(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: The National Album Title: Sleep well beast Year released: 2017 Details: Limited edition, Double LP, translucent blue vinyl, 24″x24″ poster
The skinny: The National’s seventh record landed on a number of ‘end of the year’ lists last year, notably (for me anyway) finding itself at the number three spot on my own best of 2017 list. They pushed the envelope and experimented with their sound, while keeping the general ethos of their music intact. It is atmospheric and lush and dark. It looks and sounds great on vinyl and I am about hear what it sounds like live and in person later today.
Standout track: “The system only dreams in total darkness”
Manchester’s Elbow had been around a long time before they released their debut album in 2001. Its members started playing together in a band in 1990 when they were but teenagers, though their name changed a few times before settling on the moniker by which they are now known. They were signed to Island in the late 90s and recorded a debut album, but as luck would have it, it never saw the light. The band was dropped from the roster when Island was acquired by a bigger fish. Such is life, I guess.
I picked up on “Asleep in the back” a few months after its release, around the same time as I did Doves’ “The last broadcast”. I will forever connect these two albums, not just because they came to me at the same time, but because I saw similarities in their sounds. Both are atmospheric and many-layered, music for getting lost in with a set of earphones, but where Doves was geared more towards rave-ups and dance floors, Elbow was more introspective and cerebral. It is just beautiful music to listen to and as trite as that may sound, it is the best way I can describe it.
“Red” was the first single released off “Asleep in the back” and is one of six tracks that had originally been recorded for the aforementioned aborted album and redone here. Like much of “Asleep in the back”, “Red” is big in sound, the tap-tap of the drums are quickly joined by a relentless flailing line of keys. There’s a sliding bass and warming strings. There’s guitars that jump and dither, in and out. And there’s Guy Harvey’s vocals, Peter Gabriel all over again, and he’s singing a warning to anyone out there living too fast and too hard, a “tragedy starting to happen”. The “red” is both a stop light and a spatter of blood, and neither, but the foreboding can be felt in every lovely layer. And it all bleeds together when you close eyes and press play.
For the rest of the Best tunes of 2001 list, click here.
How many of you folks use Winamp? I ask this because I know you’re all still out there.
For those that don’t know what I’m talking about, Winamp was/is a media player that predated iTunes by a good four years. It was widely used in the advent of MP3s and during the rise of Napster because it was free and easy to use. It has its diehards that just refused to switch over and were quite vocal about it when the flashier competitors appeared. I had thought it had been decommissioned but it appears it may still be in existence. I’m sure the diehards can confirm or deny either way.
I mention Winamp here because even back when I still used the program, I was very serious about properly tagging the metadata for my music and I always found it funny that there was a genre tag called “Primus”. That right there goes a long way to show how unique Primus is, the band and their sound. Indeed, Primus is blend of metal and prog and the weirdness of Zappa, and yet none of these at the same time, their sound really typified by the spotlight on Claypool’s crazy slap bass, and his oddball vocals and lyrics.
Bassist/vocalist Les Claypool formed the band back in 1984 but the classic lineup didn’t solidify until 1988 when guitarist Larry “Ler” Lalonde and drummer Tim “Herb” Alexander joined in the fun. I’m not sure how they managed it but they got a deal with a major label and on it, released their second album, “Sailing the seas of cheese”.
“Tommy the cat” was the second single off this album and my introduction to the band. It features another unique artist in the imitable Tom Waits, who gives voice to the character of the song’s title. But before we get there, the song’s drum marching band intro gets our attention and leads us right into the aforementioned bass forward sound that is only accentuated by screaming guitars. I particularly remember one afternoon spent working on a theatre set and, when the teaching supervisor was out of the room, us slipping this song on to the tape player. And a bass playing friend of mine got right into that bass solo. You know the one I’m talking about it. You love it.
…But before you get to checking it out below. Props must go out to Aaron over at Keepsmealive, who mailed me a copy of “Animals should not try to act like people” a few months ago. It just showed up in the mail after we had a discussion about it on his blog and I actually hadn’t gotten around to watching the DVD of Primus’s videos until sitting down to write this post. But I slipped it on last night and watching all of these brought back a ton of memories. I actually got to see a few I hadn’t seen before, like the one for “My name is mud”. So cheers dude and to the rest of you, enjoy the video and the tune.
For the rest of the Best tunes of 1991 list, click here.
My (life in) music lists 