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Playlist: Ode to the opening act

The lot of the opening act is a tough gig.

On the one hand, travelling with an established band, especially one of similar aesthetic, can bring a new or lesser known musician or band some much needed exposure. On the other, if it’s not thought through, the results can be disastrous and ego-battering. I’ve heard stories of great and talented artists booed, heckled, and worse, made the targets of beer bottle tossing. There have also been cases where bands of mutual respect have decided to team up for a tour, leaving their collective fan bases somewhat confused and terribly mixed, and yes, I’m thinking here of a certain Public Enemy/Sisters of Mercy tour back at the beginning of the 1990s.

Far too often, though, these hardworking and earnest opening acts are simply ignored. Audience members will show up late, often in the middle of the set, choosing instead to pre-drink at a nearby waterhole rather than pay the often exorbitant fees at the concert venue. Or these same folks will show up early with their general admission tickets to carve out a sweet spot right at the front of the stage for the headlining act and rudely spend the whole opening set talking loudly with their friends. I’m not sure which would be worse, though, an empty room or a simply disinterested one.

I always try to make it a point to head out to the show early to catch and show support for these opening acts. There have been times, of course, where the openers have not been my cup of tea and I just focused on drinking (and spending) more. However, I’ve more often than not enjoyed these sets. In fact, I’ve discovered many a new favourite amongst these support acts.

So yes, this month’s playlist goes out to all those opening acts out there. It is twenty songs by bands I’ve seen in the early slot in my many years of concert going. To be fair and to limit things some, I’ve not included any bands that I’ve seen in lower card time slots or on side stages at festivals, though there have been many of these as well. For each act in this list, I’ve provided the date of the show and the headliner, some sentences of context, and where possible, chose a song from that time period. As you’ll see, there are bands that made of me a bigger fan with their set, some that were brand new to me and won me over, and others that actually drew me to the show more than the headlining set. Some of these bands are huge now and some even became bigger names than the ones they were supporting. Check it out.

1. Chapterhouse “She’s a vision”
Opened for The Wonder Stuff, February 20, 1994: When I arrived at the tiny Toronto venue to see my favourite band at the time for a measly $10, I was surprised to learn that many of the people I was meeting at the show were more excited for the opening band that I was considering a bonus. Let’s just say that when Chapterhouse, with whose albums I was already familiar, hit the stage, I was mesmerized.

2. Primal Scream “Rocks”
Opened for Depeche Mode, June 20, 1994: This one’s a bit of a cheat because both the Primals and Mode were preceded by Stabbing Westward, who was to be honest, a yawn. However, Primal Scream and their 1991 album, “Screamadelica”, were what finally drew me to see Depeche Mode live and incidentally, it was the first concert I went to with my future wife, Victoria. Were the Primals great live? You betcha!

3. Weezer “Undone (The sweater song)”
Opened for Lush, August 21, 1994: The song chosen is the one song I had only barely heard before seeing Weezer, who would later become a household name, open for Lush, an iconic shoegaze band remembered now in just a few circles. They were really fun, yet I think I was the only one amongst my friends who was really paying them any attention.

4. Pulp “Do you remember the first time?”
Opened for Blur, September 28, 1994: None of us had really heard much from Pulp before that show but the very next day, it seemed, my friends and I all went out and bought “His ‘n’ hers”. Frontman Jarvis Cocker was engaging, charismatic, and exciting, while the rest of the band, well, they collectively blew our minds.

5. The Dandy Warhols “Not if you were the last junkie on earth”
Opened for The Charlatans, September 26, 1997: The Dandys were another band by whom I was only barely familiar with the one song (again, the one chosen) before seeing them live. Victoria was unimpressed but I loved them and purchased their next release, “Thirteen tales from urban bohemia“ a couple of years later. The rest is history.

6. Spiritualized “I think I’m in love”
Opened for Radiohead, April 12, 1998: These guys are the only reason I’ve ever seen Radiohead live. After seeing Spiritualized blow the doors off a much smaller venue, I just had to see them again when they swung back through town on the same tour, this time warming up a much larger venue for Thom Yorke and the boys. Jason Pierce’s set was great and I was super glad that I stuck around for Radiohead.

7. Billy Bragg “Accident waiting to happen”
Opened for The Lowest of the Low, August 2, 2001: Another cheat because this card was actually led off by Winnipeg’s own, The Weakerthans, but I’m giving Bragg the nod here for returning after his set to perform the song included on this playlist with headliners, The Lowest of the Low. It was fun watching the local heroes falling over themselves and going fanboy over the Bard of Barking.

8. The Sid Hillman Quartet “No perfect world”
Opened for Neil Halstead, April 20, 2002: It was weird seeing Slowdive and Mojave 3 frontman, Neil Halstead, do a show at a tiny, tiny club in Ottawa’s Byward Market but the bigger surprise came when I was even more impressed by the previously unknown to me, alt-country singer/songwriter, Sid Hillman.

9. The Polyphonic Spree “Light & day / Reach for the sun”
Opened for David Bowie, April 2, 2004: We walked into the Corel Centre a little late and found our seats a few songs into the opening set, but the twenty-odd-piece band dressed in flowing robes (that included a harpist, a theremin player, and a choir) certainly made an impression. The very next day at home, I went digging on the internet to track down their debut album.

10. Ambulance LTD “Heavy lifting”
Opened for The Killers, October 9, 2004: There were two bands opening for The Killers at that tiny club in downtown Ottawa but the dream pop/psych rock band from New York definitely made the bigger impression. Ambulance LTD’s self-titled debut has become a favourite of mine from that era. Sadly, they never made another record.

11. Arcade Fire “Rebellion (Lies)”
Opened for U2, November 25, 2005: I finally acquiesced to seeing U2 with my wife when they played a show at the Corel Centre at the behest of friend and then Canadian prime minister, Paul Martin. At that time, it was the most I’d ever paid for a concert ticket but when Montreal’s Arcade Fire were announced as headliner, I stopped complaining. Arcade Fire made a lot of new fans that night in the capital and shortly afterwards, got so big, they were assuming headliner spots at venues of that size.

12. Richard Ashcroft “A song for the lovers”
Opened for Coldplay, March 17, 2006: Much like my Radiohead and Spiritualized story above, I might have never seen Coldplay live if they hadn’t brought Richard Ashcroft along on their X & Y tour. Victoria and I were two of only a few pockets of those standing and singing and dancing along to his whole set amidst a sea ambivalent talkers. He peppered in a bunch of Verve tunes with his solo work but when he played “Bittersweet symphony” as his final song, the rest of the crowd joined us on their feet.

13. The Essex Green “Don’t know why (you stay)”
Opened for Camera Obscura, January 30, 2007: I had never heard this Brooklyn-based indie rock band before the show but based on their performance, bought the CD at the merch table and went back to find their earlier album later on. Unfortunately, they went on hiatus not long after this tour and finally returned last year with a new album that made an appearance on my best of the year list.

14. Young Galaxy “Outside the city”
Opened for The Besnard Lakes, October 13, 2007: This is actually the first of two times I saw Young Galaxy as an opening band (the second time was when they supported Austra in 2011) and I’ve actually seen them two other times live. Indeed, they are one of my favourite ever bands. However, their set supporting The Besnard Lakes seemed perfect, a dream pop/psych rock band doing support for another. Although Young Galaxy moved on to a more electronic sound, this era was my favourite of theirs.

15. Small Sins “We won’t last the winter”
Opened for Secret Machines, November 15, 2008: Small Sins were the short-lived synth pop project of Thomas D’Arcy that released three albums in the late 2000s. D’Arcy later released work under his real name and has found success in production work on some very successful Canadian rock albums. His opening set that night was incredible.

16. I Break Horses “Winter beats”
Opened for M83, May 6, 2012: I’ve already written on these pages about how I Break Horses (pictured above) was the bigger draw for me than M83, for whom they were opening. Well, M83 were eye-opening but the Swedish duo of Maria Lindén and Fredrik Balck didn’t disappoint in the least either.

17. John Grant “Pale green ghosts”
Opened for Elbow, May 17, 2014: I had never heard John Grant before seeing him open for Elbow at the famed Danforth Music Hall but his deep baritone vocals and dramatic presence was certainly a welcome warm up and both my wife and I took notice.

18. Gateway Drugs “Friday’s are for suckers”
Opened for Swervedriver, May 5, 2015: This band of newcomers impressed me enough to pick up their debut album at the merch table, their performance being my first exposure to their dirty and noisy glam rock. Their silence in the years since has been a surprise to me because I was sure they would make a name for themselves but it’s not too late: a sophomore album is forthcoming in October.

19. Tess Parks “Somedays”
Opened for Ride, June 2, 2015: I had to rush the whole lot of friends and friends of friends who had amassed to pre-drink before the first Ride show in Toronto in decades to finish their beers just so I could see her set. Tess Parks was tentative but the strength of her songs carried her. She has since collaborated with Brian Jonestown Massacre’s Anton Newcombe and I expect there’s more good tunes coming from her soon.

20. Japanese Breakfast “Everybody wants to love you”
Opened for Slowdive, May 6, 2017: I was at first quite surprised to see all the young people that were at the Montreal stop on shoegaze legends Slowdive’s tour. But then, it occurred to me that they were probably there to catch buzz act and next gen dreampopper, Japanese Breakfast. I had only given Michelle Zauner’s debut a cursory pre-listen but really enjoyed her set.

Now that you’ve perused and perhaps listened to the embedded playlist below, I’d just like to sum up by saying: Next time you go to a show, remember this playlist and the fact that you might be missing out on your next favourite band. Come out early and join me near the front of the stage. I’ll be there with a beer in hand, trying not to be annoyed by the loud talkers standing in front of me. Cheers.

For those of you who are on Spotify, feel free to look me up. My user name is “jprobichaud911”.

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Tunes

Best tunes of 2010: #2 Arcade Fire “Sprawl II (Mountains beyond mountains)”

<< #3    |    #1 >>

And here we are finally at the penultimate track on this best tunes of 2010 list and we have a second song from what many consider to be Arcade Fire’s masterpiece: “The suburbs” (the title track appeared at #12). For myself, I don’t know if I can decide between this one and their debut album, “Funeral”, it’s really too close to call. I liked both albums from the start, though they are quite distinctly different.

“The suburbs” is a bleak, post-apocalyptic rendering of suburbia, but it is done with love. In many cases, the songs are brighter and shinier than those on the darker “Funeral”. Indeed, “Sprawl II (Mountains beyond mountains)” is a perfect example of how Arcade Fire twists it’s subject matter into something more uplifting and almost joyous.

“They heard me singing and they told me to stop,
Quit these pretentious things and just punch the clock,
These days, my life, I feel it has no purpose.”

The sixth and final single released off the album features Win Butler’s partner in crime and in life, Régine Chassagne, on vocals and she is star of the music video as well. She leaves her suburban home with a pair of headphones on and she starts the music immediately. Then, we see suburban folk doing typically suburban things, like hanging out in lawn chairs and watering the lawn, except they’re all wearing masks, some of them faceless, and all the while, Régine just sings and dances away any fear and loathing she might have. It all culminates in a fearless night time dance party on a football field, where she leads the way with cheerleading streamers.

I’ve often felt that she was channeling Björk a bit here and not just in the video, where the humdrum world becomes a sort of Hollywood musical, albeit a twisted one, once the music starts. But in the song itself and how she sings the song, right down to the vocal mannerisms.

And it is on “Sprawl II” more than on any other song on “The suburbs” that we get a hint at the direction Arcade Fire would take on future albums. Music that Régine could dance to was how Win Butler explained the sound on “Reflektor”. Well, she’s dancing all over “Sprawl II“ and it’s super contagious.

For the rest of the Best tunes of 2010 list, click here.

Categories
Albums

Best albums of 2007: The honourable mentions (aka #10 through #6)

Back at the end of 2017, I counted down my favourite albums of the year in a weekly series that culminated with me posting words about my #1 favourite album on the final Friday of the year. In the initial post for that series, I hinted that I might continue to intersperse my favourite tune posts with a few more of these ‘best album’ series over the course of this year. I figured that the first day of February was as good a day as any to start off the first of what I hope will become many such series.

For starters, I’ve travelled back a decade to 2007, a pretty incredible year for indie rock, particular for those bands hailing from Canada. I’d been pretty proud of the music coming out of my home country for the previous couple of years already. My favourite magazine in those days, Under the Radar, had done a special issue focusing on Canadian indie rock in 2005. The Polaris Prize, the Canadian equivalent to Britain’s Mercury Prize, was established in 2006, the inaugural prize won by Owen Pallett (aka Final Fantasy). And pretty much every Canadian indie band, whether from Montreal, Toronto, or the Vancouver area, was exploding on the scene. So you shouldn’t be too surprised to see that this list will feature a sampling of these talented Canadians.

To sum up, starting from today and continuing over the next five weeks, I will honour the Throwback Thursday theme/meme (#tbt) with a series on my favourite albums from 2007. Enjoy.


#10 The Besnard Lakes “The Besnard Lakes are the dark horse”

I feel like it was the resurrected MuchMusic alternative show, “The Wedge”, that introduced me to The Besnard Lakes in 2007 with the video for “Agent 13” off this, their second record. “The Besnard Lakes are the dark horse” is eight beautiful and dreamily atmospheric arrangements that meander at their own pace and might dissipate into the ether altogether it weren’t all held together with those Beach Boys-esque vocal harmonies. This was the album that really put the Montreal-based sextet, led by husband and wife Jace Lasek and Olga Goreas, on the map.

Gateway tune: Devastation


#9 Okkervil River “The stage names”

Like many other people (in my head, anyways), “The stage names” was my introduction to the Austin, Texas-based indie rock band led by Will Sheff. What initially drew me to the album and keeps me coming back is that it has all the traditional Americana elements and instruments but plays with song structure and lyrics in a very different way. Will Sheff sings with a voice that belongs more in the post-punk era (think Gordon Gano or David Byrne), telling intricate stories in a very literate way, overtop a cacophony of Hammond organs, xylophones, pedal steels, woodblocks, and mandolins.

Gateway tune: Our life is not a movie or maybe


#8 Handsome Furs “Plague park”

Handsome Furs was Dan Boeckner’s (also of Wolf Parade, Divine Fits, and Operators) side project that he formed in 2005 with his then wife, Canadian poet Alexei Perry. Named after a park built overtop a mass grave for plague victims in Finland in the 1700s, “Plague Park” was the first of three albums the Montreal-based duo would release before dissolving (and separating) in 2012. Of the three, it is the most guitar heavy but it is characteristic for the heavy bass, raucous synths, and of course, Boeckner’s raw Springsteen-like vocals.

Gateway tune: Dumb animals


#7 Cuff The Duke “Sidelines of the city”

For their third record, Oshawa, Ontario’s Cuff The Duke rotated their lineup some and expanded their sound from their alternative country roots to include a bit of blues and psych rock. Wayne Petti, the band’s driving force doesn’t eschew everything that worked for the band in the past, however, staying with Paul Aucoin for the album’s production and writing some quality, quality lyrics. I’m especially fond of Oshawa love letter, “Rossland square”, because the city is incidentally the town where I was also born. But that’s not the only reason I’m fond of the album. Listen to the track below for more firepower.

Gateway tune: If I live or if I die


#6 Arcade Fire “Neon bible”

To be perfectly honest, I was disappointed with this album when I first heard it. But how could I not with the insane expectations I found myself heaping upon it after the brilliance of the Montreal-based indie rock collective’s debut album, “Funeral”. Nonetheless, “Neon bible” grew on me over the years. For the sophomore album, the group added Ottawa’s Jeremy Gara on drums and included violinist Sara Neufeld as a full time member. Frontman Win Butler has stated that he had wanted a stripped down sound for the album but the big themes of televangelism and religion begged for equally big instrumentation so the layers and the final sound ended up being immense.

Gateway tune: No cars go


For the rest of the albums in this list, check out my Best Albums page here.