Tag: Depeche Mode

Categories
Playlists

Playlist: 75 tunes from 1991

Here’s a good long Apple Music playlist that could get you through an afternoon of chores, painting, or cooking. Perhaps a road trip from Toronto to Montreal. Or keep you company on a flight from North America to Europe.

I’ve done a few playlists over the years on this blog but never any that focused on the music of a particular year in the past. I’ve chosen to start with 1991 because it was particularly pivotal year for me in terms of musical discovery. It was the year that I started to dip my toes into alternative rock, a brave new world for me, a wave of music that included a huge variety of styles, very little of which sounded like the music of my parents. So even though I wasn’t listening to all of these songs at the time, I’d say that the majority are old friends, intimate acquaintances.

There’s seventy-five great tracks, representative of how I saw 1991. It’s not a ‘best of’. I’ve already done the list of my top thirty favourite tracks on this blog here. Some of the songs in that list appear on this playlist but there’s plenty others here and some that are much deeper cuts. I know that there are those of you out there who might catch some obvious omissions. Some of these might have been because they were not to my tastes but there are others, like My Bloody Valentine’s “Soon” or The Real People’s “Open up your mind (let me in)”, that were not available to be added due to music rights and Apple Music or whatever. Still, there’s so many other gems that show the wide range of music that was coming out in those years just before Grunge exploded and changed everything for alternative rock.

For those who don’t use Apple Music, here is the entire playlist, with links to YouTube videos for each song:

  1. Primal Scream “Loaded”
  2. Vic Reeves & The Wonder Stuff “Dizzy”
  3. Blur “Sing”
  4. Teenage Fanclub “Star Sign”
  5. Lowest of the Low “Subversives”
  6. Electronic “Getting Away With It”
  7. Throwing Muses “Not Too Soon”
  8. Red Hot Chili Peppers “Under the Bridge”
  9. James “Sit Down”
  10. Chapterhouse “Mesmerise”
  11. R.E.M. “Belong”
  12. Spacemen 3 “I Love You”
  13. Robyn Hitchcock & The Egyptians “So You Think You’re In Love”
  14. EMF “Unbelievable”
  15. Crash Test Dummies “Androgynous”
  16. The Mighty Mighty Bosstones “Where’d You Go”
  17. Pixies “Alec Eiffel”
  18. Levellers “Liberty Song”
  19. Big Audio Dynamite II “The Globe”
  20. Spin Doctors “Two Princes”
  21. Depeche Mode “Death’s Door”
  22. Slowdive “Catch The Breeze”
  23. Rheostatics “Record Body Count”
  24. Siouxsie & The Banshees “Kiss Them For Me”
  25. Jesus Jones “Right Here, Right Now”
  26. Northside “My Rising Star”
  27. Primus “Tommy the Cat”
  28. Morrissey “Sing Your Life”
  29. Pearl Jam “Jeremy”
  30. Ned’s Atomic Dustbin “Grey Cell Green”
  31. Big Audio Dynamite II “Rush”
  32. Ministry “Jesus Built My Hotrod”
  33. Paris Angels “Perfume (Loved Up)”
  34. Barenaked Ladies “Lovers In A Dangerous Time”
  35. Saint Etienne “Only Love Can Break Your Heart”
  36. Primal Scream “Come Together”
  37. Teenage Fanclub “The Concept”
  38. Billy Bragg “Everywhere”
  39. The Farm “All Together Now”
  40. Crash Test Dummies “The Ghosts That Haunt Me”
  41. Inspiral Carpets “Caravan”
  42. Morrissey “Mute Witness”
  43. The Tragically Hip “Little Bones”
  44. R.E.M. “Me In Honey”
  45. Meat Puppets “Sam”
  46. The Wonder Stuff “Welcome To The Cheap Seats”
  47. U2 “One”
  48. The Charlatans “Over Rising”
  49. Erasure “Chorus”
  50. Lowest of the Low “Henry Needs a New Pair of Shoes”
  51. Violent Femmes “American Music”
  52. Spirit of the West “D For Democracy”
  53. Blur “She’s So High”
  54. Spirea X “Chlorine Dream”
  55. Chapterhouse “Pearl”
  56. The Grapes Of Wrath “You May Be Right”
  57. The Dylans “Godlike”
  58. Lenny Kravitz “It Ain’t Over ‘Til It’s Over”
  59. Levellers “One Way”
  60. Revolver “Heaven Sent an Angel”
  61. Barenaked Ladies “If I Had $1,000,000”
  62. Swervedriver “Rave Down”
  63. Rheostatics “Aliens (Christmas 1988)”
  64. Billy Bragg “Accident Waiting To Happen”
  65. The Farm “Hearts & Minds”
  66. Spirit Of The West “Far Too Canadian”
  67. Ned’s Atomic Dustbin “Kill Your Television”
  68. Odds “Love Is The Subject”
  69. R.E.M. “Losing My Religion”
  70. Pixies “Head On”
  71. Northside “Take Five”
  72. U2 “Until the End of the World”
  73. Blur “There’s No Other Way”
  74. Lowest of the Low “Rosy and Grey”
  75. Nirvana “Smells Like Teen Spirit”

And here is the promised link to the Apple Music playlist. I hope you enjoy.

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Tunes

Eighties’ best 100 redux: #80 Depeche Mode “People are people” (1984)

<< #81    |    #79 >>

If you’ve been around this blog before, you’d know that I’ve written about the legendary synth pop band originally from Basildon, England many times over. So instead of treading and retreading over familiar ground, I’ll tell you a story*. (Mind you if you are looking for more words about the band and this song, have a gander at the post on my top five favourites of their songs from the 80s.)

Nearly forty years ago, just as I was starting high school, I got my first job, if you can call it that. I took over delivering flyers to the houses in my neighbourhood from one of my friends for a company called Davcar Distributing. If you’re of an age that you don’t recognize the term, ‘flyers’ were printed advertisements that were like mini catalogues, printed on newsprint**, ranging any where from one to twelve pages, providing the weekly sales for grocery stories like A&P and Dominion and other commercial enterprises like Sears and Canadian Tire. It was piece work, getting pennies per flyer delivered. There were two or three hundred houses on my route and there were typically five to seven flyers to be delivered each week. The route took me a few hours to do on a Friday night and I would get $10 or so for my efforts.

Every few weeks, Carol***, one of the proprietors of the company, would ask if I would take on one of the nearby routes when the regular delivery kid wasn’t able to, and it would mean a bit more money that week, but also cut into more of my prized weekend time. At some point, I was asked if I would be interested in taking over all the down routes**** in my small town and after some cajoling and promises of help from my mother, I agreed. It meant that a walk on Friday night turned into a whole weekend endeavour. I would be responsible for 10-12 routes on any given week, sometimes more, and I figure that at some point over the two years that I delivered these flyers that I probably walked up to the door of every house in Bowmanville.

We quickly had it down to an art though. Friday nights after dinner, we would put on a movie or two and sort out the flyers, unbundling stacks, and fitting each flyer within in each other so that they were ready for delivery and stow them in black plastic Knob Hill Farms baskets*****. My mother had a road map of the town, on which she highlighted each route to which we delivered in a different colour marker and we knew exactly how many houses were on each route and so, how many flyers needed to be delivered. She would drop me off at the beginning of each route, loaded down with two paper carrier bags loaded with pre-sorted flyers, one on each shoulder, and pick me up at the other end, where she waited in our little silver chevette reading a Harlequin romance novel. Then, while she drove off to the start of the next route, I would refill my bags with the exact amount of flyers needed.

This is the job where I gained my love/hate relationship with walking and my very real fear of dogs. Don’t laugh. I was once chased by a massive Dobermann pinscher for 200 metres or so, on a Sunday night at dusk, after a whole weekend of deliveries, from the front porch of a heritage house over an overgrown lawn and over a five foot wide drainage ditch and into the front passenger side door of my mother’s car, which she luckily had the foresight to open for me as she saw the chase ensuing. It was like the Chopper scene in Stand by me, in slo-mo and everything, but the danger was very real. My mother had to get the car washed the next day to erase the dog slobber froth from the passenger window.

And I could tell many other stories from those days – from the odd people I ran into on the streets and the conversations, to the different lifestyles of Bowmanville’s residents, their possessions and collections, and the relationships to their pets****** – but this post would end up like War and Peace in length. Instead, I’ll get back to the point. What does this job have to do “People are people” by Depeche Mode?

Well, as you can imagine, all that walking alone would afford lots of time to think and have conversations with oneself and before I was able to save up for a Walkman, sing songs to oneself as well. One of these songs was Depeche Mode’s “People are people”. I will never be able to tell you now where I first heard the songs, whether on the radio or at a school dance, but those chorus lines stuck with me. “People are people, so why should it be / You and I should get along so awfully?” These were the only lines I knew and sang them over and over again. They resounded for me. They were words that had meaning. And applying them to my own experiences thus far in life, I gave them my own meaning.

When I later discovered the author of these words, I became a fan of Depeche Mode. “Some great reward” would be the first album I would own by the band, mostly because of “People are people”, buying it on cassette, with money earned from a different job. And I’ve never looked back… except of course, to remember singing those chorus lines over and over while walking sidewalks burdened by loads of flyers.

Original Eighties best 100 position: n/a

Favourite lyric: “Now you’re punching, and you’re kicking, and you’re shouting at me / I’m relying on your common decency / So far, it hasn’t surfaced, but I’m sure it exists / It just takes a while to travel from your head to your fist” These lines always made me laugh.

Where are they now?: Despite losing band mates, near deaths, deaths, and dealing with a host of other trials and tribulations over the years, Depeche Mode are still going strong, now just a duo, after 45 years. They released their 15th studio album, “Memento mori”, back in 2023.

*One of which I’ve hinted at pieces at least twice in two previous Depeche Mode related posts.

**Some companies still print them and deliver them directly to mailboxes through Canada Post but many just make them available online.

***I believe that was her name.

****Down routes were all the routes that didn’t have a regular carrier.

*****Those who know, know.

******I’ll never forget the pet raccoon that would pull the flyers from me as I was feeding them into the mail slot in the front door.

For the rest of the Eighties’ best 100 redux list, click here.

Categories
Albums

Best albums of 1990: #1 Depeche Mode “Violator”

Well here we are at the number one album of 1990.

I started this particular countdown and mini-series back near the end of May and if you’ve been following along, you might have guessed this album would end up at the top, simply by the glaring absence of its mention thus far. “Violator” by Depeche Mode is quite simply, no question, my favourite album of 1990. And if it isn’t yours also, it should be. Wink, wink, nudge, nudge, say no more.

I’ve written about this album, and a handful of the songs it contained, many times over on this blog, so I will do my best not to repeat myself too much here. Indeed, I even decided just before sitting down to write this post to change up the original three requisite picks that I had previously selected, partially because a couple of them were obvious, but also because “Personal Jesus” and “Enjoy the silence” had both already received their own posts and also joined “Waiting for the night” in a post that counted down my top five favourite Depeche Mode tunes from the 1990s. So yeah, if you’re math is en pointe, three of my favourite tunes during the band’s (arguably) most popular decade in existence are on “Violator”, not too shabby for an album with only 9 songs. And for me, it wasn’t at all difficult, to find three replacements. It’s a solid album from open to close.

Produced by Flood and recorded in a handful of studios in Europe in the latter part of 1989, “Violator” marked a shift in the way in which the band recorded. It was more collaborative. The demos provided by principal songwriter Martin Gore were less complete, which allowed for more input by the rest of the band. The results were a bigger sound. Some might point out that it has a more pop bent and that it was more radio friendly and hit ready. Indeed, many of the tracks were released as singles and received airplay on both sides of the Atlantic. However, I would rather like to think that it was just that the buying public had finally caught up to what the quartet from Basildon, England had been peddling all along.

“Violator” is where I came in. I had actually heard “Personal Jesus” (as well as “People are people”) before I knew who Depeche Mode were, the cassingle of which was passed to me by a short-lived girlfriend at the time. But then, my friend John dubbed his CD copies of “Violator” and “101”, the double live album for their previous would tour, to cassette and I fell in love with both. I played the hell out of those tapes, to the point where I can’t hear any of the songs on either without immediately after listening, starting to hum the beginning of the next song. “Violator” is one of the first albums I bought on CD and was definitely the first record by the band that I sought out* when I started collecting vinyl again ten years ago.

“Violator” is accessible but it’s also dark. You can put it on at a party and people will sing along and it also feels right at home when played in solitude, in a darkened room, candlelight catching glints off the glass of red wine. Each song is practically perfect. Orchestral in scope but almost completely electronic. It is full and intense but it is also quiet. It is majestic and beautiful. It is uplifting and heartbreaking. It has kept me company at many points my life like a good friend should.

If you’re familiar with “Violator”, you’ve probably been nodding along as you’ve read these words. If you’re new to this album, I almost envy the possibility of experiencing it now for the first time. You could listen to any of the nine tracks as a teaser or as I mentioned above, start with the three that I’ve selected for you (that I’ve yet to write about on these pages before). Enjoy.

“World in my eyes”: “Let me take you on a trip around the world and back, and you won’t have to move, you just sit still.” These are the lyrics that open “Violator”. It’s like the band knew, like they were warning their fans and other unsuspecting listeners that they were about to be taken on an unprecedented voyage. The fourth single to be released off the album is said to be a positive and uplifting one. Perhaps odd in the group’s catalogue in that it paints love and relationships in a positive light. Its austere and overpowering opening sets the tone for the album, electronic like their previous work, but a lot more tactile and immense. This is music that is made for earphones. And it really does fulfill the promise of those opening words. It transports you elsewhere, not necessarily where you expected to go but they make it worthwhile.

“Policy of truth”: “It’s time to face the consequence for delivering the proof, in the policy of truth.” The third single released off the record was another big hit for band but actually sold better in North America than it did back home, a rarity for Depeche Mode singles. The song employs the use of guitars, notably in the intro and more obviously the slide guitars at the chorus, but in each case, the sound is modified and fed through synthesizers, sounding by turns like drills and presses. The result is a rock song feel but one with nothing organic about it. Frontman Dave Gahan is undramatic in his delivery, honest and upfront about dishonesty and the pitfalls of truth. Bolstered by Martin Gore’s backing sonics, the vocals become a dichotomy, deep and full, drenching the austere with sweat and blood.

“Clean”: “I’ve broken my fall, put an end to it all. I’ve changed my routine now I’m clean.” If you haven’t felt haunted throughout “Violator” already, the closing number might just do the trick. The pounding rhythm sounds alternatively like a heavy footfall and the thumping of something heavy and inert being dragged down a long staircase, echoing into the abyss. Much like elsewhere, the environment is vacuous. The band seems to be performing on another plane. It’s a soulful blues piece performed for aliens and robots. The mists are so heavy, they are impossible to clear. The distorted monk drones provide a backbone for a sinner repenting but fully knowing he will offend again. He claims he’s clean but it’s empty. Hollow and haunting and plodding infinitely. And it’s oddly beautiful, breathtakingly so. Like this whole record. It begs to be played on repeat.

*But second one that I found and bought.

And so that ends another great countdown of great albums. In case you missed the previous posts, here are the previous albums in this list:

10. The Northern Pikes “Snow in June”
9. Jane’s Addiction “Ritual de lo habitual”
8. Sinéad O’Connor “I do not want what I haven’t got”
7. The La’s “The La’s”
6. Concrete Blonde “Bloodletting”
5. Spirit of the West “Save this house”
4. The Sisters of Mercy “Vision thing”
3. Ride “Nowhere”
2. The Charlatans “Some friendly”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.