Tag: Indie

Categories
Live music galleries

Live music galleries: Wild Nothing [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Wild Nothing @ Osheaga 2013

Artist: Wild Nothing
When: August 3rd, 2013
Where: Green stage, Osheaga, Jean Drapeau Park, Montreal
Context: Ten years ago this summer, I attended Montreal’s Osheaga arts and music festival with my good friends Tim and Mark. It was an unforgettable weekend and we saw countless amazing performances over the festival’s three days. I’ve already posted photos* from some of the weekend’s sets and plan to share a few more of these in the months leading up to this year’s edition, which I will sadly not be attending. Some of these posts will have fewer photos than my normal galleries, including today’s, but this should not be taken to be indicative of the quality of the performances, but of the difficulty of obtaining quality pics while being so completely in the moment.

After a good night’s sleep and a filling brunch of Montreal smoked meat at Schwartz’s deli, my friends and I got back to the festival grounds early to catch a few bands we’d had our eyes on. Tim excused himself to the next stage over to catch Canadian country singer Corb Lund and Mark and I went to the Green stage to take in hyped up indie rockers, Wild Nothing. The shimmering guitars and washes and soft soothing vocals put me right back into the shadows of 90s shoegaze. The band blasted through their set of delicious and syrupy sweet guitar pop to get to as many of his songs as possible in their short, early set. It was a nice warmup for what would turn out to be another great day for live music.
Point of reference song: “Paradise”

Jack Tatum of Wild Nothing
Nathan Goodman on guitar
Jeremiah Johnson on drums
Kevin Knight, Jeff Haley, Jeremiah Johns, and Jack Tatum

*Past galleries from this festival weekend have included the following:

Categories
Vinyl

Vinyl love: The Weakerthans “Reconstruction site”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Weakerthans
Album Title: Reconstruction site
Year released: 2003
Year reissued: 2013
Details: 20th anniversary, limited to 1000 copies, brown with red splatter

The skinny: Like the last post in this series, today’s album is celebrating its 20th anniversary this year but in the case of “Reconstruction site”, the pressing in my collection is the one done to celebrate this very milestone. The Weakerthans are one of those bands that I had always known quite well and had seen live a bunch of times but never fully appreciated until after they disbanded. I am now quite in love with all four of the Canadian indie rock quartet’s albums – the sound, the style, and the outstanding songwriting – and have been working hard on tracking them all down for my vinyl shelves. So when I saw the group’s penultimate record was getting the 20th anniversary reissue treatment, I did a bit of internet digging to track down a copy. I finally found a Canadian distributor in Cut Loose Merch that was selling this sweet brown and red splatter colour variant. Supporting a Canadian company and paying in domestic currency? Yes, please and thank you.

Standout track: “One great city!”

 

Categories
Tunes

100 best covers: #47 The Decemberists “Human behaviour”

<< #48    |    #46 >>

You can mark this down in the column of cover songs that shouldn’t work on paper but in reality, are quite splendid.

I have written before in these pages about how I discovered Portland, Oregon-based indie folk band, The Decemberists, at some point circa 2004 after reading about them in Under the Radar. I fell hard for them upon first listen and immediately consumed their first two albums in rapid succession. Then, hearing that a third album was still in the works, went on the hunt for anything else I could find, which included a five song EP (called “5 songs”), a close to 20 minute prog-folk interpretation of a Celtic myth (“The Tain”), and then, this, a cover of Björk’s early solo career single, “Human behaviour”.

It was included on a compilation called “Read: Interpreting Björk” that was put together by Portland indie label Hush Records. The idea was floated and most of the recordings happened in 2001 but then they shelved the project because they were worried folks might think they were trying to capitalize on the success of one of their heroes. They ended up releasing it a few years later, after plenty of interest was shown just based on word of mouth. The Decemberists’ cover was one of the late additions to compilation track list and in my own humble opinion, the best of the bunch, though there are some other interesting interpretations worth exploring.

Björk’s original version is actually one of my favourites of her tunes. It appeared at number fourteen on my list of favourite tunes from 1993 and like many of the tunes from “Debut”, it’s an industrial dance party, very “synth, sample, and percussion heavy”. Inspired by wildlife documentaries, Björk explores and exploits the human condition and looks at it from an outsider’s vantage point.

In The Decemberists’ capable hands, it’s a very different sounding beast. Obviously, it’s more organic in feel. With their expansive instrumentation palette, however, they do a great job of replicating the tempo and energy of the original. Of course, Colin Meloy sounds nothing like Björk but he certainly sounds like he’s having fun trying.

Ir’s a great cover of a great tune that only made me love both artists more. Don’t make me choose between them.

Cover:

The original:

For the rest of the 100 best covers list, click here.