Categories
Albums

Best albums of 2025: Honourable mentions

I know most people are not a fan of Mondays, given that it’s the start of a new work week and all that that entails, but I like the idea of new starts and all of the potential they bring. And what better day than a Monday to start a new series… and one that celebrates another year of great music at that.

Yes, indeed, it is that time again.

And though I’m not one to want to wish the days away, I gotta say I won’t be sad to kiss 2025 goodbye. It’s been, for the most part, an uneventful year, but also one that I won’t ever forget. I’ve spent the lion’s share of it in recovery mode. Health concerns that I don’t really want to get too deep into here but ones that, at many times this year, have had me worried that I’d never fully recover from. I am only now just returning to work after a long period away and that in itself is its own challenge.

All this to say, there were but a few bright spots to point out from 2025. I can include all the precious time I was able to spend with my lovely wife as one, of course, and all the quality time whiled away listening to great music as another. Yes, I devoted as much time as I could spinning records and exploring new music and old favourites on the streaming sites on the old Internet. The pure joy of music was almost as much a part of my recovery as the balance of rest and calm and fresh air.

So, yeah, by my quick glance at the calendar, I see we’ve got just over five weeks left of 2025 and my plan is to share, interspersed with my regular blog programming, some of my favourite albums that the year has offered. I’m starting today with some honourable mentions, albums that didn’t quite crack my top ten but that are definitely worth your time, and I’ll be back soon with a start to the countdown of my ten faves. Enjoy.


bdrmm “Microtonic”:  Hull, England based outfit imbues electronic dreams into their shoegaze arsenal for their third outing with brilliant results.
Check out: John on the ceiling

Ezra Furman “Goodbye small head”:  Always raw and immediate, the American singer/songwriter’s 10th album is filled with personal tales that at the same time feel quite universal.
Check out: Grand mal

Just Mustard “We were just here”:  The Irish quintet’s third album smacks equal parts of the haunting goth of Cranes and the noisy experimentation of Sonic Youth.
Check out: We were just here

Amy Millan “I went to find you”:  The Stars’ co-frontwoman’s* third solo album moves away from the folk/country of her first two releases and into an indie pop sound that feels like a warm comforter on a cold Canadian winter morning.
Check out: The overpass

Pale Blue Eyes “New place”: More beautiful and danceable dream pop ecstasy from the trio originally from Sheffield, songs that feel blissfully eternal.
Check out: Scrolling

Sloan “Based on the best seller”: The Canadian alt-rock icons doing what they do best on their fourteenth studio LP – just keeping on keeping on bringing the rock.
Check out: Dream destroyer

The Veils “Asphodels”: The latest by Finn Andrews’ musical vehicle is typically dramatic and epic, and worthy of another David Lynch soundtrack.
Check out: The ladder


*Whose last name I learned this year that I’ve been mispronouncing for two decades.

I’ll be back very soon with albums #10 through #6 for my Best albums of 2025 list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Vinyl

Vinyl love: The Clientele “Strange geometry”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Clientele
Album Title: Strange geometry
Year released: 2005
Year reissued: 2016
Details: standard black

The skinny: More Clientele vinyl hitting my turntable this week, this one a warm and long overdue reacquaintance. “Strange geometry” was their third album, released in 2005, and would be the first of a litany new Clientele albums that would be hotly anticipated by yours truly the moment they were announced. It was only a slight letdown from the perfection of “The violet hour“, veering ever so slightly into pop territory, only very, very slightly mind you, but this didn’t keep me from eating the album up at all. Indeed, it wasn’t long before I was in love with its every detail. This particular piece has the distinction of being the first Clientele record to become part of my collection. I purchased the 2016 Merge reissue pretty much as soon as it went up for pre-order on Amazon for a very reasonable price in the $25 range.

Standout track: “Since K got over me”

Categories
Vinyl

Vinyl love: The Clientele “Suburban light”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Clientele
Album Title: Suburban light
Year released: 2000
Year reissued: 2014
Details: 180 gram

The skinny: Okay. So I don’t usually make a habit out of posting two of these ‘Vinyl love’ pieces in a row. However, my most recent vinyl purchase, that of the long awaited reissue of “The violet hour“, and of course its requisite go-round on the turntable, immediately put me in the mood to listen to more of The Clientele. And while posting the piece a few days ago, I came to the realization that I hadn’t beforehand published a single ‘Vinyl love’ post on any of their long players, of which I now have all of them on my shelf. So I’ve decided to remedy (and perhaps overcompensate for) this oversight and run the gamut over the next few months, starting back at the beginning, with their debut, 2000’s “The suburban light”. The English dream pop trio cobbled together demos and rough (sometimes home) recordings for this debut, preferring their sound to the versions that resulting from time spent in proper studios and because of this, the album was oft mislabeled a compilation* rather than an album proper. My copy of the record was the one Merge reissued in 2014 with the original artwork and tracklist, as part of its 25th anniversary series, pressed to 180 gram vinyl using the original analogue tapes. So beautiful.

Standout track: “Rain”

*Indeed when I posted about “Rain” (the song above) for its entry on my Best tunes of 2000 list, I referred to the album as such.