Categories
Tunes

100 best covers: #76 Weezer “The weight”

<< #77    |    #75 >>

A year or two ago, a teenaged girl started a social media campaign on Twitter calling for American 90s alt-rock icons Weezer to cover Toto’s hit from the 1980s, “Africa.” Six months later, the band relented, releasing their almost note-perfect cover, and because of it, have seen something of a resurgence, scoring their first big hit since 2009. Of course, the success of this one-off cover inspired a whole side album to be released in tandem with an album of new material. That so-called “Teal album”, an album full of covers of 80s tunes (among others), was released electronically in January of this year and pressed to teal coloured vinyl for Record Store Day. This release got people wondering if it was all some big joke but I didn’t think so. Weezer has always been retro leaning, always having fun, and never one to shy away from recording covers. One such cover was included as a bonus track on the UK release of their 2008 album, one of their many self-titled long players, nicknamed for the cover’s colour, which in this case was Red.

Canadian-American rock collective, The Band, released the original version of “The weight” in 1968 as part of their classic album, “Music from the big pink”. It is considered by many to be one of the best, most influential rock songs ever recorded. It is by now looked at as a standard and has been covered so many times, by so many artists, that it might as well be as such. Thus, I won’t even bother asking my usual question of “which do you prefer?”, though I give you full permission to debate the issue in the comments section if you so choose.

As great as I feel the original is in this case, Weezer’s cover might have it beat in one category: that being, the length of the recording. I always felt the groove could’ve been played out much longer in the original and I imagine it must’ve been every time The Band performed it live. It just has that awesome jam vibe. Both Weezer’s and Travis’s cover (another version I quite enjoy and that you can check out here), seem to slow it down a beat and drag another 30 seconds or so out of it. The Weezer cover starts out sounding much like the original with the rough pull on the acoustic but then, the raunchy guitars kick in, replacing the rag-timey piano of the original, and the blues turns to rock.

Purists might sneer but I really like it. And that’s all I’m going to say about that.

The cover:

The original:

For the rest of the 100 best covers list, click here.

Categories
Playlists

Playlist: New tunes from 2019, part two

I don’t know how things shook out where you are but here in Ottawa, the winter took its sweet time loosening its hold. We had snow banks well into April and the “April showers” became “May rains”. The Ottawa river and a number of other rivers in the area hit record heights, causing widespread flooding. We still had the heat on in our place into June and almost immediately had to switch on the AC.

So Spring? Not so much this year, really only having it in name.

Luckily, there was quite a bit of good music released to keep our minds off the dreary weather and this playlist features some of my favourite music that came out over the last three months.

Highlights include:

    • “Can’t find my heart”, the first tune off the second EP in a series released this year by Canada’s venerated indie rock collective, Broken Social Scene
    • A lovely tune called “Athens” off the first album by Elizabeth Morris’s (Allo Darlin’) new band, Elva, with Ola Innset (Making Marks)
    • “Wake me when it’s over”, track three of the final album by The Cranberries, “In the end”, released over a year after Dolores O’Riordan’s death
    • “Young enough”, the title track off the sophomore album by Charly Bliss, which this particular music fan needed to listen to many times before got… so if you yourself aren’t sure yet, give it some time
    • The latest album by The National, “I am easy to find”, is yet another twist and turn in the band’s artistic journey and from this new collection of tunes, I’ve included the majestic “Rylan”
    • “The barricade” off the new record by Toronto indie rock legends, The Lowest of the Lowest, which sounds like to these ears like a return to their early days

For those who don’t use Spotify or if the embedded playlist below doesn’t work for you, here is the entire playlist:

1. “Everyday” Weyes Blood (from the album Titanic rising)

2. “That’s where the trouble started” Rose Elinor Dougall (from the album A new illusion)

3. “Can’t find my heart” Broken Social Scene (from the EP Let’s try the after vol. 2)

4. “What I’ve been kicking around” The Tallest Man on Earth (from the album I love you. It’s a fever dream)

5. “Scarecrow” Wand (from the album Laughing matter)

6. “The barrel” Aldous Harding (from the album Designer)

7. “Athens” Elva (from the album Winter sun)

8. “Wake me when it’s over” The Cranberries (from the album In the end)

9. “No halo” Kevin Morby (from the album Oh my god)

10. “Déjà vu” SOAK (from the album Grim town)

11. “Harmony hall” Vampire Weekend (from the album Father of the bride)

12. “White of an eye” Patience (from the album Dizzy spells)

13. “Young enough” Charly Bliss (from the album Young enough)

14. “Fine mess” Interpol (from the EP A fine mess)

15. “Faithless” Operators (from the album Radiant dawn)

16. “Rylan” The National (from the album I am easy to find)

17. “Future shade” Black Mountain (from the album Destroyer)

18. “Almost it” SACRED PAWS (from the album Run around the sun)

19. “Is there a pill?” Richard Hawley (from the album Further)

20. “The barricade” The Lowest of the Low (from the album Agitpop)

21. “Black Friday” Palehound (from the album Black Friday)

22. “The river” AURORA (from the album A different kind of human, step II)

23. “Insignificant” Lust for Youth (from the album Lust for Youth)

24. “Natural” Julia Shapiro (from the album Perfect version)

25. “Her own heart” Hatchie (from the album Keepsake)

Enjoy.

For those of you who are on Spotify, feel free to look me up. My user name is “jprobichaud911”.

Categories
Live music galleries

Live music galleries: Ottawa Bluesfest 2019, day eight – Loon Choir, BlakDenim, The Offspring, Busty and the Bass, Guided by Voices

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

25 years of Bluesfest

Artists: Loon Choir, BlakDenim, The Offspring, Busty and the Bass, Guided by Voices
When: July 12th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: So… last night was my final night at Bluesfest for the year (there are two more days but the music there doesn’t really appeal) and it just happened to coincide with a Friday… so there might have been some beers involved.*

To start things off, I headed back into the Barney Danson theatre to catch local indie, chamber rockers, Loon Choir. Last night marked my third time seeing this cool collective, each time at Bluesfest, but the last time I had seen them was six years ago so I was eager to hear how their sound had evolved. There was certainly a bit more maturity and professionalism but the idealism, especially on the part of the lead vocalist, was alive and well and the eight-piece put forth a wondrous sound.

Just before they finished, I ducked out to the Videotron stage to catch a snippet of another local band about whom I’d heard good things. BlakDenim is a funk/soul/rap outfit that had the small outdoor stage jumping. There were horns, great energy, and a little bit of breakdancing. I was sold. And if it weren’t for the fact that I wanted to get a good spot for the next main stage act, I would have lingered longer.

The Offspring were a band that I knew but never loved back in the heyday of 90s alt-rock and lord knows, I never thought I might ever see them live. However, given they were on the lineup and that I had planned on attending last night, there wasn’t a chance I would miss them. And man, I’m glad I didn’t. They were a hell of a lot of fun, playing pretty much all their hits and throwing in some new bits that weren’t at all out of place. Of course, the beer I had thus far drunk and the energy in the crowd might’ve helped, but I’ve got to admit, they were a highlight of the festival for me.

I then caught a smidgen of the high energy set by Busty and the Bass back on the Videotron stage on the recommendation of a work colleague and would do so again, even given the small sample size. Finally, though, my night ended at the Bluesville stage, where I witnessed a living legend in Robert Pollard and his group Guided by Voices. To be honest, I didn’t stay to the end but given that all their songs were about a minute or two, I still felt that I caught about a million of their songs. And even at that, I felt that the diehards around would’ve loved hours more.

Loon Choir
Kathleen Cauley of Loon Choir
Craig Barlow and Dan Larmour of Loon Choir
Derek Atkinaon of Loon Choir
BlakDenim
Kenny Creole, Karl Acelin, and Crystalena Paquette of BlakDenim
Dexter Holland and Pete Parada of The Offspring
Greg K of The Offspring
Noodles of The Offspring
The Offspring
Busty and The Bass
Robert Pollard of Guided By Voices
Guided By Voices

Once again, Bluesfest has offered me hours of great music, even with the cancellations and the nights I missed. The pass purchase has always been worth my while. Thanks again, organizers, for a job well done.

*My excuse for the lack of quality photos out of the way,