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Playlists

Playlist: “1993 mix vol. I” (a mixed tape)

Much like the last time I posted one of these playlists based on an old mixed tape, I was downstairs in my basement recently, this time cleaning rather than looking for something, and I came across the same shoebox full of old cassette tapes. Of course, I stopped what I was doing for a good twenty minutes or so and went through said box to remind myself what was in there and to allow the memories of each to come flooding over me. I haven’t played any of these tapes in decades because I have long since dispensed with the last sound system that I had that could play cassette tapes and so I have no idea of any of them even play. I suppose I could get rid of some of the tapes I bought when I was a teenager because I likely now have it digitally or on vinyl format but I’m not certain I’d ever want to throw out any of the mixed tapes. They are as much a document of my own personal history as the photos, yearbooks, letters, and other random bric-a-brac I have stashed away.

Going through these cassettes, I decided it was time to do another of these playlists and opted to replicate one that I created myself, rather than one that was made for me, like the “Raging retro” playlist I previously shared. I chose “1993 mix vol. I” this time around because, as an artifact from 30 years ago, there’s a few fun things you can glean about it’s creator.

Who was 1993 JP Robichaud?

Well, he wasn’t yet inventing creative titles for his mixes, that’s for sure. For a tape called “1993 mix vol. I”, he wasn’t necessarily as concerned with putting together music from the year, indeed, given that it was the first volume, it was likely too early in the year for a mixed tape’s worth of music. Instead, the tape includes music to which I was listening at the time and going through the playlist, it’s obvious to me that I started with songs from the handful of CDs I had in my still new collection and then, moved into the purchased cassettes before finishing off the second side with songs from albums or mixes that had been recorded for me. I can also tell that it was still early on in my mixed tape making career because I hadn’t started strictly following my own self-imposed rule of one song per artist. Indeed, the two appearances by The Wonder Stuff on the tape’s first side betrays how big a fan I was of the band in the early days of 1993.

Some of the photos I’ve included here of the cassette and its J-card sleeve hint that I had a lot of spare time on my hands. I cut out letters from magazines to cobble together a cover and used stickers from old VHS cassette tapes to decorate the cassette. It reminds me that I would later get even more inventive in decorating these things, especially when I made them for others. And finally, the volume one in the title suggests that I fully intended to make more mixes before the year was up but memory does not serve at all as to whether there ever was a second volume created. There definitely isn’t one in the box.

Now before I get right into the playlist itself, here are some highlights that you definitely should check out:

      • The opening song, “Take 5” by Northside is the first song I’d ever heard by the lesser-known Factory Records product and the song that goaded me into purchasing my first CD, given that I was never able to find the band’s only album on cassette
      • I discovered the second edition of Mick Jones’ second band, Big Audio Dynamite II, before I ever really became familiar with his first band and the words to “Rush” were rarely far from my mind after I committed them to memory
      • As I mentioned above, The Wonder Stuff appears here twice, with two very different sounds: “No, for the 13th time” from their debut and “Welcome to the cheap seats” from their third album
      • The version of Spirit of the West’s “Political” here is the re-recorded rocked up version from “Go figure” because at the time, I was blissfully unaware of the far superior folkier original
      • The Barenaked Ladies were a few years from massive world status but they were already pretty big in Southern Ontario and “Hello city” was just one of the excellent tracks that graced their now classic debut album, “Gordon”
      • The Smiths’ “Please please please let me get what I want” closes things off as it did on many a mixed tape because its short length was often a perfect way to fill up the last bit of remaining tape

For those who don’t use Apple Music, here is the entire playlist as it appeared on the original mixed tape:

Side A:
1. Northside “Take 5”
2. Teenage Fanclub “Is this music?”
3. The Wonder Stuff “No, for the 13th time”
4. The Lemonheads “Alison’s starting to happen”
5. The Cure “High”
6. Ned’s Atomic Dustbin “Suave & suffocation”
7. Depeche Mode “World in my eyes”
8. Big Audio Dynamite II “Rush”
9. The Charlatans “Weirdo”
10. The Wonder Stuff “Welcome to the cheap seats”
11. R.E.M. “Stand”
12. The Rocky Horror Picture Show Soundtrack “Time warp”
13. Spirit of the West “Political”

Side B:
14. The Housemartins “I smell winter”
15. The Farm “Love see no colour” (unavailable on Apple Music)
16. Buffalo Tom “Velvet roof”
17. 808 State “Lift”
18. The Sisters of Mercy “More”
19. UB40 “Red red wine”
20. Barenaked Ladies “Hello city”
21. Primal Scream “Movin’ on up”
22. Suzanne Vega “Blood makes noise”
23. Morrissey “Tomorrow”
24. The Smiths “Please, please, please let me get what I want”

And here is the promised link to the Apple Music playlist.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Tunes

Best tunes of 1992: #13 Suzanne Vega “Blood makes noise”

<< #14    |    #12 >>

My introduction to American singer/songwriter Suzanne Vega came via a remix of her track “Tom’s diner” back when I was in high school. I won’t tarry long on that particular song lest we run the risk of it getting tangled in all of our heads. But if you so wish it, the song appeared at the twenty-seven spot on my Best tunes of 1990 list and you can read more about it in that post I wrote three years ago.

I wasn’t the only one introduced to Vega in 1990. As I wrote previously, that remix opened the doors to all sorts of new fans and perhaps was the impetus behind the change in direction we heard on her 1992 album, “99.9F°”. I remember not really being phased when I first heard it but then again, I had not yet gotten into her earlier, more folky stuff, save for perhaps being vaguely familiar with “Luka” from the radio. My friend Tim brought the CD over to my place one night, though I’m not sure what we were doing that evening (maybe playing Risk), and I asked him to leave it with me because the sound reminded me of “Pretty hate machine”, an album with which I was quite obsessed at the time.

Number one hit single, “Blood makes noise”, was particularly, jaw-droppingly good. Chains clanking, drums thumping, bass heavy and insistent, demanding insular attention, while Vega chants and incants alongside the tribal rhythms.

“I’d like to help you doctor
Yes I really really would
But the din in my head
It’s too much and it’s no good”

It’s two minutes of racket, an uproar on the dance floor, frenzy and ecstasy. Indeed, this din is not too much, nay, it’s really, really good.

For the rest of the Best tunes of 1992 list, click here.

Categories
Tunes

Best tunes of 1990: #27 DNA featuring Suzanne Vega “Tom’s diner”

<< #28    |    #26 >>

Da da da da da da-da da, da da da da da da-da da.

That’s right. Next up on this Best of 1990 list is a great ear worm that was a joint effort between songstress Suzanne Vega and British electronic producer duo, DNA: “Tom’s diner”.

I say “joint effort” because although Suzanne Vega originally wrote the song, it wasn’t until Nick Batt and Neal Slateford put their shoulder to the track that it became a worldwide sensation. Indeed, it’s sometimes easy to forget that this one wasn’t the original version. Vega had written the song as a vocal only, a capella track in 1981 and it appeared on her sophomore album, 1987’s “Solitude standing”. Her’s is a beautiful, thoughtful, and quite awkward sounding piece and that now infamous “da da da” bit only appears at the end of the song. If you’ve never heard it before, take the time and do so now. We’ll wait.

This bare bones version leaves only the words dangling before you. It’s like a stream of conscious paean to the mundane. The singer hanging out on a rainy day, perhaps wrestling with writer’s block, and jotting down the thoughts that occur to her and the little things that happen to her as she is sitting with a coffee in Tom’s Restaurant in New York City (which some of you might recognize from television).

The version by DNA took the original a capella track, layered it with synths and a sampled dance beat and looped the outro, over and over again, throughout the song. They originally released it as a bootleg without her permission but when Suzanne Vega heard it, she liked it so much that she bought the rights and re-released it, along with the music video you can watch below (complete with dancers). It brought Suzanne Vega her first dance hit, introduced her to a whole new audience, and perhaps turned her ear to a completely different world of music. Check out some of her more industrial sounding work on 1992’s “99.9F°” if you’re not sure what I mean.

Although DNA worked magic with “Tom’s diner” and had some success with remixing other songs later on, a quick peek at Wikipedia reveals that neither Batt nor Slateford is still making music. Vega, on the other hand, is still quite active, her most recent album coming in 2016.

If this song isn’t stuck in your head yet, play the video below again and I promise you’ll be stuck with it all day. You’re welcome.

For the rest of the Best tunes of 1990 list, click here.