Categories
Vinyl

Vinyl love: Nation Of Language “A way forward”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Nation Of Language
Album Title: A way forward
Year released: 2021
Details: Limited edition, red/blue split

The skinny: One of the pitfalls of creating a Best album of the year list before the year in question is even over is that you’re bound to miss an album or two, one of which might’ve made it on to said list had it been heard in time. Such is the case with Nation Of Language’s terrific sophomore release “A way forward”. Given that it was released so late in the year, December 2nd, 2021, to be precise, I wouldn’t be surprised if I wasn’t the only music blogger kicking themself for not giving this one its due. I had really liked the New Order and OMD synth pop of the trio’s debut the previous year, the aptly named “Introduction, presence” but with all the craziness that was last December, I only gave “A way forward” a cursory spin upon its release. Then, early on in the new year, I happened upon their live performance at KEXP on YouTube and was completely blown away and drawn to rediscover the album. Not long after that I was procuring on of these exclusive, limited edition blue/red split vinyl pressings from Rough Trade and its been on my turntable off and on ever since.

Standout track: “Across that fine line”

Categories
Tunes

Best tunes of 1993: #19 The Mighty Mighty Bosstones “Someday I suppose”

<< #20    |    #18 >>

I’ve already written on these pages about how I got a job at my small town’s 7-Eleven in the spring of 1993 and how working there was part of the reason why that summer was one of the best of my life. I worked as many shifts as I could that summer and many of them would be of the overnight kind and I often found myself work with either Tori, Heather, or Michelle, the other new employees at store. I always had a blast on these shifts because these three young women were close to me in age and like me, they loved to have a laugh.

It was on one of these midnight shifts that I first heard this song on CFNY, the radio station to which we always had it tuned. It was this swirling, rocking number that mixed horns with racing guitars and a bopping, staccato rhythm and the vocalist rapped and spoke and shouted in a deep and dark voice. It always got my head bouncing and my feet tapping as I counted the bags of chips and packs of gum during our evening inventory counts. The problem was that I always seemed to be away from the radio, serving a customer or in the back, stocking the milk shelves, when the radio announcer came on to supply us with the name of the song and who it was that sung it. It got to the point where it became an ongoing joke: we would dance frantically around the empty store when the song came on and then laugh hysterically when we realized that we once again missed the 5 Ws. It was like the musical version of the Polkaroo*.

Finally, during one night shift right at the end of summer, I came out from the back after changing the syrup for one of the slurpee machines and Michelle excitedly put a slip of paper in my hands with the biggest smile on her face. She had scrawled on the paper in big looping script the words “Someday I suppose. The Mighty Mighty Bosstones.” I knew exactly what the words meant immediately and if I wasn’t so shy and awkward at the time, I would’ve given her a big hug.

Starting pretty much the very next day, the search was on. I went to our town’s only music store and didn’t find anything by the band. A few days later, I joined my parents on a shopping trip to the Oshawa Centre and hit the chain music stores (HMV, Sunrise, and Sam the Record Man) and likewise came up empty. Finally, I planned a solo trip back in to Oshawa to hit some of the independent stores downtown, specifically, the renowned Star Records**, and there found a copy of the Bosstones’ third album, “Don’t know how to party”, on CD. This album, along with Spirit of the West’s “Faithlift”, might have been the two CDs I listened to the most that fall, both for very different moods and reasons.

“Don’t know how to party” is really a misnomer because it really does party and it parties hard, especially track four of twelve. The song that introduced me to the band on all those midnight shifts is still my favourite by the Boston-based octet. “Someday I suppose” riffs hard on the ska punk theme, a pogo with a chainsaw, a plaid suit jacket with the arms ripped off and the tie tied around the head, Rambo-style. It’s an explosion of good vibes, of not giving a shit, of living in the moment and putting off the heavy lifting and the heavy thoughts for later.

“There was a verse
That I was gonna write
I haven’t yet
But there’s still a chance I might
An open book
That I still wanna close
I’ll find the time
Someday I suppose”

The horns, the bassline, Dicky Barrett roaring, and the image of Ben Carr hopping around like a man possessed. It all just makes me smile.

*Those who know, know.

**I’ve already written words about this trip and this particular store when I posted about Primus’s “My name is mud” for this very same list and series.

For the rest of the Best tunes of 1993 list, click here.

Categories
Live music galleries

Live music galleries: Phosphorescent [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Phosphorescent at Ottawa Bluesfest, 2013

Artist: Phosphorescent
When: July 13, 2013
Where: River stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa
Context: Out of all the great performers at Bluesfest back in 2013, Phosphorescent’s (the stage name of singer/songwriter Matthew Houck) was one of the sets to which I was most looking forward. I had fallen in love with “Muchacho”, his psych-folk album from that year, almost at first listen, and then, when I went back to explore his back catalogue, I couldn’t believe it had taken me so long to discover his work. I consumed it all like it was candy, so obviously, I was good and pumped for Phosphorescent’s early evening set and dragged my friend Jean-Pierre along for the ride. Houck had a five-piece touring band with him, many, if not all, of whom had also helped him record the aforementioned “Muchacho”. It was a pretty impressive ensemble cast, including an organist, as well as a keyboard player, a bongo player, and an incredible drummer, which made for a voluminous sound, a sound to get lost in with the hopes of never returning. The band played a good selection of tracks from Houck’s last three albums. Each song, though also long on the recording, was given the full freakout jam treatment with Houck wailing on his guitar and playing the feedback like it was art. My highlight, of course, was when they played “Song for Zula”, likely my favourite track off “Muchacho”. Nope, Phosphorescent did not disappoint despite high expectations on my part. My only beef was that the set seemed cut short, ending half hour earlier than the schedule stated it would.
Point of reference song: Song for Zula

Matthew Houck and Rustine Bragaw of Phosphorescent
Jo Schornikow of Phosphorescent
Scott Stapleton and David Torch of Phosphorescent
Christopher Marine of Phosphorescent
Matthew Houck