Tag: British rock

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Tunes

Eighties’ best 100 redux: #76 The Mission “Tower of strength” (1988)

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At track #76 is The Mission’s eight-minute epic single, “Tower of strength”.

The Mission (known as The Mission UK in North America) was formed by Wayne Hussey and Craig Adams after they left Sisters of Mercy due to a disagreement with frontman Andrew Eldritch before the recording of that band’s second album. In fact, a handful of songs that appeared on The Mission’s debut album, “God’s own medicine”, were written by Hussey and were meant to be recorded as Sisters of Mercy songs.

I was introduced to The Mission by my friend Tim (who incidentally also introduced me to Sisters of Mercy and a bunch of other Goth and Industrial bands) back in high school. It all started when he included their track, “Deliverance”, as part of a mix on the back side of a cassette tape on which he had recorded The Wonder Stuff’s second album “Hup” for me. Speaking of the Stuffies, they have a Mission connection, too. If my memory serves, the story behind their “Mission drive” track is that Wayne Hussey (a friend of Miles Hunt) invited The Wonder Stuff out to tour with them, which, in effect, saved them from breaking up before their time. Anyway, “Deliverance” only served to pique my interest in The Mission and was immediately usurped as my favourite track by them when I heard “Tower of strength”.

This single, which comes from the band’s second album “Children”, encapsulates the dark and epic beauty of The mission’s music at that point in their career. Wayne Hussey’s soul crunching vocals just soar over the strumming guitars that underpin the entire eight minutes. The video below is for the radio edited version, which is only half as good (because it is half as long) as the album version, but you’ll get the picture.

Original Eighties best 100 position: 79

Favourite lyric: “You are all passion and heart / When I lay in your embrace / And heaven is in your kiss / Salvation lies just a touch away” …oh so dark and romantic.

Where are they now?: The Mission are now currently on their second reunion, this time with three of the four original members. The have released two albums and toured a number of times since reforming in 2013.

For the rest of the Eighties’ best 100 redux list, click here.

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Tunes

Best tunes of 2003: #4 Elbow “Fugitive motel”

<< #5    |    #3 >>

I wrote about how I fell in love with Elbow and their first album, 2001’s “Asleep in the back”, in a couple posts about tracks that were amongst my favourites of that year*. Indeed, I became quite obsessed with the Manchester-based quintet, name checking them with all my friends, recommending their music at every chance I got, describing their sound as epic and bombastic. I’m sure my friends got sick of hearing about them and being who they were, took every advantage to rib me and poke fun. I didn’t care. I just pressed repeat.

When I heard a sophomore album was being released, I went out to the local HMV and purchased “Cast of thousands” on CD as soon as it was possible. I didn’t even consider there would be a letdown given my lofty expectations and thankfully, the album didn’t disappoint in the least. Titled for the idea that they enlisted and recorded the Glastonbury crowd singing the refrain of one of the album’s tracks but really evoking how the band doubled down on the followup to their successful debut. Listening to the album over and over again that first week, I came up with a new descriptor for them: beauty, personified.

I distinctly remember taking the CD with me on a trip down to Toronto to visit my friends, Discman company for the long Greyhound bus ride, there and back. I stayed with my friend Tim that weekend, whose birthday it was, if I correctly recall, sleeping on the pullout couch in his basement apartment. On one of the afternoons, a couple of other friends came over and we span tunes, drank beers, ate Pizza Pizza pizza, and played Axis and Allies** for hours. When it was my turn to select the tunes, I slipped on “Cast of thousands” much to the eye rolling of my friends and though I think they got more of an appreciation, I don’t think any of them were entirely sold or as enthusiastic about the album as I was. Maybe it was my fault for talking it up so much. Their loss.

“I blow you a kiss
It should reach you tomorrow
As it flies from the other side of the world”

The second single and track three on the album is “Fugitive motel”. It begins with the barking of dogs off in the distance, followed by sinister guitars, a brushing away at the drums, strings awash, and a lonely piano. Over it all is Guy Garvey’s plaintive vocals, a depth of tone, and a layer of guilt and hurt. His is a protagonist, disheveled and unshaven but unwavering in hope in the face of eternity. It is less a narrative than a feeling – lovelorn and lost and far away. Strong imagery, cinematic in scope, the cheap and seedy hotel room as a prison, a captive in a dream, the whole world desolate and forgotten. But still Guy waits.

*”Red” came in at number twelve and “Any day now” was the top song on the list.

**A strategy game, not unlike Risk but more involved, in which you redo WWII.

For the rest of the Best tunes of 2003 list, click here.

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Vinyl

Vinyl love: The Clientele “I am not there anymore”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Clientele
Album Title: I am not there anymore
Year released: 2023
Details: Double LP, limited edition, black-in-red

The skinny: This will be the final installment (for now*) in my series highlighting The Clientele’s LPs on my record shelves. The dream pop trio released their 8th studio album, “I am not there anymore”, in the summer of 2023 and it landed on a number of end of year lists, including that of yours truly. For me, it was quite a shift from their previous output, the last of which came six years earlier, tinkering with their tried and true formula, but ultimately, it was still a Clientele record. It is much longer than their normal work, requiring two discs, which allows their sound to breathe and to brood. I didn’t buy the album right away, but added it when I saw it on the shelves for the taking, when I ventured out for some post-Boxing day shopping. I lucked out with this limited edition pressing in red with a black splotch in the middle of both discs. It looks and sounds pretty sweet spinning on the turntable.

Standout track: “Blue over blue”

*Pretty sure I read somewhere that Mr MacLean plans to spend some time in the studio this year so perhaps a new one to add to my collection in the near future.