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Best tunes of 2011: #3 Sloan “Unkind”

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Last summer after seeing Canadian alt-rock icons, Sloan, in concert for the first time ever, I shared some pics and a few words, for which if you missed the post, you can find here. I had mused, then, about how the group played pretty much every song, save one, that I would’ve wanted to hear. This is a quite a feat when you consider that I’d been listening to them for almost twenty-five years, a period during which they had released eleven full-length albums. In the comments section afterwards, I had a bit of jive with Geoff from 1001albumsin10years, comparing notes on our favourite songs written by each band member, and I admitted that the one song they didn’t play was perhaps my favourite of theirs of all time. And yeah, that song was “Unkind”.

In 2011, Sloan were celebrating twenty years together as a band so when they released their tenth album that year, they called it “The double cross” as a play on the Roman numeral representation for the number twenty. It was their shortest album to date at just under 35 minutes but it was typical in that each band member contributed their own songs to the finished product and that the album rocked in totality.

“Unkind”, a Patrick Pentland penned tune, was the only single to be released from the album but it was enough to get me to pick it up. It is the second longest track on an album of short quick hits but I personally wouldn’t mind it being even longer. It’s got this raunchy but ripping, guitar riff that was built for ‘raising the goblet of rock’. The drums are all over the place and yet definitely organized enough for you to nod you head and tap all your hands and feet, as if you’re frantically playing the air drums. The patented Sloan harmonies are here too, of course, all members jumping in to perfect the chorus.

This song brings me so much joy. It is an almost flawless rock song. And so close to hitting the number one spot in this list. Stay tuned to see what beat it.

For the rest of the Best tunes of 2011 list, click here.

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Best tunes of 2011: #4 Austra “Lose it”

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Have you ever listened to and enjoyed an album up to a point but then, after seeing the band perform its songs live, it’s suddenly your favourite (at that moment) album? Well, it’s happened to me… a number of times. And one of these was with Austra’s debut album, “Feel it break”, after seeing their incendiary performance at Ritual Nightclub on December 3rd, 2011.

If you’ve not heard of them before, Austra is a three-piece band from Toronto, Canada, whose moniker was taken from the middle name of the petite lead singer and front woman, Katie Stelmanis. The other two members of the band are drummer Maya Postepski (also of TR/ST) and Dorian Wolf on bass. When I saw them live, they were joined onstage by a keyboard player and the Lightman twins (from Tasseomancy) singing backup. However and with apologies to her bandmates, this project is really about Stelmanis, a classically trained singer who found a love for electronic music, which explains the seemingly boundless vocal range.

While listening, if you can tear yourself away from just the vocals for a moment and realize there is backing music, you might hear a strong resemblance to the sounds Depeche Mode was making during their darker periods in the late 80s and early 90s (see albums “Music for the masses” and “Violator”). And it’s not just her use of synthesizers that make me say this but also her use of the minor key. Kate Stelmanis has admitted a love for writing music in minor keys, which is something of which Depeche Mode’s principal songwriter, Martin Gore, was also fond.

“Lose it” is easily my favourite track of many fantastic songs on “Feel it break” and most probably the catchiest of the lot. Starting off with a cool robotic sound that mixes European industrial with that aforementioned early Depeche Mode, the song jumps up a notch when Katie Austra Stelmanis adds her lush vocals and you’re just thinking how amazing she is and then she blows that away again with the chorus.

So if you’re up for some new-wave inspired electronic tunes, I highly recommend giving “Lose it” a listen. It’s especially excellent for enjoying through earphones.

For the rest of the Best tunes of 2011 list, click here.

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Best tunes of 2011: #5 Dum Dum Girls “Bedroom eyes”

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Lots has changed for Kristin Gundred since 2011, when she released “Only in dreams”, her second full-length as leader of the group, Dum Dum Girls. At that time, she was performing under the name “Dee Dee” (not “Dee Dee Penny”, as many have erroneously reported, including myself) and she had just released an album with a full band that many critics were seeing as the start of something. However, we would unfortunately only see one other LP* released under the Dum Dum Girls name, 2014’s “Too true”, on which Gundred returned to recording by herself and moved ever so slightly away from the noisy, wall-of-sound washes and 60s girl group melodies. Afterwards, she dispensed with the idea of Dum Dum Girls completely and rebranded herself Kristin Kontrol, going all synths and glam. Somewhere amidst all this, she also divorced with her husband and sometimes collaborator, Crocodiles frontman Brandon Welchez.

“Only in dreams” was my introduction to Gundred and her beautiful voice, an asset that she was only just starting to showcase on this particular album. It happened to also be my gateway to a few other likeminded bands that had somehow escaped my notice to this point, bands like Best Coast and Vivian Girls that riffed on the 60s girl group but upped griminess factor on the wall of sound. I had, on the other hand, already been exposed to the similar ethos of The Raveonettes, a band with whom I compared this album when trying to get others as hooked on them as I was. It didn’t surprise me, then, when I read in the album’s liner notes that it was co-produced by The Raveonettes’ Sune Rose Wagner.

“Bedroom eyes” was the second single released from “Only in dreams” and also appears second in order of play. It has all that noise and peppy beat that you’d expect and Gundred imbues her vocals with longing, singing about missing her now ex-husband while they were both away on separate tours. It transports you back to a simpler time but doesn’t leave the current age so far behind that you forget how that so-called simpler time wasn’t so simple. Beneath the glorious jangle and shine and chiming backing harmonies is a toughness. Just watch the video that plays on all the videos that might have been made at the time. Kristin and her band members are all decked out in black, sexy and sneering, not at all like the delicate flowers the influencing groups back in the day would’ve been portrayed.

For the rest of the Best tunes of 2011 list, click here.

* And an EP