Category: Vinyl

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Vinyl

Vinyl love (revisited): Barenaked Ladies “Gordon”

(I started my Vinyl Love posts pretty much right after the launch of this blog to share photos of my growing vinyl collection. Over time, the photos have improved and the explanations have grown. And looking back at a handful of the original posts in this series, I found myself wanting to re-do some of them so that the posts are more worthy of those great albums. So that’s what I’ll be doing every once in a while, including today…)

Artist: Barenaked Ladies
Album Title: Gordon
Year released: 1992
Year reissued: 2017
Details: Black vinyl, 2 x LP, 180 gram Gatefold sleeve, 25th anniversary edition

The skinny: My original ‘Vinyl Love’ gallery on this record was posted back in November three years ago. In that piece, I blamed my pre-ordering of it during the prior summer on my friend Patrick, who is a pretty big fan of the Ladies and had alerted me to its reissue. I think it funny now that I had actually had to think about purchasing it. “Gordon” was a pretty big deal, especially in Southern Ontario, when it was released back in 1992. The rest of the world wouldn’t officially catch on to the four-piece from Scarborough until a few years later and by that point, I (and a lot of their other early diehard fans) had moved on. This debut, however, remains a classic and I had forgotten how great it was until I received this 25th anniversary reissue on two 180-gram discs in the mail. I feel like I’ve listen to these 15 songs more in the last three years than I had in the previous two decades. And yeah, I still know every word to every song. Every word. Every song. Classic.

Standout track: “Brian Wilson”

P.S. Those of you who are aficionados of early 1990s Canadian alt-rock might appreciate a photo I am planning on posting to my Instagram account tomorrow. Watch out for it.

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Vinyl

Vinyl love: The Beths “Jump rope gazers”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Beths
Album Title: Jump rope gazers
Year released: 2020
Details: tangerine vinyl, included foldout “takahe” poster

The skinny: Ever since I saw Auckland New Zealand’s The Beths blow the proverbial doors off the stage at 2019’s Bluesfest, I’ve been spinning their debut constantly, to the point where I’m sure even my turntable was looking forward to new material from the band. The announcement of the impending followup came last spring and I immediately jumped on their American label, Carpark Record’s website to get the pre-order done. I must’ve been one of the quicker draws because when it was finally delivered a few months later, it arrived with a limited edition foldout poster tucked in with it. Just one more bonus to add to the bright tangerine colour of the vinyl pressing and the fun and energetic music within. “Jump rope gazers” wasn’t the immediate doe-eyed crush that “Future me hates me” was but it grew on me to the point where it landed at the number seven spot on my top ten albums of the year list. Good, good fun.

Standout track: “I’m not getting excited”

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Vinyl

Vinyl love: Bright Eyes “Down in the weeds, where the world once was”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Bright Eyes
Album Title: Down in the weeds, where the world once was
Year released: 2020
Details: 2 x LP, indie exclusive, limited edition, red and orange vinyl, etched, die cut sleeve

The skinny: The 10th studio album by the indie rock trio led by Conor Oberst is the band’s first in nine years and it also happens to be their first album that I immediately liked and liked all the way through. In fact, I liked it so much that I managed to find a spot for it (at number eight to be exact) in my top ten favourite albums of the year. For me, it captured the mood and the uncertainty of the world and put it to music with which you can sing along. Multiple different pressings and presentations exist for this album. The one that I purchased has the die cut sleeve, a circle cut out of the cover and the insert to show off the fireball colours of the two discs, one red and the other orange. The second disc is also one-sided with the other side etched with the same falling stick man that graces the cover, arranged in spiralling concentric circles. Sweet stuff.

Standout track: “Mariana trench”