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Live music galleries

Live music galleries: Father John Misty [2012]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Father John Misty @ Bluesfest

Artist: Father John Misty
When: July 11th, 2012
Where: River Stage, Ottawa Bluesfest, Ottawa
Context: Josh Tillman left his post as drummer for Fleet Foxes in 2012 and released his debut album under the moniker Father John Misty in April. I loved the psych folk extravaganza of “Fear fun” (and still consider it my favourite of his albums) but wasn’t at all expecting how great he’d be when I saw him live three months later. His touring band was also very good but unfortunately, I could not find out much about them online (and so could only provide the names of the few I could identify). Josh Tillman was particularly hilarious between songs, spouting random zingers, like when he pointed out a volunteer holding a question mark placard denoting “Information” and quipped that he loved the kid’s existential sign. It was a short set in all but I’ve seen him twice more since and am looking forward to seeing him a fourth time this coming weekend.
Point of reference song:
I’m writing a novel

Josh Tillman aka Father John Misty
Jeffertitti Moon and Benji Lysaght
unknown touring drummer for Father John Misty
Josh Tillman and Benji Lysaght
unknown touring guitarist and keyboard player for Father John Misty
Josh Tillman on the tambourine
Categories
Tunes

Best tunes of 2011: #26 Gotye “Somebody that I used to know”

<< #27    |    #25 >>

My memory is super fuzzy about how I came across this one but I remember watching the video quite a bit on AUX TV during my morning routine in 2011. So it might have been there that my interest was piqued and I was coaxed to check out the rest of the album, “Making mirrors”.

Gotye (pronounced phonetically, as you would say the French name “Gauthier”) is the stage name for Wouter De Backer, a Belgian-born Australian with a Dutch name. (I know, right? The man screams globalization.) He is the drummer of an indie pop group from Australia called The Basics, an outfit I did check out after getting into Gotye’s music, a number of years ago, but their material never grabbed me and I have never gone back for a second go. I also have never gone back to check out Gotye’s previous two solo efforts and since he announced in 2014 that there would be no more Gotye music and made good on that promise, “Making mirrors” is the only album I know. However, it really is a great one and worth a look for those out there that only know the single. It is super eclectic, traversing many sounds and referencing multiple genres and musical eras, and yet, surprisingly cohesive, drawn altogether by Gotye’s compelling vocals.

Its sales were of course bolstered by this one monster hit. “Somebody that I used to know” was a smash the world over, making Gotye and New Zealand songwriter Kimbra, whose vocals feature prominently in the song, household names. Very quickly, the song became a favourite to cover by many artists. In fact in Canada, a version by Walk off the Earth rivals the original in popularity. The video they made for their cover shows all five members playing the song on one guitar and it went viral, breaking the Burlington band into the mainstream. It’s so big here that I once got into heated discussion with some people that swore theirs was the original.

But back to that original.

Gotye’s “Somebody that I used to know” starts off quiet and sexy, a little like Edwyn Collin’s “A girl like you”, a little like whispering in your lover’s ear to wake her in the middle of the night. Interesting then, that it’s a break up song. Or rather a song that is weeks or months removed from a break up, wondering at how two people can be so close only to be total strangers.

“But you didn’t have to cut me off
Make out like it never happened and that we were nothing
And I don’t even need your love
But you treat me like a stranger and that feels so rough”

It is right about this point in the song that Gotye lets loose some Sting worthy power vocals and the quiet becomes all power and passion. And just when you thought you knew what the song was about, the point of view and vocals are shifted to Kimbra and she too is quiet and composed at first. Then, they both become all fiery and alive. The instrumentation, meanwhile, mirrors the emotions of the vocals, utilizing samples of jazz guitars and dressing them up in electronic beats and xylophone melodies. To sum up: quite lovely.

For the rest of the Best tunes of 2011 list, click here.

Categories
Tunes

100 best covers: #87 Amy Millan “I will follow you into the dark”

<< #88    |    #86 >>

…And speaking of Death Cab for Cutie… Here’s a cover by Stars vocalist Amy Milan of the standout single from Death Cab for Cutie’s fifth album, “Plans”.

The original was recorded by frontman Ben Gibbard by himself on guitar, using just the one microphone. The result is a quiet and lonely sounding number that is kind of morbid on first listen but is quite romantic upon further reflection. The idea that one loves the other so much that he or she would them even into death to keep them company is quite lovely. “I will follow you into the dark” didn’t originally chart very high as a single but has since become one of the band’s best-selling, still receives quite a bit of radio play, and has been covered many times over by various artists.

Canadian songstress Amy Millan covered it a mere four years after the original’s initial release for her second solo record, “Masters of the burial”. Hers is slightly longer than the original’s three minutes and markedly different in style and tone. A full band backs her. The use of banjo and lap steel giving it a decidedly old time country feel. Her soft touch on vocals is more upbeat than in Gibbard’s original but definitely lends the subject matter the weight it deserves.

“If Heaven and Hell decide that they both are satisfied
Illuminate the no’s on their vacancy signs
If there’s no one beside you when your soul embarks
Then I’ll follow you into the dark”

I am a fan of both of these. In fact, I refuse to pick a favourite. Thoughts?

The cover:

The original:

For the rest of the 100 best covers list, click here.