Tag: Indie Pop

Live music galleries: Fanclubwallet [2024]

Post author By jprobichaud
Post date August 16, 2024
No Comments on Live music galleries: Fanclubwallet [2024]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Fanclubwallet at Ottawa Bluesfest 2024

Artist: Fanclubwallet
When: July 14th, 2024
Where: River stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa
Context: Just over a month ago, I was deep into the enjoyment of attending the local music festival, Ottawa Bluesfest, and as I often do, I spent more time at the side stages than I did partaking the main event on each night. In fact, some of my favourite sets were not just native to Canada but were local to the city I currently call home. And I thought I might like to give props to some of these over the next few weeks, starting with local indie pop outfit, Fanclubwallet. Hannah Judge originally started making music in her bedroom during the pandemic, got some attention on the streaming services, and after a full length album and a couple of EPs, put together a full band to collaborate with on her latest outing. She had said band with her when she performed on the River stage on the last day of the festival, a set I had penciled in the moment I purchased my pass. I had enjoyed pretty much everything by her project that I’d heard thus far, a quirky brand of dream pop with plenty of hooks, and it was just as fun live. Hannah and her crew obviously felt comfortable on the stage, perhaps emboldened by the family and friends and hometown built fan club (not intended to be funny). The frontwoman was just as novel as I had imagined, playing her guitars by times and at others, a toy apple. And still others, dancing like no one was watching and singing in those cheerful tones that help make Fanclubwallet’s tunes so bright and full of sunshine. Perfect for a warm summer evening.
Point of reference song: “Band like that”

Hannah Judge aka Fanclubwallet

Eric Graham playin’ guitar

Luka Malatestinic also playin’ guitar

Nat Reid the bass man

Michael Watson banging on drums

Hannah playing the apple

Hannah and her band

Tags Alternative, Bedroom Pop, Canadian, fanclubwallet, Hannah Judge, Indie, Indie Pop, Live, Live music, Local, Music festival, Ottawa Bluesfest

Tunes

100 best covers: #40 Iron And Wine “Such great heights”

Post author By jprobichaud
Post date June 28, 2024
2 Comments on 100 best covers: #40 Iron And Wine “Such great heights”

<< #41 | #39 >>

Back in May, I travelled down to Toronto to see a concert for which I had purchased tickets almost six months beforehand. The show in question was certainly worth all the pre-planning and the additional travel: one of the few stops on the tour by Death Cab for Cutie and The Postal Service celebrating the 20th (er… 21st) anniversary of these bands’ landmark 2003 albums, “Transatlanticism” and “Give up”. It was double duty for Ben Gibbard, frontman of both acts, as he performed two sets on the evening, both feted albums from beginning to end, before coming back to perform a two-song encore, the first song* of which was “Such great heights” (again), which Gibbard introduced as a cover of an Iron And Wine song.

Gibbard was joking, of course, but there was a kernel of truth in there somewhere as well.

When “Such great heights” was launched as the first single from “Give up”, it was released as a four song EP, including covers of two of the album’s songs by two of The Postal Service’s Sub Pop label mates**. The Iron And Wine cover was very nearly as popular as the original, both versions coming to the public’s consciousness at around the same time, and the fact that the pair were very different in sound and style but equally catchy probably helped record sales for both artists. The cover was featured on the “Garden State” soundtrack, a massive vehicle for certain indie artists at that time, and the two versions appeared in multiple TV advertising campaigns.

The Postal Service’s original is a digital beast. The upbeat chiming synths and frenetic rhythm reflect the almost blinding optimism and exuberant subject matter of love and hope, a rarity in Gibbard’s early songwriting. Played back to back, the Iron And Wine cover is still nearly unrecognizable as the same composition. It has a tempo slowed down a hundred million times and is austere in its acoustic guitar finger picking and Sam Beam’s soft and wistful delivery. The production, too, is like a 180, sounding ancient, rather than futuristic, analog versus digital. You can almost hear imagined vinyl crackling overlaying the audible breaths between lines and the tactile feel of the calloused fingertips on the strings.

Both versions are swoon worthy, each a work of beauty in their own right. I couldn’t possibly choose one over the other, unless the mood dictated a certain aesthetic on a given day. Of course, it would be the opposite on the next.

I call this one a draw.

Cover:

Original:

*The second one being an actual cover of Depeche Mode’s “Enjoy the silence”!

**The other was The Shins’ cover of “We will become silhouettes”.

For the rest of the 100 best covers list, click here.

Tags 2000s, Alternative, Ben Gibbard, Best tunes, Cover, Covers, Indie, Indie folk, Indie Pop, Iron And Wine, Jimmy Tamborello, Sam Beam, The Postal Service

Playlists

Playlist: New tunes from 2024, part one

Post author By jprobichaud
Post date June 1, 2024
2 Comments on Playlist: New tunes from 2024, part one

Well, hello there. Did you miss me?

Yes? No?

It’s been a minute (or over a month) since I last posted to these pages. This hiatus wasn’t planned. Life just happened to get in the way, as it has a habit of doing.

My intention was to post this first part of my annual playlist of new tunes just over six weeks ago. The playlist was put together, vetted, and reviewed near the beginning of April, and yet, I didn’t have the words to go with them.

Indeed, 2024 has been a mixed bag so far, good times and bad. Stuff has happened, life has moved on, and yet, I’m not sure I can point to anything specific or any detail anything of note for the first three months of the year. Nevertheless, if I look back at the previous year for comparison, I gotta say things are an improvement, right?

Right.

Well, at the very least I can point to music as a constant in the pro column. There has been some brand new discoveries, as well as new stuff from old faves. The music has definitely been there. And for that, I am grateful.

This will mark the sixth year running that I’ve done this exercise of sharing the best of the new music that has caught my ear during the year in playlist format. As I have for the last few years, I’ll be doing a separate part for each quarter of the upcoming year. This first part here is made up of twenty five songs from albums released between January and March and all things being equal, you ‘should’ see twenty-five more songs from the spring months at some point in late July.

So without further ado, I’ll present the music that has helped keep me going over the first three months of 2024. Highlights include:

Starting at the midway point in the playlist, we have “Caesar on a TV screen”, a single by British indie buzz band The Last Dinner Party and listening to it, it’s obvious that they are worthy of all the hype heaped upon them
Speaking of expectations, lots have been heaped upon the new album by Liam Gallagher (Oasis) and John Squire (The Stone Roses) and in my opinion, the results have been mixed but on certain singles, like “Just another rainbow”, we have seen these expectations realized
The Jesus and Mary Chain are a band that are revered for very good reason and their latest fits right in with some of their best, “JAMCOD” is just a perfect example of how excellent this band still is
Dan Boeckner has wowed the indie music world with the various projects he has unleashed over the years, like Wolf Parade, Divine Fits, Handsome Furs, and Operators, and “Don’t worry baby” is just one of the many great tracks on his debut solo album
Closing things off with “Peace sign”, the first single released off “Interplay”, the latest and very excellent album released by shoegaze icons Ride

Here is the entire playlist as I’ve created it:

1. “Literary mind” Sprints (from the album Letter to self)

2. “Sometimes, I swear” The Vaccines (from the album Pick-up full of pink carnations)

3. “No caffeine” Marika Hackman (from the album Big sigh)

4. “How lost” The Fauns (from the album How lost)

5. “Gone” The Umbrellas (from the album Fairweather friend)

6. “Say goodbye” Future Islands (from the album People who aren’t there anymore)

7. “I got the fear” Torres (from the album What an enormous room)

8. “Change my mind” NewDad (from the album Madra)

9. “Waves” Kula Shaker (from the album Natural magic)

10. “Language” New Model Army (from the album Unbroken)

11. “Caesar on a TV screen” The Last Dinner Party (from the album Prelude to ecstasy)