(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Spiritualized Album Title: Sweet heart, sweet light Year released: 2012 Details: Limited edition, 2 x LP, white
The skinny: Spiritualized’s latest record “Everything was beautiful” ended up on the top of my list of best albums for last year and to celebrate, I decided to kick off this new year with a ‘Vinyl love’ post featuring that very same record. Then, I thought, why stop there? And so, you’re now in for a prolonged Spiritualized ‘Vinyl love’ series, starting their 2012 release, “Sweet heart, sweet light”*, and going backwards chronologically from there. To be honest, this one is the least played in my collection. Not but because I dislike it, understand, but because it was nearly the last one to be added to my shelf. I remember seeing it on the merch shelves when I saw Jason Pierce and company touring for the record, thought about, but opted instead for a copy of it on CD because I was still very new to collecting vinyl and didn’t yet have a turntable. I’ve often heard that the only regretted purchases are the ones not made and I definitely did regret leaving that record there. I finally remedied my error a few years ago at a record store in Toronto.
Standout track: “Hey Jane”
*I’ve already featured Spiritualized’s 2018 album “And nothing hurt” in this space.
(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Spiritualized Album Title: Everything was beautiful Year released: 2022 Details: Limited edition, pink, 140gram, removable pill box cutout
The skinny: I just finished wrapping up the countdown of my favourite albums of 2022 a few days ago and this latest by Spiritualized came in at the top spot. I told the story in that post about how I resisted the urge to listen to the album before I received the physical copy, despite having the digital copy included with the preorder from Bandcamp. “Everything was beautiful” was exactly as advertised and everything I’d come to expect from Jason Pierce and more. For me, it plays like “a sum of all of Pierce’s ideas and work, like you can hear pieces of all his career on this album”. When placing my pre-order, I went with Bandcamp to get the deluxe version of the release, pressed to 140 gram pink vinyl and with the special packaging that features a pop-out pill box on the cover. Classic Spiritualized.
The first time I saw Spiritualized perform live was on the Toronto stop for their tour in support of “Ladies and gentlemen we are floating in space”, way back at the end of November 1997. My friend Terry had picked me up a ticket to the show and he still (amazingly) had an extra ticket on the day of the concert. On the way to the bus stop to head down to the show, we ran into another friend of ours, named Mark, and convinced him to come with.
That night will live on in infamy for the three of us. We made more than a few stops for drinks on the way down to the now shut-down Guvernment Night Club, where Jason Pierce and his band were slated to play. Indeed, by the time the headlining act hit the stage, we were all very deep in the bag. For me, it was incredible, akin to a religious experience, but I can still very clearly remember Mark touching my shoulder at the end of the first song, his eyeballs as huge as cannonballs, telling me he had to leave. For him, it was all just too intense.
Fast forward fifteen years or so. I hadn’t seen Terry for a long time. However, I was still quite close to Mark, though we hadn’t lived in the same city – for some periods, the same country – for more than a decade. I was now living in Ottawa with my wife and Mark was living back in his hometown of Sault Ste Marie. I believe it was April 2012 that my wife and I put Mark up for a week so that he could take a course and write a test to qualify for a job fighting wildfires in Northern Ontario. We were working during the days while he was on his course and he was super exhausted in the evenings so we didn’t see him a lot.
When the week finished out, we had one proper night to catch up and share some laughs before he was due to catch the long bus back home. That night, the two of us killed five bottles of wine, a half bottle of scotch, and a handful of beers and we were up real late. At some point, we started watching YouTube videos on my laptop, each sharing new tunes with the other and on one of my turns, I slipped on the video for Spiritualized’s latest tune, “Hey Jane”, having heard the song but not having seen the video. We got just over half way through it when my friend asked gently if we could switch to something lighter. So still too intense for my friend, but this time, for a different reason (if you’ve seen the video you know what I mean).
Spiritualized’s seventh record, “Sweet heart, sweet light”, came four years after “Songs in A & E”, the album widely seen as Jason Pierce’s comeback, for many reasons, but most significantly because of his near death experience, and it also came after he spent the previous year performing the aforementioned landmark album, “Ladies and gentlemen”, in full, at various shows. At the time, Pierce talked about how his new album embraced a poppier bent but I just thought it rocked like hell. And only in the way that Spiritualized can, blending gospel and droning psychedelia, love, drugs, and religion.
“You broke my heart then you ran away
Some say you got a rotten soul
But I say Janey loves rock and roll”
“Hey Jane” is a prime example of what makes Spiritualized and their work on this album so great. Intense music video aside, this is a track that does not let up for its entirety, nearly nine minutes in all. It’s a rousing, incessant beating heart, pounding and pounding the pavement, both a sprint and a marathon. The guitars keep pace and swirl and roar around the drums, a choir of demons taunt and laugh, and the bass just hums. It threatens disintegration throughout and right in the middle, it does indeed devolve into madness and implodes into an echoing silence. And just when you think it’s over, that maddening rhythm starts back up again. But as opposed to in its first movement, where Pierce seems angry and threatening and mean, the finale sees him uplifting and glorious, even as he’s asking the Jane of the title where she’s gonna go, knowing full well the answer is nowhere. And it all builds to the choir of angels joining him singing the album’s title over and over as an outro.
My (life in) music lists 