Tag: Singer/Songwriter

Categories
Playlists

Playlist: New tunes from 2023, part four

Getting down to the wire now, heh? Just two more days left of 2023 after today. I think we might just manage it.

I usually do this thing sharing the final part of my ongoing annual playlist on the morning of New Years Eve but I’ve decided to switch it up for 2023. My last post of the year, the last word as it were, will be dedicated instead to my favourite album that the year offered us. It feels fitting now but we’ll see how it feels when it’s all said and done.

And I know I just inferred that the finish line is a welcome sight but honestly, 2023’s been a pretty good year. A marked improvement on the last, which was a huge leap forward on the previous two combined. I can’t really say things are back to normal* but they feel more familiar, if not weirdly surreal. The COVID is still around and the numbers still seem higher than they should be for a pandemic that is ‘over’ but we seem weirdly dismissive of it. Nonetheless, I’ve experienced a lot of post-pandemic firsts this year, like the first time back in the office, first time meeting some of my colleagues in person, first indoor concert, first train ride, first road trip across the border, whew. All of it has been exciting but also saddening for all the experiences that we collectively missed out on.

I don’t really want to talk about everything else that’s been going on in the world because it’s more than just a little crazy, so many deaths and so much damage and so much loss. So I’m just going to get back to the music. These last twenty five songs is a blend of new ones released over the last three months and a few b-sides, songs that had been released earlier on but for some reason, I missed them the first time around or just couldn’t fit them.

If you haven’t already perused them, I invite you to go have a look-see at parts one, two, and three. If you’re already in the know, have a gander at the highlights:

      • Kicking things off right with “Real life” a new song from the raw and frenetic Canadian indie rock trio, The Rural Alberta Advantage
      • Emma Anderson‘s (ex of Lush and Sing-Sing) debut solo album “Pearlies” has lots of great moments that show she hasn’t lost her dream pop sensibilities and “The presence” might be the closest sounding to epic Lush of the bunch
      • As Trans-Canada Highwaymen, Canadian 90s alt-rock royalty, Steven Page, Chris Murphy, Moe Berg, and Craig Northey unleashed an album of 70s Can-rock covers, like this faithful take on The Guess Who’s “”Undun”
      • “Panopticom” is the first track on the first new album of new material by Peter Gabriel in 21 years and shows he’s still incredible at what he does
      • Toronto-based Breeze gifted us 90s alt rock aficionados with an early Christmas present with a new album that includes the wonderful “Ready for love”
      • The dreamy “Amnesia” by M83 is definitely unforgettable
      • “Cicciolina”, from Cumgirl8‘s debut release on 4AD show that raw inventiveness that brought the legendary indie label to sign them

Here is the entire playlist as I’ve created it:

1. “Real life” The Rural Alberta Advantage (from the album The rise & the fall)

2. “Will anybody ever love me?” Sufjan Stevens (from the album Javelin)

3. “Nothing is perfect” Metric (from the album Formentera II)

4. “I want it all” The Drums (from the album Jonny)

5. “Full time job” Squirrel Flower (from the album Tomorrow’s fire)

6. “Is this love” Pip Blom feat. Alex Kapranos (from the album Bobbie)

7. “The presence” Emma Anderson (from the album Pearlies)

8. “Laff it off” Pony Girl (from the album Laff it off)

9. “Undun” Trans-Canada Highwaymen (from the album Explosive hits, vol. 1)

10. “Baby blue” Sundara Karma (from the album Better luck next time)

11. “So many plans” Beirut (from the album Hadsel)

12. “Give me everything” The Polyphonic Spree (from the album Salvage enterprise)

13. “Another life” Spector (from the album Here come the early nights)

14. “Panopticom (Dark-side mix)” Peter Gabriel (from the album I/O)

15. “Ready for love” Breeze (from the album Sour grapes)

16. “Don’t say it’s over” Gaz Coombes (from the album Turn the car around)

17. “Amnesia” M83 (from the album Fantasy)

18. “XIII” Dark Horses (from the album While we were sleeping)

19. “Pontius Pilate’s home movies” The New Pornographers (from the album Continue as a guest)

20. “Pick” Fenne Lily (from the album Big picture)

21. “Everything is sweet” Sophie Ellis-Bextor (from the album Hana)

22. “Now that’s what I call obscene” The Boo Radleys (from the album Eight)

23. “I inside the old year dying” PJ Harvey (from the album I inside the old year dying)

24. “Cicciolina” Cumgirl8 (from the EP Phantasea Pharm)

25. “Coming home” Echo Ladies (from the album Lilies)

Apple initiates can click here to sample the above tracks as a whole playlist.

And as always, wherever you are in the world, I hope you continue to be well. Above all, enjoy the tunes.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Albums

Best albums of 2023: Five honourable mentions

Happy Friday! And happy first day of December!

It’s now officially the last month of the year and you know what that means… the start of the infamous end of the year extravaganza.

I’ve been doing this thing, counting down my favourite albums of the year for every year that this blog has been in existence. Indeed, I’ve even been doing it for longer if you count the years that I was ranking my favourite annual releases on my old blog, Music Insanity.

This additional post I’ve allowed myself, though, kicking things off and sharing some additional great albums that didn’t quite make the top ten is something I started last year and have decided to carry it forward into this year. As you might’ve guessed by now, I do enjoy making lists but sometimes I find my own rules constricting and worry that they result in some excellent releases not getting their due on these pages.

So… these five albums are just some of the great ones that deserve some honourable mention, ones that if you haven’t listened to them yet, I highly recommend you do. They are not ranked but listed alphabetically. The ranking will start with the next post.

Emma Anderson “Pearlies”:  Emma Anderson was a founding member and principal songwriter of 90s shoegaze icons Lush and then, one half of indie pop duo Sing Sing in the 2000s, and here in 2023, we’re finally getting her debut solo album and it’s just as fantastic as you’d suspect.
Check out: “The presence”

Nation of Language “Strange disciple”:  The third album by the Brooklyn-based indie pop trio sees the group building upon their OMD-influenced sound, moving in slightly different directions, but just enough to keep their tight, synth pop tunes fresh.
Check out: “Weak in your light”

The National “First two pages of Frankenstein”:  It’s been four years since their last record and members of The National had themselves admitted to finding the well a bit dry. However, 2023 has seen them release two new albums*, though in my opinion, “First two pages of Frankenstein” is the more compelling of the two.
Check out: “New Order T-shirt”

Postdata “Run wild”:  Wintersleep frontman Paul Murphy started Postdata as a side project in 2010 and “Run wild” is the fourth in a string of very excellent introspective and atmospheric albums that he has released since.
Check out: “Try”

The Rural Alberta Advantage “The rise & the fall”: To put together their first full-length album since 2017, the Toronto-based indie folk rock trio added an additional seven tracks to the six already released as an EP last year and the results are more of the frenetically told tales of Canadian minutiae that we know and love.
Check out: “Real life”

*The other is “Laugh track”, released in mid-September.

I’ll be back very soon with albums #10 through #6 for my Best albums of 2023 list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Tunes

Best tunes of 2020: #17 Ezra Furman “Every feeling”

<< #18    |    #16 >>

I recently wrapped up watching the final season of Sex Education on Netflix and almost immediately, I found myself wanting to start over and rewatch it from the beginning. To me, that’s a sign of a great show and when it happens with books, it’s the same – the feeling of missing the characters and their stories and their worlds.

I wasn’t immediately sure when I started watching the first season back in the fall of 2019. It felt a bit weird to be watching a show that explicitly detailed the sex lives of teenagers, even though I knew that all of the actors would be of the age of consent. It did a great job, though, playing with reality, making the stories not about their age or the place and time*, and more about the great characters and how they reacted to universal problems and situations related to love and relationships and yes, sex.

The show lasted four seasons of eight episodes a piece, which seems quite long for British television in my own limited experience. Each episode in each season was quite excellent and of course, I loved the music throughout, a pastiche of hip music from the 70s to the present, with many songs that I recognized and some that I didn’t. A quick google search explained that many of those excellent songs I didn’t recognize were supplied by American singer-songwriter Ezra Furman.

In late January 2020, about a week after season 2 appeared on Netlix, Furman released “Sex education original soundtrack”, which collected together all of her songs that appeared in the first two seasons of the show. Of course, I made sure to peruse it and then found myself perusing more of her work and it was then, that I realized that though some of the tracks were written for the show, many were songs that were repurposed from her previous recordings.

One of the tracks that Furman wrote new for the show appeared at the end of episode three of the first season. “Every feeling” fits the mood of scene perfectly: the wind-down of an emotionally draining day. At the time, the song wasn’t available anywhere and viewers  immediately started clamouring to find out where they could get a copy. It’s a short piece that focuses on Furman banging away at her acoustic guitar like it was cause of her hurt and depression and her drained voice shaking out all the f-bombs. Because sometimes that’s the only word that’ll do to get your message across.

“I’m gonna feel every feeling
And only love
Only love will remain”

It’s a track full of pain but it’s also damned uplifting.

*Though there were plenty of homages to John Hughes’ teen comedies of the eighties, the hints to past and present technologies and trends made it feel out of time completely.

For the rest of the Best tunes of 2020 list, click here.