Categories
Tunes

Best tunes of 2020: #17 Ezra Furman “Every feeling”

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I recently wrapped up watching the final season of Sex Education on Netflix and almost immediately, I found myself wanting to start over and rewatch it from the beginning. To me, that’s a sign of a great show and when it happens with books, it’s the same – the feeling of missing the characters and their stories and their worlds.

I wasn’t immediately sure when I started watching the first season back in the fall of 2019. It felt a bit weird to be watching a show that explicitly detailed the sex lives of teenagers, even though I knew that all of the actors would be of the age of consent. It did a great job, though, playing with reality, making the stories not about their age or the place and time*, and more about the great characters and how they reacted to universal problems and situations related to love and relationships and yes, sex.

The show lasted four seasons of eight episodes a piece, which seems quite long for British television in my own limited experience. Each episode in each season was quite excellent and of course, I loved the music throughout, a pastiche of hip music from the 70s to the present, with many songs that I recognized and some that I didn’t. A quick google search explained that many of those excellent songs I didn’t recognize were supplied by American singer-songwriter Ezra Furman.

In late January 2020, about a week after season 2 appeared on Netlix, Furman released “Sex education original soundtrack”, which collected together all of her songs that appeared in the first two seasons of the show. Of course, I made sure to peruse it and then found myself perusing more of her work and it was then, that I realized that though some of the tracks were written for the show, many were songs that were repurposed from her previous recordings.

One of the tracks that Furman wrote new for the show appeared at the end of episode three of the first season. “Every feeling” fits the mood of scene perfectly: the wind-down of an emotionally draining day. At the time, the song wasn’t available anywhere and viewers  immediately started clamouring to find out where they could get a copy. It’s a short piece that focuses on Furman banging away at her acoustic guitar like it was cause of her hurt and depression and her drained voice shaking out all the f-bombs. Because sometimes that’s the only word that’ll do to get your message across.

“I’m gonna feel every feeling
And only love
Only love will remain”

It’s a track full of pain but it’s also damned uplifting.

*Though there were plenty of homages to John Hughes’ teen comedies of the eighties, the hints to past and present technologies and trends made it feel out of time completely.

For the rest of the Best tunes of 2020 list, click here.

Categories
Live music galleries

Live music galleries: The Cure [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The Cure live at Osheaga 2013

Artist: The Cure
When: August 2nd, 2013
Where: River stage, Osheaga, Jean Drapeau Park, Montreal
Context: I was doing this thing in the spring and early summer this year, posting pics from some of the great sets* I caught at Montreal’s Osheaga music festival back in 2013: a sort of ten year anniversary celebration of a great weekend spent with music and friends. However, I never got around to what was possibly my favourite set of the whole weekend, something I’ve decided to remedy before this year was up.

I had seen The Cure once before back in 2000 for their Bloodflowers tour but this time, it was ultimately more satisfying because the setlist was so wonderfully mixed. The night was cool and pleasant and Robert Smith was at the top of his game, sounding as he did in his prime, but perhaps performing with more joy than he ever had back then. It was a wondrous two hour set, playing everything any fans would ever want to hear. It seemed like it could, and would, go on forever. In fact, festival organizers had to cut the sound just near the end of “Boy’s don’t cry” after the band had gone on way past curfew.
Point of reference song: Boys don’t cry

Robert Smith from far away
Reeves Gabrels and Jasson Cooper
Roger O’Donnell
Reeves Gabrels and Robert Smith
Robert Smith closeup

*Past galleries from this festival weekend have included the following:

Categories
Vinyl

Vinyl love: No Joy “Wait to pleasure”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: No Joy
Album Title: Wait to pleasure
Year released: 2013
Year reissued: 2023
Details: 10th anniversary, tan vinyl

The skinny: Here’s another great shoegaze album celebrating an anniversary this year and while this one is not quite widely recognized as a classic, it certainly is held as such in some circles. No Joy’s sophomore album “Wait to pleasure” was my introduction to the Montreal-based outfit led by Jasamine White-Gluz. They came up on my Facebook feed one day in 2013 from a group about shoegaze that I had forgotten that I’d joined. When I checked out the album and its mix of My Bloody Valentine and Sonic Youth crunch with Cocteau Twins and early Lush gauze-y goodness, this fan was sold. Ten years later, their Canadian label Hand Drawn Dracula* has reissued and repressed one hundred copies of the album to translucent tan vinyl to celebrate its anniversary. I pulled the trigger on Bandcamp as soon as I saw it there, which also happened to be a Bandcamp Friday. So win-win-win all around.

Standout track: “Hare tarot lies”

*Quite possibly my favourite indie label of the moment.