Category: Tunes

Categories
Tunes

Best tunes of 1994: #28 Meat Puppets “Backwater”

<< #29   |   #27 >>

I first came across Meat Puppets care of the old MuchMusic late Friday night alternative music video show “City Limits”. I used to sit poised, close to the TV and VCR, and ready to hit the play and record buttons whenever KCC (and later Simon Evans) would announce an interesting or familiar upcoming video.

One night, and I’m not sure why I did, perhaps it was the interesting band name, but I recorded the video for “Sam”, a single off of Meat Puppets’ seventh and first major label album, “Forbidden places”. Of course, in an age before the Internet was in wide use and almost a decade before the establishment of Wikipedia, I had no idea that the trio led by Curt and Cris Kirkwood had formed in 1980 as a punk band and had released so many independent albums already, amassing a small but mighty cult following.

Upon repeat viewings of the aforementioned video, I formed an attachment to the song and the frenetic way frontman Curt Kirkwood delivered the verses, contrasted with his static facial expression in the video. I ended up purchasing the CD* used at ‘Hooked on Video’, my hometown’s only music store, which was located at the eponymously named Bowmanville Mall.

So I felt a little smug when the group attained a certain level of fame and notoriety a couple of years later when Kurt Cobain invited the Kirkwood brothers onstage to join Nirvana for the taping of their now legendary MTV unplugged performance and they recorded a handful of Meat Puppets covers together. “Backwater” was the first single to be released off the album “Too high to die”, the first bit of new material to see the light after that appearance, so of course it did well, charting higher and selling better than anything the band recorded, prior or ever since. Sure I was a bit of a jerk about all the bandwagoners but I didn’t seriously blame any of them because it was a pretty great tune.

Whenever I hear “Backwater”, I am instantly transported back to the summer of 1995, a whole year after its release. It had had lots of time to steep on commercial radio and was recognizable to many. I was working at the recycling division of the steel plant my father worked at**, a summer job he had arranged for me and that I had quit my favoured 7-Eleven post because it paid more. I spent the better part of the first month in that job picking up scrap metal from the ground around the division’s offices, a make-work project to keep me and the other student hire (we’ll call him Todd because I don’t remember his real name) busy until we had real work to cover off. I spent much of this menial time singing songs to myself and “Backwater” came up often and when ever it did, Todd would join in, doing his best mimicry of the Kirkwood vocals but sounding more like Bert and Ernie.

“Some things will never change
They just stand there looking backwards
Half-unconscious from the pain”

Sure, the song definitely had a more mainstream feel than the sound I had gotten used to on “Forbidden places” but it got its lure hooks into me quickly and never let go. It’s got raunchy guitars, a popping time keep, and a driving riff that would not be denied. It plays like a joyride down small town back roads in pickup trucks with lit cigarettes burning in the ashtrays and open cans of watery domestic lager sloshing in the cupholders. Definitely not my memories of glory days but it still spells warmth somewhere.

*I would, however, sell that same CD a few years later at York University’s music store for a few bucks when I needed some beer money.

**A job I’ve mentioned before.

For the rest of the Best tunes of 1994 list, click here.

Categories
Tunes

Eighties’ best 100 redux: #82 The Proclaimers “I’m gonna be (500 miles)” (1988)

<< #83    |    #81 >>

Remember this song?

Song #82 on my Eighties’ top 100 list was all over the North American charts and on every radio’s playlist in the summer of 1993, despite it being released five years earlier. The relative lateness of its success was due mostly to the song’s (un)timely inclusion on the soundtrack for the quirky Rom-com film, “Benny & Joon”, starring Mary Stuart Masterson and Johnny Depp. The story as I’ve heard it (correct me if I’m wrong) is that Masterson convinced the film’s producers and director to include the song after she spent most of the filming listening to The Proclaimers’ 1988 album “Sunshine on Leith” on her Walkman.

The Proclaimers are a Scottish folk rock band composed of twin brothers Charlie and Craig Reid. They have released twelve full-length albums since 1987 but none quite so successful as “Sunshine on Leith”. This album and song were so ubiquitous at the time that my university campus pub chose to bring The Proclaimers in for a concert over bringing in The Jesus And Mary Chain. I sometimes wonder if that decision was ever regretted.

My fondest memory of this song goes back to the summer of 1993. I had spent three days hanging out with my high school friends, Tim and Zed, without sleep, and living on a diet of potato chips, McDonalds, and beer. On the third night, we had somehow managed to get dragged to a party in cottage country, an hour away from our hometown. By the time we arrived, the party was winding down and we decided to head back home after only staying a half hour. We caught a ride back into town with our friend Rudy in his pickup truck and we were flying along the unlit backroads in the wee hours of the morning when “500 miles” came on the radio. I’m pretty sure my friend Andrew was in the backseat of the truck and mentioned that he liked the song. Rudy responded by blasting the radio, effectively drowning out the impromptu singalong that ensued.

I’ll never know how I survived that summer but because of it, this song will forever have a place in my memories.

Original Eighties best 100 position: #86

Favourite lyric: “And if I haver, yeah, I know I’m gonna be / I’m gonna be the man who’s havering to you” I’ve never figured out what out “havering” means but I’m sure it’s romantic.

Where are they now?: The Proclaimers have been a going concern since their inception. Their most recent release was 2022’s  “Dentures out”, which, much like the lion’s share of their latter output, I have yet to hear.

For the rest of the Eighties’ best 100 redux list, click here.

Categories
Tunes

Best tunes of 2013: #18 Daughter “Still”

<< #19    |    #17 >>

Daughter is a London-based indie pop trio that was formed back in 2010. Vocalist/guitarist Elena Tonra found herself needing a more full sound after starting out as a solo singer/songwriter and found exactly what she was looking for in multi-instrumentalist Igor Haefeli, whom she met in a songwriting course, and they later added drummer Remi Aguilella. A lineup stabilized, the group began recording and releasing music and performing live as word of mouth spread. They’re still a going concern and though their output has been meagre (3 LPs and a handful of EPs in fifteen years), it’s been quality stuff, all of it.

I got into the group shortly after the release of their debut album, “If you leave”, partially because of positive words that I’d read on the Internet and partially because I had seen their name added to the 2013 lineup of Osheaga and my friends and I had already purchased passes to go. That debut was on heavy rotation for me that spring and early summer (along with the other groups I was hoping to see at the festival) and I totally got into the heavy atmospherics and Tonra’s soft touch at the mike. Admittedly, I was a bit concerned seeing their set being scheduled so early in the afternoon on the second day of the festival. “If you leave” definitely has a late night/early morning feel to it, the kind of music that you can wrap yourself up in like a blanket and gulp down the dregs of your last glass of red wine, so I was unsure how it would translate under the bright and hot afternoon summer sun. Of course, any uncertainty was washed away by wave after wave of ethereal guitars and Tonra’s smiles and obvious glee and surprises at the amassed appreciate crowd for their early set.

“Two feet standing on a principle
Two hands digging in each others wounds
Cold smoke seeping out of colder throats
Darkness falling, leaves nowhere to move”

“Still” was released as an advanced promotional single for said debut album, but not quite a proper single. A crying shame, if you asked me because this song is a beast. It kicks off with a lonely guitar played in a vacuous space, a worthy accompaniment for Elena Tonra’s melancholy vocal delivery. Synths eventually wash in with a driving drum machine rhythm and it all feels like it continues to build, echoing crashes abound, an expectant explosion. But this epiphany never is truly realized. Daughter teases and taunts here, leaving you wanting, breathless and unsatiated, the song ending abruptly and forcing you to want to push the repeat button over and over again, just to see if, this time, they will grant that release.

For the rest of the Best tunes of 2013 list, click here.