Categories
Tunes

Best tunes of 2012: #28 Dr. Dog “These days”


<< #29    |    #27 >>

Dr. Dog was formed by Toby Leaman and Scott McMicken in Philadelphia, Pennsylvania in 1999. They’ve had a number of different members come in and out of their midst and have released ten albums and a handful of EPs over the past couple of decades, but have never really managed to crack mass culture consciousness. Indeed, they might have never even managed to catch my own attention had it not been for fellow blogger, John Hubner over at Complex Distractions. I’m 100% certain I first read about these guys when he wrote about Dr. Dog’s sixth, “Be the void”, the album on which this song can be heard, on a previous iteration of Mr. Hubner’s very excellent blog.

The band name was what first caught my attention. (Much like every person I’ve mentioned them to since, my own first words upon reading their name was: “What a great band name”.) But it was Hubner’s description of their psych rock sound that had me searching them out. “Be the void” was on regular rotation for me after that first meeting in 2012 and I recommended them to my good friend Andrew Rodriguez, who also enjoyed their carefree sound. And now, every time their name comes up, which is pretty much every time I see him, Rodriguez tells the story of how he met some guy wearing a Dr. Dog toque at an Oh Sees show. Funny, the stuff that sticks with us.

Track three on “Be the void” is this two and three-quarter minute ditty that shakes with the shakers and whose frenetic guitars match the piano madness and heavy drum pacing. It feels not a little bit like the energy of an early Strokes barnburner, but there’s less anger here and more laissez-faire attitude. Indeed, it’s easy-going psych rock with an über-peppy pop tone, just plain fun all around. And as John Hubner said in his aforementioned post back in 2012: “If you don’t like Dr. Dog, check to make sure you have a pulse.”

For the rest of the Best tunes of 2012 list, click here.

Categories
Vinyl

Vinyl love: The Smiths “The world won’t listen”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Smiths
Album Title: The world won’t listen
Year released: 1987
Year reissued: 2011
Details: Remastered, double LP, part of box set that includes booklet and poster

The skinny: Happy Sunday! Are you getting tired of seeing pictures of the pieces from this box set yet? Patience. Just a couple installments to go. This compilation, whose title is an expression of Morrissey’s frustration at the band’s lack of exposure, gathers together a bunch of the band’s singles and their b-sides, released between 1985 and 1987. As a record, it’s one that doesn’t see the platter often because of the compilation that was originally released a mere months after this one and that one will be featured next week. That other one is a big favourite of mine and the song featured below is one of only two songs from this one not available there.

Standout track: “The boy with the thorn in his side”

Categories
Live music galleries

Live music galleries: The Rural Alberta Advantage [2015]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The Rural Alberta Advantage live at Dragonboat Festival, 2015

Artist: The Rural Alberta Advantage
When: June 27th, 2015
Where: Ottawa Dragonboat Festival, Mooney’s Bay Park, Ottawa
Context: It’s been almost six months since I’ve seen any live music and I’ve realized in the last couple of weeks that I’ve been (for want of a better term) seriously jonesing. Seriously. I’ve been habitually checking the concert listings, reading all the festival lineups as they are released, watching live videos on the YouTube, and I’ve even been finding myself wistfully flipping through photos of past shows that I’ve seen. And in so doing, I came across this series of pics that I snapped during a set by Toronto’s The Rural Alberta Advantage at Ottawa’s Dragonboat festival five years (!) ago. I’ve seen them a total of four times, each time was a riot, but this show was the last time I saw them. They were still touring their third album, “Mended with gold”, which like all their others, is energetic indie folk with a heavy percussion edge, this last provided by Energizer bunny drummer, Paul Banwatt, and bundle of dynamite, Amy Cole. She would actually leave the band the following year, to be temporarily replaced by a Robin Hatch, but is now back in the fold, and the word is there is new material in the works. Maybe I’ll see them a fifth time later this year. One can hope…
Point of reference song: Terrified

Nils Edenloff of The Rural Alberta Advantage
Amy Cole of The Rural Alberta Advantage
Paul Banwatt of The Rural Alberta Advantage
Amy Cole and Paul Banwatt going all percussion-like
Nils Edenloff rocking out