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Playlists

Playlist: “1993 mix vol. I” (a mixed tape)

Much like the last time I posted one of these playlists based on an old mixed tape, I was downstairs in my basement recently, this time cleaning rather than looking for something, and I came across the same shoebox full of old cassette tapes. Of course, I stopped what I was doing for a good twenty minutes or so and went through said box to remind myself what was in there and to allow the memories of each to come flooding over me. I haven’t played any of these tapes in decades because I have long since dispensed with the last sound system that I had that could play cassette tapes and so I have no idea of any of them even play. I suppose I could get rid of some of the tapes I bought when I was a teenager because I likely now have it digitally or on vinyl format but I’m not certain I’d ever want to throw out any of the mixed tapes. They are as much a document of my own personal history as the photos, yearbooks, letters, and other random bric-a-brac I have stashed away.

Going through these cassettes, I decided it was time to do another of these playlists and opted to replicate one that I created myself, rather than one that was made for me, like the “Raging retro” playlist I previously shared. I chose “1993 mix vol. I” this time around because, as an artifact from 30 years ago, there’s a few fun things you can glean about it’s creator.

Who was 1993 JP Robichaud?

Well, he wasn’t yet inventing creative titles for his mixes, that’s for sure. For a tape called “1993 mix vol. I”, he wasn’t necessarily as concerned with putting together music from the year, indeed, given that it was the first volume, it was likely too early in the year for a mixed tape’s worth of music. Instead, the tape includes music to which I was listening at the time and going through the playlist, it’s obvious to me that I started with songs from the handful of CDs I had in my still new collection and then, moved into the purchased cassettes before finishing off the second side with songs from albums or mixes that had been recorded for me. I can also tell that it was still early on in my mixed tape making career because I hadn’t started strictly following my own self-imposed rule of one song per artist. Indeed, the two appearances by The Wonder Stuff on the tape’s first side betrays how big a fan I was of the band in the early days of 1993.

Some of the photos I’ve included here of the cassette and its J-card sleeve hint that I had a lot of spare time on my hands. I cut out letters from magazines to cobble together a cover and used stickers from old VHS cassette tapes to decorate the cassette. It reminds me that I would later get even more inventive in decorating these things, especially when I made them for others. And finally, the volume one in the title suggests that I fully intended to make more mixes before the year was up but memory does not serve at all as to whether there ever was a second volume created. There definitely isn’t one in the box.

Now before I get right into the playlist itself, here are some highlights that you definitely should check out:

      • The opening song, “Take 5” by Northside is the first song I’d ever heard by the lesser-known Factory Records product and the song that goaded me into purchasing my first CD, given that I was never able to find the band’s only album on cassette
      • I discovered the second edition of Mick Jones’ second band, Big Audio Dynamite II, before I ever really became familiar with his first band and the words to “Rush” were rarely far from my mind after I committed them to memory
      • As I mentioned above, The Wonder Stuff appears here twice, with two very different sounds: “No, for the 13th time” from their debut and “Welcome to the cheap seats” from their third album
      • The version of Spirit of the West’s “Political” here is the re-recorded rocked up version from “Go figure” because at the time, I was blissfully unaware of the far superior folkier original
      • The Barenaked Ladies were a few years from massive world status but they were already pretty big in Southern Ontario and “Hello city” was just one of the excellent tracks that graced their now classic debut album, “Gordon”
      • The Smiths’ “Please please please let me get what I want” closes things off as it did on many a mixed tape because its short length was often a perfect way to fill up the last bit of remaining tape

For those who don’t use Apple Music, here is the entire playlist as it appeared on the original mixed tape:

Side A:
1. Northside “Take 5”
2. Teenage Fanclub “Is this music?”
3. The Wonder Stuff “No, for the 13th time”
4. The Lemonheads “Alison’s starting to happen”
5. The Cure “High”
6. Ned’s Atomic Dustbin “Suave & suffocation”
7. Depeche Mode “World in my eyes”
8. Big Audio Dynamite II “Rush”
9. The Charlatans “Weirdo”
10. The Wonder Stuff “Welcome to the cheap seats”
11. R.E.M. “Stand”
12. The Rocky Horror Picture Show Soundtrack “Time warp”
13. Spirit of the West “Political”

Side B:
14. The Housemartins “I smell winter”
15. The Farm “Love see no colour” (unavailable on Apple Music)
16. Buffalo Tom “Velvet roof”
17. 808 State “Lift”
18. The Sisters of Mercy “More”
19. UB40 “Red red wine”
20. Barenaked Ladies “Hello city”
21. Primal Scream “Movin’ on up”
22. Suzanne Vega “Blood makes noise”
23. Morrissey “Tomorrow”
24. The Smiths “Please, please, please let me get what I want”

And here is the promised link to the Apple Music playlist.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Tunes

Best tunes of 1991: #12 The Farm “All together now”

<< #13    |    #11 >>

I watched a lot of films in my late teens and early twenties and often rewatched my favourites multiple times. One of these was (what is perhaps) a little known WWII film called, “A midnight clear”. Directed by Keith Gordon and starring Ethan Hawke, Gary Sinise, Peter Berg, Kevin Dillon and Arye Gross, the film is more drama than action. It is based upon a novel by the same name, whose plot is built around a Christmas eve truce between German and US soldiers, forged after the two sides engaged in a snowball fight. We see the kindness and the humanity of these characters plus the psychological trauma and inherent madness that results from the killing and loss in war in both sides.

The whole concept and idea always reminded me of “All together now”, my favourite tune off The Farm’s debut album “Spartacus”. Though the song has been used in plenty of adverts and films and as the theme for football matches and tournaments so that its original intent has been diminished over the years, it was originally written by the group’s frontman, Peter Hooton, as an anti-war song. The lyrics refer to a no man’s land truce, this time during World War I, between British and German soldiers and though they only refer to December, we can assume it was Christmas.

The song is uplifting, anthemic in mood, and full of hope. And if it feels familiar, it’s because at keyboard Steven Grimes’ suggestion, the group lifted and used the same chord progression as that of Pachelbel’s Canon. Those chords set the tone right from the beginning and underpin the rest of song, like a gauze curtain or a beam of light from the clouds of heaven, even as the nasty guitars and danceable drum beats drag you on to the floor for debauchery.

The Farm only ever released three full-length albums before breaking up in 1996 and “All together now” is probably still their best-known tune. Personally, I could think of many worse songs to be remembered for. Indeed, though it is a popular tune and sounds lightweight, it’s imbued with the Liverpool outfit’s favourite themes.

I’ll dance to that.

For the rest of the Best tunes of 1991 list, click here.

Categories
Tunes

100 best covers: #83 The Farm “Don’t you want me”

<< #84    |    #82 >>

Here’s a cover for the list that I realize might not be my most popular pick. I’m well aware that it is purely about nostalgia and time and place. Not that there’s anything wrong with that.

When I was very young, I had a vinyl collection, mostly 45s, and mostly records connected with storybooks from the Walt Disney and Sesame Street family. I don’t know what age I was, but definitely before ten years old, I received my first “real” music record from one of my cool aunts, probably my Aunt Kathy. It was, as you might have guessed, the 7” single of Human League’s “Don’t you want me”, backed with “Seconds”. Of course, I didn’t know then that it was the fourth single to be released off the synth pop group’s third album, heck, I didn’t even know what synth pop was, but I played it all the time, along with its B-side, and danced around my little bedroom like a maniac.

Just under a decade or so later, I had just graduated high school and was wondering what to do with my life. I was quite deep into music, this new alternative stuff, mostly of the baggy, madchester persuasion, and one of my favourite albums of the moment was “Spartacus”, the debut album by The Farm. My friend Andrew Rodriguez got a copy of the sophomore release, “Love see no colour”, for Christmas, which he promptly recorded for me. I won’t lie. I was a bit disappointed with the first few songs but then, there were some higher moments, and then, six songs in was a cover of this song from my youth. I fell in love with it all over again. I only later learned that the cover was originally recorded for an NME-related compilation called “Ruby Trax” a few years later when I picked it up in a used CD store on McCaul street in Toronto.

Despite being recorded almost a decade apart, the two versions are not all that far apart in sound. The Human League’s “Don’t you want me” is definitely more synth heavy and mechanical and The Farm’s cover has more guitar work and some synth flourish to plug the gaps left by the austere original. Nevertheless, both are quite dated sounding today. Again, definitely time and place. And if I hadn’t been there for both originally, this post might not have happened at all.

Thoughts?

The cover:

https://www.youtube.com/watch?v=C5beMgNEqM0

The original:

For the rest of the 100 best covers list, click here.