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Tunes

100 best covers: #35 Michael Andrews and Gary Jules “Mad world”

<< #36    |    #34 >>

I used to be a massive horror buff.

It started off with me reading “The Body”, one of four novellas in Stephen King’s “Different seasons”, because I learned that it was the story upon which “Stand by me”, one of my favourite movies at the time, was based. And because I flew through it in a matter of a couple of days and I still had a few weeks on my Bowmanville Public Library loan, I read the other three in the series*, loving those as well. From there, I read “The shining”, “The Dead Zone”, “It”, “The Stand”, “Christine”, “Carrie”, and when I finally ran out of King books, I moved on to Dean Koontz, Anne Rice, and Clive Barker. It wasn’t long before I was ploughing through the Horror section at our local video rental store. If it was scary, freaky, or even just a little bit creepy, I loved it. I even still distinctly remember lining up at the Cumberland theatres in Toronto with Ryan, my roommate at the time, to see “The Blair Witch project” and walking out dazed at the end, adrenaline still coursing through my veins.

It was “28 days later” that ruined me. I borrowed the DVD from the Ottawa Public Library and watched it alone** late one night, all the way to the end, even watching all the alternate endings. The fast moving zombies and almost credible storyline creeped me out beyond belief and stuck with me for months. I haven’t been able to watch anything else that was close to resembling a zombie film***, or any horror or otherwise supernatural film for that matter, that was released post 9/11.

I say all this in relation to today’s 100 best covers post because I have still yet to see the film “Donnie Darko”, the soundtrack for which this song was originally recorded, and more than likely, never will. I know that it was a small indie production with a great cast and though it didn’t make a lot of money when it was first released, falling victim to general unease about its content following September 11, 2001, it built up a cult following in the years that followed and is now considered a classic of the genre. I also know that its soundtrack was very well regarded, the score put together by songwriter Michael Andrews, whose only previous work was on a little known indie film and couple of television shows, most notably “Freaks and geeks”. Inspired by Ennio Morricone, Andrews wanted to include a proper song on the otherwise instrumental score and so enlisted his childhood friend and musician Gary Jules on a cover of the Tears for Fears single “Mad world”. The song was featured in the film’s closing sequence and garnered so much attention that it was released as a single a few years later, in 2003, and closed out the year on top of the charts.

Tears for fears’ original was also a massive hit when it was first released as a single, the band’s third, decades earlier, back in 1982. It is new wave percussive melody, sinister and eerie synths and industrial beats, over which lie the inimitable vocals of Curt Smith. It is slower and sombre at the verses but picks up at the choruses, just enough to dance to, much like the Roland Orzabal does on the dock in the music video. As austere as the original might sound, the Michael Andrews and Gary Jules cover is even more stripped back. A pure and simple, slowed down, melancholic piano at the beginning with Gary Jules’ soft touch on vocal, almost a whisper in the wind. The music builds slowly, more in scope than in tempo, but remains steadily haunting.

As much as I love the original, this cover is an example**** of where the remake doesn’t just copy, pay homage, or build upon the original, but it takes it to somewhere else entirely and it takes on a life of its own. Apologies to all the old fellow new wavers out there, advantage to the cover.

Cover:

Original:

*Also included in that book is “Rita Hayworth and Shawshank redemption”, upon which you all know the film that is based.

**Because Victoria, my girlfriend (at the time) and now, my lovely wife, was never able to watch scary films.

***Not even “Shaun of the dead”.

****And there’s going to be a few more of these to come.

For the rest of the 100 best covers list, click here.

Categories
Tunes

Best tunes of 2003: #10 The Postal Service “Nothing better”

<< #11    |    #9 >>

If memory serves, it was Jezreel, a former call center colleague and friend, that got me into The Postal Service.

I had, up to then, only just discovered Death Cab for Cutie, Ben Gibbard’s primary outfit, and their recent album “Transatlanticism”. Posters of the telltale crow pulling on a strand of yarn from its cover was, for a time, plastering the windows of ‘Record Runner’, the indie music store I had taken to frequenting after relocating to Ottawa a few years before. The name and the image had piqued my curiousity enough to get me hunting down tracks on the Internet and then borrowing a copy of the CD from the main branch of the public library, which was how I discovered music I couldn’t afford to buy back then. Some time shortly after, Jez handed me a burnt CD* one day at work with the words “Postal Service” and “Give up” chicken-scratch-scrawled on it in blue marker. Taking it home, I recognized the voice but found the sound very different from the Death Cab songs I had been becoming infatuated with. Nonetheless, all ten tracks were ear worms and I was hooked.

The Postal Service was a collaboration between the aforementioned Gibbard and electronic artist Jimmy Tamborello, who also performed under the moniker Dntel. Their work together happened over a period of months during a time when Death Cab were inactive and their future uncertain. The two artists would send ideas back and forth on CDRs through the mail two and three songs at a time, which is where they got the idea for their name. Melodies would be layered on melodies, vocals layered on rhythms. The two really only worked together in the studio during the final mixing stage, the rest being done in isolation, collaboration and communication and conversation done old school but the end result was very futuristic in sound.

“Give up” is the project’s one and only proper album, released on Sub Pop records early on in 2003. They had discussed working together again after the album’s unexpected success and indeed, recorded a handful of tracks a couple of years later, but in the end, it was decided that the one album would have to stand. Its magical moment couldn’t be repeated, no matter how much they forced it, and magical it was. But though there’s been no new material to speak of, Ben and Jimmy have gotten the ‘band’ back together every ten years since and toured to celebrate the anniversary of the album’s release**.

“Would someone please call a surgeon
Who can crack my ribs and repair this broken heart
That you’re deserting for better company?”

“Nothing better” was never released as a single for the album but it grew to become one of my favourites nonetheless, reminding me of Human League’s “Don’t you want me”***, which was evidently a big inspiration for this song. The Postal Service track, much like elsewhere on “Give up”, hearkens back to the synthpop genesis of the late 70s and early 80s but with an ear to modern computer sounds, retro futurism, so to speak. It is distorted church organs echoing through a wind tunnel, rife with blowing snow, and then the twitches begin, computer glitches and erratic rhythms, all conspiring to get the body moving. Then, bass synths with LED spotlights do the rest. All the while, Ben Gibbard is plaintively trying to convince the object of his affection not to leave him, dressing up their relationship in optimism and hope, viewing things through technicolour tinted glass. Of course, like “Don’t you want me”, the vocals are call and response, two sides to every story. Seattle indie rock musician, and close friend to Gibbard, Jen Wood channels Susan Ann Sulley, and explains that there are reasons for her departure and that it really is the only course of action. Beautiful and real endearing stuff.

“You’ve got allure I can’t deny
But you’ve had your chance, so say goodbye
Say goodbye”

*The other way we got and traded music.

**I was lucky enough to get to see them perform the album at the 20th year mark.

***One of my first ever exposures to modern music, more on that another time.

For the rest of the Best tunes of 2003 list, click here.

Categories
Playlists

Playlist: O Canada – 45 indie and alternative Canadian anthems

Happy Canada Day everyone!

This is one of those holidays that I love and have always appreciated but have even more so in recent years. I am blessed to live in a beautiful country and one that is relatively safe and free. And though I haven’t gotten downtown to take in the festivities that our nation’s capital puts on for quite some time, I do try to observe the birthdate of my country in my own way, usually by spending time outside, hiking or biking, tending the bbq, enjoying a brew or two or three, and taking in a closer (to me) fireworks display. The weather forecast is looking a bit rough to start today so I’m not sure yet what we’ll get up to but I plan to enjoy the holiday nonetheless.

I often try to do a post on these pages to observe the return of Canada Day in some way, so I’m actually surprised I haven’t done a playlist yet, something I am remedying this year. And honestly, I slapped this one together pretty quickly and it was really easy to do so because there’s lots of great material to pull from. These 45 songs represent some of my favourite tunes by some of my favourite Canadian artists from the last four or five decades. I start the almost three hours of great tunes with the “alternate” Canadian anthem by North Vancouver’s Spirit of the West and end it with my favourite song by Kingston’s The Tragically Hip, the band that for nearly twenty years was indisputably Canada’s band and its frontman Gord Downey, our poet laureate. In between those two tunes, you’ll find alt rock classics from the 80s and 90s (Grapes of Wrath, 54.40, Sloan, Northern Pikes), as well as a slew of tunes from the Canadian indie rock renaissance from the mid-2000s (Stars, Metric, Dears, Arcade Fire) when the ears from around the world seemed to be turned in our direction, and of course, more recent stuff as well (Alvvays, Elliott Brood, Nap Eyes, Tallies). There are bands and artists here representing almost all of the ten provinces but unfortunately, none from the three territories.

So this is mostly for all of my fellow Canadians out there but like my home country, I would welcome anyone from around the world to come and enjoy our riches. I invite you all to put this playlist on, along with your red and white clothes and maple leaf temporary tattoos, and enjoy the music, whether you’re out barbecuing, enjoying a cold one, out for a swim in your pool, sitting on your porch, out for a hike, camping out, or looking for a parking spot close to a Canada Day celebration somewheres.

Cheers!

For those who don’t use Apple Music, here is the entire playlist, with links to YouTube videos:

  1. “Home for a rest” Spirit Of The West (North Vancouver, British Columbia)
  2. “Archie, marry me” Alvvays (Charlottetown, Prince Edward Island)
  3. “Stay out” Elliott Brood (Toronto, Ontario)
  4. “Ageless beauty” Stars (Montreal, Quebec)
  5. “Rosy and grey” The Lowest Of The Low (Toronto, Ontario)
  6. “When the night feels my song” Bedouin Soundclash (Kingston, Ontario)
  7. “Don’t haunt this place” The Rural Alberta Advantage (Toronto, Ontario)
  8. “Everything you’ve done wrong” Sloan (Halifax, Nova Scotia)
  9. “The safety dance” Men Without Hats (Montreal, Quebec)
  10. “Follow me down” Nap Eyes (Halifax, Nova Scotia)
  11. “I go blind” 54-40 (Tsawwassen, British Columbia)
  12. “Mari-Mac” Great Big Sea (St John’s, Newfoundland and Labrador)
  13. “Hare tarot lies” No Joy (Montreal, Quebec)
  14. “Red” Treble Charger (Sault Ste. Marie, Ontario)
  15. “Weighty ghost” Wintersleep (Halifax, Nova Scotia)
  16. “I’m an adult now” The Pursuit of Happiness (Toronto, Ontario)
  17. “I wanna be in the cavalry” Corb Lund (Taber, Alberta)
  18. “Teenland” The Northern Pikes (Saskatoon, Saskatchewan)
  19. “Sprawl II (Mountains beyond mountains)” Arcade Fire (Montreal, Quebec)
  20. “Claire” Rheostatics (Etobicoke, Ontario)
  21. “Still” Great Lake Swimmers (Wainfleet, Ontario)
  22. “Don’t walk away, Eileen” Sam Roberts (Westmount, Quebec)
  23. “Temptation” The Tea Party (Windsor, Ontario)
  24. “Tournament of hearts” The Weakerthans (Winnipeg, Manitoba)
  25. “Lost in the plot” The Dears (Montreal, Quebec)
  26. “All the things I wasn’t” The Grapes of Wrath (Kelowna, British Columbia)
  27. “Infamous” Basia Bulat (Toronto, Ontario)
  28. “Spiritual pollution” Pure (Vancouver, British Columbia)
  29. “Greater than consequence” Amos the Transparent (Ottawa, Ontario)
  30. “Ordinary people” The Box (Montreal, Quebec)
  31. “Memorize the city” The Organ (Vancouver, British Columbia)
  32. “Walking with a ghost” Tegan and Sara (Calgary, Alberta)
  33. “Breathing underwater” Metric (Toronto, Ontario)
  34. “Made for TV” King Apparatus (London, Ontario)
  35. “Use it” The New Pornographers (Vancouver, British Columbia)
  36. “Rossland Square” Cuff The Duke (Oshawa, Ontario)
  37. “Eat my brain” Odds (Vancouver, British Columbia)
  38. “Goodnight goodnight” Hot Hot Heat (Victoria, British Columbia)
  39. “The ghosts that haunt me” Crash Test Dummies (Winnipeg, Manitoba)
  40. “Paper girl” July Talk (Toronto, Ontario)
  41. “Don’t you know” Elephant Stone (Montreal, Quebec)
  42. “Brian Wilson” Barenaked Ladies (Scarborough, Ontario)
  43. “Mother” Tallies (Toronto, Ontario)
  44. “Swing your heartache” Young Galaxy (Montreal, Quebec)
  45. “Courage (for Hugh MacLennan)” The Tragically Hip (Kingston, Ontario)

And here is the promised link to the Apple Music playlist.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.