Categories
Albums

Best albums of 2024: Greetings & honourable mentions

Well, hello and happy hump day!

It’s been a while. Three months since my last post, to be exact.

I didn’t intend to be away so long and definitely wasn’t expecting the piece on Beck to be my last post. However, life… well… it happened.

Without getting into all the gory details, let’s just say I had some unexpected health issues, some of them quite scary, involving an extended gig in the hospital. I have had to make a number of lifestyle changes, including slowing things down quite a bit. And though not all yet resolved, things have been improving and I am slowly on the mend, hopefully on track to a full recovery. I am grateful for the love of my life and partner in all things, close friends, and professional support, all of which have kept me going.

Of late, I’ve been slowly trying to get back to doing some of the things I used to enjoy and, of course, one of the first things that helped bring some solace was listening to music. Limited reading followed, and I’m just now returning to some writing, intending to slowly get back to this regular blogging fun.

While in the hospital, I had lots of time to think about the greats of 2024. So let’s begin with a sampling of great albums from last year worthy of honourable mention, followed by my next post, the first handful of those ten favourite albums for the year. Enjoy.

Camera Obscura “Look to the east, look to the west”:  The Scottish indie pop band’s sixth studio album and first since the death of keyboardist, Carey Lander in 2015, shows the group in fine form and chock full of that twee magic.
Check out: “Big love”

The Decemberists “As it ever was, so it will be again”:  The Portland-based quintet keeps on doing things in their own particular way – esoteric subject matter dressed up in indie folk, informed by a myriad of world musical styles – on their 9th studio album and we continue to love them for it.
Check out: “Burial ground”

Desperate Journalist “No hero”:  To my ears, these post punk revivalists from London, England have firmly grasped the torch let drop by Canada’s The Organ when that band split after only one great album back in the early 2000s.
Check out: “Unsympathetic parts 1 & 2”

Elephant Stone “Back into the dream”: The sixth album by the Montreal-based psych-rock quartet fronted by bass and sitar player Rishi Dhir, is more Beatlesque, jangle pop that is as equally relevant on a Saturday night, as it is on a Sunday morning.
Check out: “Going underground”

James “Yummy”: One of my favourite all-time bands celebrated their 40th anniversary year in 2023 with a compilation of orchestral reworkings of many of their much-loved classics and followed it up in 2024 with their 18th (!) studio album – future classics that feature the Manchester group’s signature “big”
sound and frontman Tim Booth’s inimitable lyric work and vocal style.
Check out: “Is this love”

Linn Koch-Emmery “Borderline iconic”: Unlike her 2021 debut, “Borderline iconic“, the Sweden born and bred singer-songwriter didn’t quite crack my top ten with her sophomore effort… but it was darned close – just over 30 more minutes of spiky and catchy, power pop attitude.
Check out: “Ebay armour”

The Vaccines “Pick-up full of pink carnations”: London, England’s The Vaccines are sadly one of those bands that I tend to forget about* – until of course, they release a new album, like this, their 6th LP offering, and I am immediately caught back up in the wave of their angular, fun, and anthemic indie-pop.
Check out: “Heartbreak kid”

*Not because they deserve to be forgotten- they just fall victim to my too much music, too little time” syndrome.

I’ll be back very soon with albums #10 through #6 for my Best albums of 2024 list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Tunes

Best tunes of 1994: #30 Beck “Loser”

#29 >>

I’m starting off this list of my favourite tunes of 1994 with an artist with whom many of you are likely quite familiar. In fact, you’re all probably more familiar with Beck Hansen (also known mononymously as Beck) than is this humble blogger.

I remember hearing this very track on alternative radio and watching the video on MuchMusic ad nauseum back in ‘94. I found it amusing at first, deeming the tune catchy yet quirky, but soon grew to dislike it, as well as the other single* that was being slogged from “Mellow gold”. The singles from his next album, “Odelay”, though they too were overplayed, rang more true for me and I purchased that album on CD. I very nearly became a fan after that, if it weren’t for the Britpop explosion that followed, dragging my tastes in a completely different direction for a time. Still, I paid attention when I heard his name spoken on commercial radio over the years that followed but it took catching him at Osheaga back in 2013 to finally hook me for good.

In truth, “Loser” was originally released as a single in 1993. It was released by indie label Bong Load Custom Records with a limited pressing and somehow got picked up by college radio stations along the west coast. Modern rock stations started playing it next and pressings quickly sold out. Our hero musician, who from his folk roots had always been indie at heart, found himself signing with a major label, DGC, to keep up with demand. They re-released the song in 1994 as a preface to Beck’s third album but first on a major label, the aforementioned “Mellow gold”. The rest, of course, is history. A dozen or so albums released, millions of units sold, Brit awards, Grammys, household name.

“You can’t write if you can’t relate
Trade the cash for the beef for the body for the hate
And my time is a piece of wax falling on a termite
That’s choking on the splinters”

In hindsight, this is a crazy tune and crazy that it became so successful. Beck mixes and matches with genres and sounds, throwing blues, folk, and hip hop into the meat grinder and cranking away. He’s got samples, a wicked drum machine beat, slide guitar, and sitar**. Above it all Beck is spewing nonsensical words at random in a rough hewn sing-speak that some have strangely compared to Dylan. By contrast, Beck has called out his own rapping prowess, which incidentally, is the real basis for chorus line that became like a clarion call for the so-called slacker image of generation X.

“Soy un perdedor
I’m a loser baby, so why don’t you kill me?”

*I remember making the connection for a university acquaintance between “Beercan” and the artist that performed “Loser”, without realizing until later I was sounding arrogant and making her feel small. Not one of my finer moments.

**When I saw him at Osheaga, he had Elephant Stone’s Rishi Dhir playing the sitar on stage with him.

For the rest of the Best tunes of 1994 list, click here.

Categories
Tunes

Best tunes of 2013: #20 Bleached “Dead in your head”

<< #21    |    #19 >>

For the second time in just over a month, I was digging around the internet for content related to a song I was writing about and I came across a reference to a certain club with a particular name. Curious, I dug further this time and ended up down a rabbit hole of articles and videos about said place.

Apparently, The Smell is an all-ages, DIY, punk, arts and culture space, that was instrumental in the launch of a number of L.A.-based musicians throughout this new millennium. Artists that have played there include Warpaint, Ty Segall, Best Coast, and Moaning. Sisters Jennifer and Jessica Clavin not only often played The Smell with their first band, Mika Miko, but they volunteered there as well.

I haven’t checked out Mika Miko at all but by all accounts, they were a pretty great live act. The garage rock quintet was formed in 2003 and in the seven years before they split, released a pair of full length albums and a half dozen EPs and singles. In 2011, the year after Mika Miko called it quits, Jennifer and Jessica started up Bleached. Under this moniker, there’s been three successful full length records, each charting on the Billboard charts, and though they haven’t officially called it a day, they too seem to be on hiatus.

I came across Bleached with their debut album, “Ride your heart”, back in 2013 and found myself hooked. They mined a similar 60s girl group sound structure as that of Dum Dum Girls, but instead of the wall of sound shoegaze imbued by Dee Dee Penny, the Clavin sisters preferred to hang on to their punk roots. With most of the tracks in the two to three minute range, “Ride your heart” is gunshot raw, and at times is aggressive and discordant, but at its heart, it’s really a pop record rife with ear worm melodies.

“I never wanted to lose the boy I loved the most
I never wanted to hurt the boy I loved the most”

Track four is the longest song on the album, clocking in at just over four minutes, and this is mostly due to a dreamy intro that lulls you into thinking this might be a slow love ballad. Then, the foot stomping on kickpedal wakes you right up and the marching bass line drags you into the fray. The vocals and guitars play a bit of call in response during the verses with flourishes that have the potential to induce whiplash and the choruses are all fist pumping and shouting along wistfully for the one that got away. “Dead in your head” is big, bold, and anthemic and yes, demands replay after replay.

For the rest of the Best tunes of 2013 list, click here.