Categories
Tunes

Best tunes of 1992: #29 Happyhead “Fabulous”

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In the series on my favourite tunes of 1991 that I recently wrapped up, I spoke time and time again of the songs, and the artists that performed them, being discovered during my late Friday nights watching and recording videos off MuchMusic’s City Limits. I’ll try not to flog that horse too much in this series, though it is probable that a good many of the upcoming tracks were discovered there as well. Yet for Happyhead’s “Fabulous”, I cannot keep from mentioning City Limits because if I hadn’t recorded the hilarious video to video cassette tape while watching it, I very likely never would have heard the song ever again.

Looking back at it now, the video is a bit too obvious and garish, but at the time, it felt pointed and just anti-establishment enough to catch my attention. Of course, in those days before the internet and the unlimited information and gateway to music, this recording was my only access to the song, given that commercial radio in North America wasn’t exactly jumping all over Happyhead. And there was no way of me knowing then that the act was a short-lived project by ex-Shriekback lead singer, Carl Marsh. I only discovered this nugget of information years later when “Fabulous” occurred to me out of the blue and I hunted it down and re-immersed myself in its pure joy and fun.

One of two singles released off the group’s only album, “Give Happyhead”, “Fabulous” is representative of a time and place where Madchester insanity was leaking into mass culture and serving up bands like Stereo MCs, EMF, and Jesus Jones. It is funky drumming and tambourine hip-shaking, an awesome guitar line and wailing solo just before the bridge, and faux scratching throughout that definitely betrays the song’s provenance. Marsh’s sing/speak vocals sound like a cross between David Byrne and Tom Hingley, ringing the bell tower alarms against the inevitable onslaught of hyper-commercialism and capitalism in the media.

“Eat this. Drink this. Drive this. Charge it.”

It’s fabulous.

For the rest of the Best tunes of 1992 list, click here.

Categories
Vinyl

Vinyl love: Crash Test Dummies “The ghosts that haunt me”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Crash Test Dummies
Album Title: The ghosts that haunt me
Year released: 1991
Year reissued: 2019
Details: Black vinyl, reissue

The skinny: A couple of songs from this very album have already seen the light on these pages: the Winnipeg folk-rock band’s cover of The Replacements’ “Androgynous” and their first huge and at the time ubiquitous hit, “Superman’s song”. It was in that latter post that I went on about how I bought the cassette tape on the back of that song, how it spent a lot of time in my Walkman, and how I likely would’ve worn it out had it not been stolen first. I also mentioned how I would love to have it on vinyl and since that time, noticed that the Crash Test Dummies’ sophomore album, “God shuffled his feet”, was getting the reissue treatment. And yeah, it probably did better commercially but I was still partial to the debut so I held out. One day last month, I was scrolling through the Amazon Vinyl pre-orders list, as I sometimes do, and I found this sitting there for the taking. There was no hesitation. I received it a few days ago and it’s already hit my platter a few a go-rounds. Just like the old days.

Standout track: “The ghosts that haunt me”

Categories
Live music galleries

Live music galleries: Ottawa Bluesfest 2019, day eight – Loon Choir, BlakDenim, The Offspring, Busty and the Bass, Guided by Voices

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

25 years of Bluesfest

Artists: Loon Choir, BlakDenim, The Offspring, Busty and the Bass, Guided by Voices
When: July 12th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: So… last night was my final night at Bluesfest for the year (there are two more days but the music there doesn’t really appeal) and it just happened to coincide with a Friday… so there might have been some beers involved.*

To start things off, I headed back into the Barney Danson theatre to catch local indie, chamber rockers, Loon Choir. Last night marked my third time seeing this cool collective, each time at Bluesfest, but the last time I had seen them was six years ago so I was eager to hear how their sound had evolved. There was certainly a bit more maturity and professionalism but the idealism, especially on the part of the lead vocalist, was alive and well and the eight-piece put forth a wondrous sound.

Just before they finished, I ducked out to the Videotron stage to catch a snippet of another local band about whom I’d heard good things. BlakDenim is a funk/soul/rap outfit that had the small outdoor stage jumping. There were horns, great energy, and a little bit of breakdancing. I was sold. And if it weren’t for the fact that I wanted to get a good spot for the next main stage act, I would have lingered longer.

The Offspring were a band that I knew but never loved back in the heyday of 90s alt-rock and lord knows, I never thought I might ever see them live. However, given they were on the lineup and that I had planned on attending last night, there wasn’t a chance I would miss them. And man, I’m glad I didn’t. They were a hell of a lot of fun, playing pretty much all their hits and throwing in some new bits that weren’t at all out of place. Of course, the beer I had thus far drunk and the energy in the crowd might’ve helped, but I’ve got to admit, they were a highlight of the festival for me.

I then caught a smidgen of the high energy set by Busty and the Bass back on the Videotron stage on the recommendation of a work colleague and would do so again, even given the small sample size. Finally, though, my night ended at the Bluesville stage, where I witnessed a living legend in Robert Pollard and his group Guided by Voices. To be honest, I didn’t stay to the end but given that all their songs were about a minute or two, I still felt that I caught about a million of their songs. And even at that, I felt that the diehards around would’ve loved hours more.

Loon Choir
Kathleen Cauley of Loon Choir
Craig Barlow and Dan Larmour of Loon Choir
Derek Atkinaon of Loon Choir
BlakDenim
Kenny Creole, Karl Acelin, and Crystalena Paquette of BlakDenim
Dexter Holland and Pete Parada of The Offspring
Greg K of The Offspring
Noodles of The Offspring
The Offspring
Busty and The Bass
Robert Pollard of Guided By Voices
Guided By Voices

Once again, Bluesfest has offered me hours of great music, even with the cancellations and the nights I missed. The pass purchase has always been worth my while. Thanks again, organizers, for a job well done.

*My excuse for the lack of quality photos out of the way,