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Tunes

Best tunes of 2001: #8 Pulp “The night that Minnie Timperley died”

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At number eight on my best tunes of 2001 list, we have “The night that Minnie Timperley died”, a track that also figured on my Top five Pulp tunes post I did back at the beginning of this year.

This particular song appeared on the iconic Britpop band’s seventh and final album, “We love life”. It was never released as a single so I likely didn’t hear it in 2001. You see, I didn’t purchase this album the moment it was released into the record stores. Indeed, and as I’ve mentioned in other posts in this series, I was rather poor when we first moved to Ottawa in 2001, with not enough disposable income to lavish upon the purchase of many compact discs. I certainly remember looking longingly on the album’s simple cover and its adornment of block letters spelling the band’s name when I tortured myself by browsing through Record Runner, my favourite independent music store at the time, long since closed down. I had to content myself to the snippets I could catch on the internet, like the first single “The trees”, until I had stowed enough money working overtime at my call centre job.

When I finally put the CD in the tray and pressed play, track number three hooked me on first listen. To my ears, it most certainly should have been a hit, save the dark subject matter. Not that this has ever stopped Jarvis Cocker and company before. Never one to shy from the dark underbelly of humanity, Cocker mines a dream here, telling the story of a teenaged girl’s murder, lurking in the minds of both the victim and the predator. A song that starts so upbeat (“There’s a light that shines on everything & everyone”) but ends so dark and twisted (“And he only did what he did ’cause you looked like one of his kids”). It feels like Jarvis is playing with us. And if you didn’t pay enough attention, you could be easily fooled and taken in by the funky drum beats, handclaps and jangle, alien synth washes, and Who-worthy rock and roll guitar and bass slam riffs.

It’s brilliant stuff that proves this group was great right up until the moment they broke up.

For the rest of the Best tunes of 2001 list, click here.

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Vinyl

Vinyl love: Ocean Colour Scene “Marchin’ already”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Ocean Colour Scene
Album Title: Marchin’ already
Year released: 1997
Year reissued: 2018
Details: Double LP, Translucent green, Remastered, RSD 2018 exclusive

The skinny: This sweet looking and sweet sounding piece of wax was a surprise pick up on Record Store Day back in April. “Marchin’ already” had just landed at the number six spot in a seriously loaded list when I counted down my top ten favourite albums of 1997 around that same time. Some of you might remember the track below as backing the opening credits of “Lock stock and two smoking barrels” but it had already climbed the UK charts the previous year. This and the rest of the album take traditional blue rock and soul and give it a modern bent. Brings back so many memories.

Standout track: “Hundred mile high city”

Categories
Vinyl

Vinyl love: Suede “Coming up”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Suede
Album Title: Coming up
Year released: 1996
Year reissued: 2016
Details: Gatefold sleeve, Limited edition, 20th anniversary, 180 gram, Double LP, translucent yellow vinyl, numbered 324/1000

The skinny: Suede and their lead guitarist Bernard Butler parted ways in acrimony before the recording of their sophomore album, “Dog man star”, was completed. The band soldiered on, however, and had a new lineup and new sound for their third album, “Coming up”. The guitars were still present without Butler but they were just another layer of support for Brett Anderson’s vocals and lecherous lyrics. The album as a whole was glam-infused and club-worthy, and in the end, is now considered a britpop classic. This 20th anniversary reissue was the template upon which the 25th anniversary edition of the self-titled debut was based: coloured vinyl double LP, the second disc featuring the era’s B-sides.

Standout track: “Beautiful ones”