Categories
Live music galleries

Live music galleries: Hopped and Confused festival 2019

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The Hopped and Confused stage

Artists: Nobro, Alexandria Maillot, Weaves, July Talk, Taylor Knox, Cleopatrick, Born Ruffians, …
When: August 23rd and 24th, 2019
Where: Mill Street Brewery, Ottawa
Some words: If you’ve scrolled through any of my feeds on the various social media sites and apps out there, you may have noticed that, as well as being a fool for music (and vinyl collecting), I am also a card carrying Beer Enthusiast. So when you pair the two and call it a festival, as the good folks at Mill Street Brewery have done, you can bet that I would be interested. In fact, it is only by mere chance, and by chance I mean bad luck*, that it took until its fourth year running that I would finally get out to experience the Hopped and Confused festival.

With two excellent headliners this year, I took advantage of the two-day pass for an affordable $65 and was treated to an almost flawlessly run festival, mostly sunny skies, delicious beers, between set entertainment provided by local alternative radio station Live 88.5, and eight excellent and varied Canadian indie rock acts.

It all kicked off with Nobro, a Montreal-based four-piece punk rock act, or as frontwoman Kathryn McCaughey called them, “chicks who like to shred”. They were followed by a lovely set by singer/songwriter Alexandria Maillot and then, art-popsters, Weaves. The first evening was capped by the push/pull, he said/she said, Toronto rockers, July Talk, and the crowed they drew was quite eye-opening to me. Good for them indeed.

Day two started off with the power pop indie rock of Taylor Knox. Coburg, Ontario’s Cleopatrick then knocked everyone’s socks off with a blistering set that seemed way more gigantic than two people should be able to produce. Then, well, Born Ruffians were once again so excellent live, I had myself wondering why I didn’t have more of their albums.

I’m stopping there but if you’ve been counting, you might have noticed that there’s one act missing. I’m saving that one for tomorrow… Oh, and apologies for the blurriness of some of the photos but it was also a beer festival after all.

Point of reference song:Paper girl” by July Talk

Kathryn McCaughey, Sarah Dion, and Lisandre Bourdages of Nobro
Karolane Carbonneau of Nobro
Alexandria Maillot
Jasmyn Burke and Spencer Cole of Weaves
DJ Noel of Live 88.5 keeping the crowd pumped between sets
The Mills Street Brewpub on day two, before all the crowds descended
Taylor Knox
Luke Gruntz and Ian Fraser of Cleopatrick
Born Ruffians
Steve Hamelin of Born Ruffians
Luke Lalonde and Mitch Derosier of Born Ruffians
Peter Dreimanis and Leah Fay of July Talk
Peter Dreimanis and Leah Fay of July Talk
July Talk

* I even had tickets to last year’s event but came down with a wicked case of the man cold the day of the event.

Categories
Tunes

Best tunes of 2002: #26 Iron And Wine “Lion’s mane”

<< 27    |    #25 >>

Iron And Wine is the stage name for Sam Beam, an American singer/writer who sported a big bushy beard before it became a thing again. I somehow came across him shortly after he released his debut album, “The creek drank the cradle”, in 2002, though I don’t think I became a huge fan until I heard his collaboration with Calexico a few years later: 2005’s “In the reins” EP. I found it interesting, then, when I recently learned that the songs on his debut were meant to be filled in by members of Calexico but instead, the demo versions he recorded in his home studio were released as the version of “The creek that drank the cradle” we know and love.

“Lion’s mane” is the opening track and if you’re not familiar with the album, it is representative of the old school folk you’re going to hear with the rest, simple but compelling, and reminiscent of Nick and Paul and all those kids. The song is lo-fi and sparse and intimate and immediate, the simplicity never becoming tired. The acoustic guitar and banjo take turns being lovingly plucked, while Beam softly whispers the vocals without sounding affected. There’s just no need to be loud with such idyllic, woodsy, rustic sounds. You can almost smell the pine, wood smoke, sounds of crickets, and the wind the rustling through the leaves. No, there’s no cell phone signal here or wi-fi or television. Just wood stove coffee and pipe tobacco and periodically walking down to the lake to catch the cool off the water. Lovely stuff.

For the rest of the Best tunes of 2002 list, click here.

Categories
Albums

Best albums of 1988: The honourable mentions (aka #10 through #6)

 

Happy Thursday! And welcome back to my Throwback Thursday (#tbt) best albums series.

I know it’s been a while since the last of these but there’s good reason. If you look back at my sentiments at the time of my last series, you’ll see that I had this crazy idea of whipping through six of these things this year to catch up. Well, halfway through writing for this particular list, I hit a wall. I found the mission way too onerous and ambitious…. So I decided to take a break, take my time writing these posts, and enjoy them again. I’ve decided instead to choose years at random to do throughout future years and maybe even do some theme-based best albums lists. First, though, I wanted to share this particular list with you because I pushed through to finish it and it is a good one with a lot of important albums.

Our destination here is 1988, which is unbelievably just over thirty years ago now. I can’t really say it feels like yesterday because at the time, I was spanning my first and second years of high school. The problems of acne, getting braces, and math homework seem like another world ago. I had yet to hit my growth spurt, hadn’t yet started shaving, and I still hadn’t yet dipped my toes in the theatrical arts, something that would radically change my high school experience from then on out.

This is the second time we are touching down in the 1980s The last time we did so, I mentioned in the introductory post that I was still finding my way in the music world. The pop charts were king. AM radio and music video shows and countdowns, and whatever they played at the high school dances at which I was holding up walls. So yeah, a lot of the albums on this list were not even close to being on my radar back when they were released. In some cases, I came upon them a few years later, some of them took longer to take hold, but all of them are now staples in my collection and revered for their place in my musical education.

Yes, the ten albums in this list are all classics and I am going to kick things off with the first five below. And if you don’t know the trick by now, I will be featuring the top five, an album each Thursday, over the next five weeks. I hope you enjoy this trip back to 1988 with me.


#10 The Sugarcubes “Life’s too good”

Nowadays, we have the international sensations Sigur Rós and Of Monsters and Men but before The Sugarcubes hit the scene, we hadn’t heard much rock music from Iceland. The six-piece alternative outfit were made up of veterans of different music groups from the Reykjavik scene. They released three full-length albums in their four year existence, though none as impactful as their debut, “Life’s too good”. Admittedly, I didn’t first listen to the album until well after their former frontwoman, Björk, had established her solo career with her excellent first two records. However, I have grown to love the quirky, punk-inflected DIY rock of The Sugarcubes’ debut. And it doesn’t at all sound thirty years old.

Gateway tune: Birthday


#9 Erasure “The innocents”

Here is an album that I was definitely listening to in high school, though perhaps not as early as 1988. “The innocents” was Erasure’s third full-length album and first to hit the top 10 in the UK charts, spawning a number of hit singles. The duo of Vince Clark and Andy Bell took 80s synth pop and made a career out of getting people out on the club dance floors. I love many of their singles but this is the only one of their albums that I love all the way through. I am well aware that it could be nostalgia factor here, given that this is the first of theirs that I listened to after my friend John made a copy of it on cassette for me.

Gateway tune: Chains of love


#8 Billy Bragg “Worker’s playtime”

I got into Billy Bragg with the album after this one, 1991’s “Don’t try this at home”, during my final year of high school and only went back to discover this previous album a few years later, when one of my university housemates Meagan had it in her CD collection. “Don’t try this at home” is considered by many his attempt at pop but in 1988 Bragg was still mixing his prototypical protest songs with songs on love. He usually performs these songs live solo on stage with his electric guitar but on record, he had a full band with him, though the music is typically secondary to his words. “Workers playtime” is his third album and is chock full of classics and fan favourites like “Must I paint you a picture?”, “She’s got a new spell”, and the one below, “Waiting for the great leap forwards”.

Gateway tune: Waiting for the great leap forwards


#7 Jane’s Addiction “Nothing’s shocking”

Jane’s Addiction is another artist I was listening to by the end of high school, the introduction coming with the album following the one on this list, in this case, 1990’s “Ritual de lo Habitual”. In 1988, though, the quartet led by founding members Perry Farrell and Eric Avery, and including Dave Navarro and Stephen Perkins, were releasing their second album, their major label debut, “Nothing’s shocking”. Here, the group re-recorded a couple of tracks that appeared on their ‘live’ self-titled debut album and added some explosive new ones that mixed metal, surf, glam, funk, and punk. They were a hard-living group and it shows in the raw angst on so many of the songs here.

Gateway tune: Jane says


#6 Leonard Cohen “I’m your man”

I’m hoping that Canada’s singer/songwriter/poet, Leonard Cohen, needs no introduction to anyone that lands on these pages. His eighth studio album, “I’m your man”, was the first CD I owned by the influential lyricist, after being introduced to him by way of the appearance of “Everybody knows” a couple years later in the film “Pump up the volume”, a favourite of mine at the time. The production and instrumentation on this album definitely sound of its time but Cohen’s rich and deep vocals and excellent lyrics allow you to forgive him. So many great tracks, like the title track, “First we take manhattan”, and the aforementioned, “Everybody knows”. How could I not include this here?

Gateway tune: Everybody knows


Check back next Thursday for album #5 on this list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.