only now just returning to work after a long period away and that in itself is its own challenge.

All this to say, there were but a few bright spots to point out from 2025. I can include all the precious time I was able to spend with my lovely wife as one, of course, and all the quality time whiled away listening to great music as another. Yes, I devoted as much time as I could spinning records and exploring new music and old favourites on the streaming sites on the old Internet. The pure joy of music was almost as much a part of my recovery as the balance of rest and calm and fresh air.

So, yeah, by my quick glance at the calendar, I see we’ve got just over five weeks left of 2025 and my plan is to share, interspersed with my regular blog programming, some of my favourite albums that the year has offered. I’m starting today with some honourable mentions, albums that didn’t quite crack my top ten but that are definitely worth your time, and I’ll be back soon with a start to the countdown of my ten faves. Enjoy.

bdrmm “Microtonic”:  Hull, England based outfit imbues electronic dreams into their shoegaze arsenal for their third outing with brilliant results.
Check out: “John on the ceiling”

Ezra Furman “Goodbye small head”:  Always raw and immediate, the American singer/songwriter’s 10th album is filled with personal tales that at the same time feel quite universal.
Check out: “Grand mal”

Just Mustard “We were just here”:  The Irish quintet’s third album smacks equal parts of the haunting goth of Cranes and the noisy experimentation of Sonic Youth.
Check out: “We were just here”

Amy Millan “I went to find you”:  The Stars’ co-frontwoman’s* third solo album moves away from the folk/country of her first two releases and into an indie pop sound that feels like a warm comforter on a cold Canadian winter morning.
Check out: “The overpass”

Pale Blue Eyes “New place”: More beautiful and danceable dream pop ecstasy from the trio originally from Sheffield, songs that feel blissfully eternal.
Check out: “Scrolling”

Sloan “Based on the best seller”: The Canadian alt-rock icons doing what they do best on their fourteenth studio LP – just keeping on keeping on bringing the rock.
Check out: “Dream destroyer”

The Veils “Asphodels”: The latest by Finn Andrews’ musical vehicle is typically dramatic and epic, and worthy of another David Lynch soundtrack.
Check out: “The ladder”

*Whose last name I learned this year that I’ve been mispronouncing for two decades.

I’ll be back very soon with albums #10 through #6 for my Best albums of 2025 list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Tunes

Best tunes of 2013: #22 The Veils “Another night on Earth”

<< #23    |    #21 >>

At the end of last year while counting down my favourite albums of the year, I noted that there wasn’t nearly enough references to and content devoted to The Veils, and that I really wanted to rectify that situation. Well, as luck would have it, the next song up on my list of favourite tunes from 2013 is by the very same band.

I had been following the London, England (by way of Auckland, New Zealand) -based band for almost a decade already by the time their fourth record came out. I’d loved every single song I’d heard by The Veils. There just weren’t enough superlatives in the English language to describe their style, the battle of darkness and light, the theatricality, the imagery made palpable by sound, and above all, the passion and emotion of their frontman, songwriter and principal vocalist, Finn Andrews. He was a storyteller in the vein of Lou Reed and Nick Cave, but for some reason, I connected with him much more than I did the other two.

“Time stays, we go” was in no way a letdown from the previous three. It’s front cover was an arresting image of a familial home consumed by fire. The title was an encapsulation of one of Andrew’s oft-explored existential themes. The songs were by turns intense and light in sound but told stories and expressed feelings to which all of us can relate, like it or not.

The penultimate track on the album is this super upbeat number that starts off with a piano line that seems to be dancing away from its player. The drums, when they appear, are snappy and full of confetti. The guitars serve up a breeze to get everything fluttery and then carry upwards the exhaling trumpet sounds. It’s all a shade, however, because “Another night on Earth” is really a sad song posing as something happy, espousing the many ways the world can drag you down into the depths and pondering the worth of it all.

“I hope I don’t go ’til I’ve seen everything
I hope I don’t go ’til I’ve felt everything”

After it all, though, our hero Finn Andrews isn’t quite ready throw in the towel… and neither should any of us.

For the rest of the Best tunes of 2013 list, click here.

Categories
Vinyl

Vinyl love: The Veils “…And out of the void came love”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Veils
Album Title: …And out of the void came love
Year released: 2023
Details: double LP, gatefold sleeve

The skinny: From the ‘in case you missed it’ files, I’ll be replaying my top five albums from 2023, albeit in a ‘vinyl love’ post format, every weekend in January and just into February; partially because I love these albums and partially because I have them all on vinyl and want to show off their physical beauty as well. I’ve already shared albums number four and five and here’s my third favourite album from last year. The Veils were one of my favourite bands throughout the 2000s. I have their first four albums in my vinyl collection, the first three being Music on Vinyl reissues, but I never did get around to picking up their fifth, 2016’s “Total depravity”, so when I heard some promising samples from the new album, I didn’t hesitate to pull the trigger and pick up, “…And out of the void came love”. For their first album in seven years, The Veils have resurfaced with a magnificent album of two parts, meant to be listened to as such, and though it still has that recognizable gothic and romantic take on folk and rock, here there is more hope, a hint of a sunrise after a long dark night.

Standout track: “No limit of stars”