Categories
Tunes

Best tunes of 1994: #24 Cranes “Shining road”

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Here’s another song by a band whose introduction came by way of a sampler. Yes, they really did work!

Back in the latter months of 1994, I was living in a basement apartment just north of Toronto while attending my second year at York University. Although it was definitely a shorter commute from that apartment than it was in my first year driving in from my hometown, it still meant hanging about on campus, killing time between classes, haunting the library, the student centre, the arcades and games rooms, and the pubs. At some point nearing the end of the fall term, I was in the campus general store* in the York Lanes Mall, perusing the magazine section for music mags. I came across one that I’d never heard of before called CMJ New Music Monthly and flipping through, saw names of artists I knew and respected, names I wouldn’t always see in the mainstream press, outside of the British music mags. I got to the end and saw a sampler CD was included and was impressed by the artists featured there as well. I was sold**.

The first track on the CD compilation was the Brauer mix of “Shining road” by Cranes and it hooked me right away with its haunting minimalist approach and the trademark childlike vocals of Alison Shaw. As it would turn out, my friend Tim*** was discovering the band concurrently while attending Waterloo university, about 100 kilometres away. The lucky jerk got to see them in March 1995 in Toronto and covered their show for his university paper. Granted, Cranes certainly fell neatly into Tim’s gothic, dark, and heavy musical oeuvre, which also included bands like Sisters of Mercy, New Model Army, KMFDM, and Nick Cave and the Bad Seeds.

Indeed, though the English alternative rock band has often been labelled as ‘Gothic’****, the band has not been happy about it. Cranes was formed by Alison Shaw and her brother Jim all the way back in 1985 and save for a brief hiatus near the end of the 90s, they were active until the end of the 2000s. They reformed again a couple of years ago for some shows and a new album in 2024. In all, they’ve released nine full-length studio albums, a couple of mini-albums, and a litany of EPs.

“She’s been making plans to go (you know)
Hit the bright lights, hit the road
To the city lights this time
Just don’t worry I’ll be fine”

“Shining road” is the opening track off Cranes’ third studio album, “Loved”. It catches your attention right away with those thumping ritualistic beats. The guitar strumming is restrained and taut, ominous and foreboding. At the chorus, though, things rev up considerably, to almost evil sounding levels. Yes, it plays the quiet-loud-quiet game, alternating between traipsing amongst dark clouds and stomping heavily through muddy puddles. Set all of that against the aforementioned childlike and haunting vocals by Alison Shaw and its pure magic. Pure black magic.

*Probably not the right name. I’m sure it’s long since closed.

**And blew a third of that week’s grocery budget in the process.

***It’s actually Tim’s birthday today. So this one goes out to you Tim!

****I included the very song that is the subject of today’s post on a “Goth” playlist I created and posted to these pages almost seven years ago.

For the rest of the Best tunes of 1994 list, click here.

Categories
Live music galleries

Live music galleries: Preoccupations [2016]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Preoccupations performing at Ottawa Bluesfest July 9, 2016

Artist: Preoccupations
When: July 9th, 2016
Where: Black Sheep stage, Ottawa Bluesfest, Lebreton Flats Park, Ottawa
Context: We’re only halfway through the first month of 2026 and I’m already itching to see some live music. I feel that with the pandemic in 2020 and 2021 and then my health problems last year that I’ve got a lot concert attending to catch up on. Call it a resolution or whatever. It’s what I plan to do. I’ve already got a ticket for one show and my eye on a handful of others. Until then, here’s some pics from a fantastic show I caught 10 years ago (!) at Ottawa Bluesfest and I’ve included some words that I wrote about it at the time for my old blog Music Insanity!

“…The final band of the night for me were headlining the tiny Black Sheep stage and went by the name of Preoccupations. The Calgary-based, post-punk four-piece were formerly named “Viet Cong” but changed it after facing accusations of racism due to their choice in moniker. I was really excited to see them live because I was curious how they would match the insanity on their incredible debut long player. I got my answer when the lead guitarist broke a string within minutes of starting into the first song. The band employed plenty of effects and electronics in changing the sounds of their instruments and their voices but the energy was all theirs. Like their records, it was all angular guitars, rapid fire drumming, surprising time changes, loud booming bass, and yes, extremely dark. The drummer was particularly incredible, employing a mixture of electronic and traditional drums in his kit, and hitting them like he was a machine possessed by a poltergeist. The crowd was relatively small in size but didn’t lack for enthusiasm. Plenty of times, those closest to the stage erupted into violent, tribal dance, much like a mosh pit. I didn’t join in the fun but did often find myself lost in the waves of music. Their set was loud and dense and consisted of many (if not all) of the tracks off their debut album (including personal favourite, “Continental shelf”), as well as a preview of new material. […] All in all, an amazing set, well worth stamping around in the rain for.”
Point of reference song: Anxiety

Matt Flegel at the mic
Mike Wallace at the kit
Daniel Christiansen close up
Scott Munro concentrating on the synths
Mike Wallace loses his shirt
Daniel Christiansen rocking out like no one is watching
Scott Munro’s death stare
Matt Flegel singing in the rain
Preoccupations under the cover of darkness
Categories
Albums

Best albums of 2025: #1 No Joy “Bugland”

Well, here we are. We’ve finally made it to the last full day and hence, the last post of the year and exactly as planned, we’re going to be talking today about my favourite album of 2025: No Joy’s “Bugland”.

Originally formed as a duo in Montreal, Canada in 2009 by Jasamine White-Gluz and Laura Lloyd, No Joy has gone through a number of personnel compositions over the years but is these days, for all intents and purposes, the musical vehicle for White-Gluz. My first exposure to No Joy’s music was sampling their 2013 sophomore release “Wait to pleasure”. As I hinted back at the beginning of December*, I was alerted to this record care of a post on a Facebook group page that I had forgotten joining on all things Shoegaze. This happy introduction began a long love affair with their music. I immediately went back to pick up the debut “Ghost blonde”, ate that up, and since then, have stopped to take notice whenever a new EP or LP was announced. It was the term shoegaze that first drew me to No Joy but White-Gluz keeps adding to the arsenal and experimenting with sounds, colouring far outside the lines and stretching the label to its limits.

Indeed, when I wrote about No Joy’s fourth album “Motherhood” for my Best albums of 2020 list, I suggested that Wikipedia might soon need to erase all reference to shoegaze from its No Joy page. And though I think the progression has continued ever onward on “Bugland”, I’ve changed my thinking on that sentiment, especially after finally catching No Joy live back in October and seeing White-Gluz and company perform these songs in the flesh. This fifth record doesn’t always live in that space where guitars are layered, screeching, fuzzed out, and dreamy controlled chaos, but it’s still there at the heart. And there’s so much more. There’s some metal, some dance, experimental noise, prog, and synth pop. White-Gluz makes music for herself, that’s obvious, bucking trends and taking names, and she’s most definitely having fun on this album.

“Bugland” is big and magical. It begs to have all the knobs cranked to eleven. It calls you dance along with it, though its ups and downs, to close your eyes and sing/scream. It is definitely weekend music. Eight songs for living free. Each one worth your attention but as always, I’ve picked three from the group for you to sample.


“Garbage dream house”: “Erased the laughs all off from your face. And I’m wondering how.” The opening track feels like a collage. It starts and ends with mutated dial tone sounds, bringing to mind the days of dial up internet, when the world seemed limitless, if you could only have the patience for it. Then, there’s the heavy handed drum beat and the muscular guitar skipping the light fantastic around it. White-Gluz’s vocals sound at times a part of the ether, an echo of a dream, and at others fed through the machine, syllables and vowel sounds becoming key strokes. By the end, everything is thrown through the blender, and the song sounds like many different songs from one moment to the next, roaring and soaring and challenging your ear drums.

“Bits”: “I walk around the back and you’re all around me. You’re all around.” Track three is a dichotomy, setting angst and discordance against pastoral freedom. It is angry and noisy and angular guitars. These build and get more aggressive but when they take a break, to gear up for more, you notice that the dreamy synths were there all along. The vocals float around the proceedings, fading in and out of coherency. When you do catch a word or an idea, you can’t help but wonder whether you are missing something important with all those other words and ideas flitting about. You aren’t given long to ponder though. The vocals just continue to play hide and seek in the mix, even the spoken word bit at the end feels like a conversation walked in on halfway through, but before you can ever ask for a repeat, the song is over and you press play again.

“Bugland”: “You’re in bugland. Leave you suntanned. You look better with eyes eyes eyes.” The title track is only two and a half minutes long but it sounds infinitely bigger and more pronounced. The beats are frenetic, almost rave material, and they don’t quit, though they do slip behind the screen of heavy riffing guitars at points and the washes of synths at others. The words almost unintelligible, voice in the high registers, calling to mind early Cocteau Twins, but the energy and tech interruptions scream Curve. Indeed, White-Gluz is leaving us breathless, really selling us on this Bugland. I would never think that I might enjoy a place that would be run by the creepy crawlers but she almost has me convinced.


*In a story I’ve told a couple of times that I won’t repeat here.

So that’s it, my favourites for 2025. In case you missed them, here are the previous albums in this list:

10. Snocaps “Snocaps”
9. Nation Of Language “Dance called memory”
8. Robert Ascroft “Echo still remains”
7. Doves “Constellations for the lonely”
6. Miki Berenyi Trio “Tripla”
5. Suede “Antidepressants”
4. Wet Leg “Moisturizer”
3. Pulp “More”
2. The Limiñanas “Faded”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.