Categories
Albums

Best albums of 1990: #2 The Charlatans “Some friendly”

Now that Ottawa Bluesfest is over (and has been for almost a week), I’ve been doing my best to avoid festival withdrawal and part of my strategy now is to get back to our normal schedule of posts. Returning to the series counting down my favourite albums of 1990 is a good way to jump right back into it. Picking things up at the number two position on this list, here’s yet another album with which I am and have been intimately acquainted for years.

I’ve written before somewhere in these pages but it bears mentioning again that my second favourite album of 1990 came to me by way of a mixed tape made for me by a teen years friend that I’ve not seen or spoken to in decades. Elliott and I were getting into alternative music together from different directions on the musical spectrum: he from hardcore thrash and me from AM pop radio. He put together the tape from his new girlfriend’s CD collection and featured half of the tracks from “Some friendly”, though I didn’t know at the time that all of these amazing tracks by The Charlatans came from the same debut album, not from multiple LPs across an established outfit’s career.

The mixed tape was a constant fixture in my Walkman for months and I became enamoured with these tracks. So it wasn’t long before I was out tracking down anything I could find by The Charlatans on cassette. Imagine my glee when I learned all of these songs could be found in one place. Then, when I unwrapped the purchase, snapped the tape into place in my trusty golden yellow player, and slipped on my earphones, I proceeded to learn that Elliott’s selections weren’t the only great tracks on the album, and in some cases, he had even left off a few of the true diamonds.

“Some friendly” kicked off a long and storied career by a band that still exists* and is still one of my favourites today, though it must be said that they have lost a few members over the years and their creative output has diminished in quantity but not so much in quality. They have persevered through adversity, launching comeback album after comeback album and reinventing themselves in sound and aesthetic. As a debut, it received moderate critical reviews, more notable for its perceived influences than for its own voice, but the buying public loved it and often that matters more. It has since been looked upon more kindly as a classic of its time and place, as is often the case. Interestingly, it continues to be attributed to an and lumped in with the madchester scene, due to its proximity in sound, rather than their geographical location.

“Some friendly” is an album that will always remind me of the years at the end of high school and the beginning of university. It soundtracked so many walks around town and nights hanging out in my basement bedroom. Then, later, these were songs that would drag me out to the dance floor every time those familiar first sounds would materialize through which ever club or pub speakers I was frequenting on a given night. The Jon Brookes rhythms would get my knees bopping, the Rob Collin’s organs my heart racing, and those Tim Burgess vocals my mouth a smiling and lyric spouting.

All of these tracks on “Some friendly” are worth your time but the three I’ve picked for you below are a good place to start.


“Polar bear”: “Life’s a bag of Revels / And I’m looking for the orange one / She’s gone / And not for the first time.” Apparently, this track was originally titled “Looking for the orange one”, which is a great title, but I’m still partial to the final choice of title. Though, admittedly, the song lyrics don’t really have more meaning under the “Polar bear” moniker. I’ve never been sure at all what the song is meant to be about, in fact many of their songs are unclear and you get the feeling this was done on purpose. Some of the lines are seemingly so random that they are hilariously memorable. Still, even with such randomness, the lyrics do add to the feeling of the song, perhaps not so much as the haunting woodwind that wends and floats its way throughout its entirety. Dancing frostily, like tinkling icicles, in the misty air hanging heavily over the jaunty rhythm and the unwavering organ. It is a song that played loud in the dancehalls or over earphones is so undeniably massive.

“The only one I know”: “Everyone has been burned before / Everybody knows the pain.” The Charlatans’ second ever and highest charting single from “Some friendly” was actually meant to be an instrumental piece, so likely wouldn’t have seen such a wide release. I loved it from the first, seeing it as completely new and inventive but I would learn much later that the song borrowed lyrics from The Byrds and an organ riff from Deep Purple. Frontman Tim Burgess, himself, has always found its structure odd, unsure which parts are the chorus and which are the verses. He is, however, clear that the words were inspired about the confusion and uncertainty of being a teenager. For me, this song was always so high energy and uplifting and left me breathless at the end, even if I wasn’t dancing to it on a packed dance floor, though I did that often enough.

“Sproston green”: “This one knows she comes and goes, and when she goes she goes.” The final number on this debut album has borne mention a couple of times on this blog already – once, when it hit number two for my fave tunes of 1990 and another when I gave it the nod as my favourite ever Charlies tune – so forgive me if I repeat myself a bit here. Its epic breadth and scope, replete with a lengthy, slow-burning intro. The song builds perfectly from the echoing, just beyond earshot guitar intro to a more a solidified onslaught once the rest of the band joins in the fun. It never gives an inch, the drum beat, the bass line, and the “raise the goblet of rock” guitar riff are all in race to get you moving. It is pure ecstasy and mass hysteria at its climax. It’s no wonder that 35 years later, it’s still one of the band’s favourite tracks to close out their shows with.


*And in fact, they just announced the upcoming release of a new album, they’re 14th, due out in the fall.

We’ll be back in a handful of days with album #1. In the meantime, here are the previous albums in this list:

10. The Northern Pikes “Snow in June”
9. Jane’s Addiction “Ritual de lo habitual”
8. Sinéad O’Connor “I do not want what I haven’t got”
7. The La’s “The La’s”
6. Concrete Blonde “Bloodletting”
5. Spirit of the West “Save this house”
4. The Sisters of Mercy “Vision thing”
3. Ride “Nowhere”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Tunes

Top five tunes: The Charlatans

(Miss me? I know. It’s been a while. 

It’s almost becoming a trope with me during each summer. I sustain a bit of blogging fatigue, leave off writing and posting entries, come to the realization that I have less time to dedicate to this hobby of mine than I used to have, weigh the pros and cons of the whole thing, and eventually decide to soldier on, albeit at a less frequent pace.

So here I am again, soldiering on, much like the subject of today’s post: The Charlatans.)

Who? The Charlatans (aka The Charlatans UK)

Years active: 1989-present

Current Members:
Martin Blunt (bass)
Tim Burgess (vocals)
Mark Collins (guitars)
Tony Rogers (keyboards)

Past Members:
Jon Brookes (1989-2013)
Rob Collins (1989-1996)
Baz Ketley (1989)
Jon Day (1989-1991)

Selected discography:
Some Friendly (1990)
Between 10th and 11th (1992)
Up to Our Hips (1994)
The Charlatans (1995)
Tellin’ Stories (1997)
Us and Us Only (1999)
Wonderland (2001)
Up at the Lake (2004)
Simpatico (2006)
You Cross My Path (2008)
Who We Touch (2010)
Modern Nature (2015)
Different Days (2017)

Context:
The title of ‘Madchester survivors’ that is often bestowed upon The Charlatans (known as The Charlatans UK here in North America) is actually a misnomer given that the band is not from Manchester at all. The band originated in the West Midlands circa 1988. Despite the geographic distance between The Charlatans and the other bands that rose to prominence out of the ‘Madchester’ scene, they were consistently thrown in with that lot based on the coincidental similarities in initial influence and sound. Their music was anchored by Martin Blunt’s solid, driving basslines and Jon Brookes’ funky drumming but it was Tim Burgess’s simply smooth vocals and especially, Rob Collins’ monstrous work on the Hammond organs that gave The Charlatans their soul and made a name for them in the early days.

I became a fan of their music perhaps a year after their debut album was released in Canada. “Some friendly” and their sophomore release, “Between 10th and 11th”* were albums that were consistently in my Walkman in the early 90s and both are still among my favourite albums of all time. Their third album, “Up to our hips”, wasn’t my favourite at the time but it didn’t stop me from purchasing their next album, 1995’s self-titled LP, the first of many ‘comeback’ albums. I think The Charlatans may have released more ‘comeback’ albums than any other alternative artist, except for perhaps David Bowie, and I think this is where the aforementioned moniker of ‘Madchester survivors’ may be partly right. The Charlies certainly are survivors.

They soldiered on through the arrest (in 1992) and the death (a few years later, in 1996) of their founding keyboardist, Rob Collins. In fact, you got the sense that the band rallied around that disaster and released their best-selling album (in the UK) to date. Then, in 2013, founding drummer Jon Brookes died from a brain tumour, which personally, really hit me hard and sent me on a serious Charlatans kick, listening to all 11 albums released at the time, in quick succession. I remember briefly wondering at the time whether The Charlatans would continue to exist after the loss of Brookes. Sometimes the deaths of band members can destroy bands and any momentum they might have had, but for the second time, The Charlatans managed to weather the loss of one of their own. Indeed, 2015’s “Modern nature” heavily featured work done by Brookes before his passing and that wasn’t the last we heard from the band.

Thirteen studio albums, six compilations, and close to fifty singles into their career, this band has persevered where many of their so-called peers have disappeared… or perhaps reunited years later to tour on the backs of twenty-five year old songs (no offense, Stone Roses, I love you too). The Charlatans have accomplished this, I think, simply by keeping things real and fresh and pursuing their latest sound wherever their moods take them. They’ve toyed with reggae sounds, folk country and even some Curtis Mayfield soul, but have always been sure to keep their own stamp on their songs.

As I might have hinted earlier in this post, I have owned every studio album The Charlatans ever released, be it on cassette tape, compact disc, MP3, vinyl, and a good deal of their EPs and singles as well. I’ve always been game when I hear there’s a new Charlatans release coming out because they’re one of those bands that I’ve become a bit of completist about but also because I’m always curious as to what they’re going to sound like the next time around. Not every album has been slam dunk solid, some I have only listened to in full, a handful of times, but every album they’ve released has produced one or two gems.

I’m pretty sure I’ve mentioned this before somewhere in these pages but my friend Tim and I have discussed The Charlatans’ legacy at length, over multiple conversations and beers now, and also the topic of whether anyone will remember them in ten or twenty years. I was and still am firmly of the belief that they will be remembered, if only metaphysically through their influence on the musicians of the day who grew up listening to them. Sure, they are not as well-known here in North America (even less now than they were in their heyday in the 90s) but in their native England, they appear to still have a substantial following. As I read recently to my own disbelief, every one of their full-length studio albums have hit the top 40 charts there and their tours are always very successful.

Though no hiatus has been announced and indeed there have been Charlatans tours galore, it’s been seven years since we’ve last seen a new studio album by the group. It’s been even longer than that, more than two decades, since the group has produced a tune that surpasses some of my own personal faves but it doesn’t mean the group is done. Indeed, frontman Tim Burgess might have became even more famous than his group during the pandemic when he started a cultural phenomenon with ‘Tim’s twitter listening parties‘ as a way of occupying himself during all the lockdowns. But this didn’t stop him from keeping his band involved, including most, if not all of his group’s releases on the ‘show’s’ episodes. The Charlatans’ last compilation album, “Head full of ideas“, came out in 2021, just a year late in celebrating the group’s 30th anniversary, and though there’s been no news either way, one can’t help but think there’s something new pending on the horizon.

Until then, these five tunes are still my favourite Charlatans ditties.

The top five:

#5: One to another (from “Tellin’ stories”, 1996)

I remember seeing a piece a decade ago on the Uncut website that has long been taken down in which frontman Tim Burgess compared this particular track with Joy Division’s “Love will tear us apart”. Not because the songs sound anything alike but because it was the last song that was recorded by the band before the original keyboard/organ player, Rob Collins, died tragically in a car crash. For Burgess, this placed a certain mythos on the song, much like that other famous song that will forever be tied to Ian Curtis’s suicide. But far from being dark and haunting, “One to another” is a swaggering, stomping anthem for the club kids of the Britpop era, Jon Brookes crashing about on his kit and helped along by some wicked drum loops courtesy of The Chemical Brothers’ Tom Rowlands. Press “play” below and turn it up.


#4: Weirdo (from “Between 10th and 11th”, 1992)

“Most of the time you are happy… you’re a weirdo.” That first line of the song is almost as instantly recognizable as is that crazy organ riff and hyper drum beat that get the song off to a roaring start. To this day, “Weirdo” remains The Charlatans’ biggest hit in North America and it’s unsurprising given it’s almost a perfect melding of 60s psychedelic rock and dance-ready drum beats. Heck, this song made us all dancing fools, but whenever I hear it, it’s my friend Andrew Rodriguez that I picture, wearing a Reni-style bucket hat, pulled down so that you can barely see his drunken gaze, dancing in a crouch by himself on the dance floor, arms waving wildly both to keep time to the melody and to keep himself from falling.


#3: A man needs to be told (from “Wonderland”, 2001)

“A man needs to be told” is easily my favourite Charlatans track released after the turn of the century. It is here, perhaps to a lesser extent than on the other tracks on 2001’s “Wonderland”, that you can hear Burgess’s flirtation with Mayfield-esque falsetto vocals. The first time I heard the song I almost thought that it couldn’t be The Charlatans. It blends elements of soul and funk, layers slide guitar over a dancing bass jive and some excellent time-keeping by Jon Brookes. It starts off in a mellow groove (there’s that word again) oddly reminiscent of Chapterhouse’s “Mesmerise” but the gospel backup vocalists chime in at the last minute and the drums suddenly kick the song into high gear. You’ve just to got to listen to it to understand what I mean. Simply fantastic.


#2: Tremelo song (from “Between 10th and 11th”, 1992)

There’s a long story that goes along with my love for this track**. And given this story, “Tremelo song” became something of an anthem for my high school friend Andrew Rodriguez and me the year after we graduated. Even though neither of us knew what a “tremelo” was, we forever called a certain very memorable day “Tremelo day”, given that we had felt what we imagined the featured character in the song’s music video felt. Let it suffice to say, “Tremelo song” will always hold a special place in my soul due to that certain time and place in my life when I felt that Burgess was singing about me and my life in this song. Put your earphones on for this one folks because it’s made for it. The keys, the drums, the bass are all layered on, one at a time, combining for one killer hook.


#1: Sproston green (from “Some friendly”, 1990)

To tell the truth, there was such a jumble and jockey for the order in this top five of songs that I wasn’t really sure until I finished drafting this post as to which would be number one. In the end though, it had to be the final track on The Charlatans’ debut album, “Some friendly”. There’s just something so epic about “Sproston green“. Maybe it’s the lengthy, slow-building intro. Perhaps it’s the way the song never gives an inch, the equally driving drum beat and bass line and the “raise the goblet of rock” guitar riff. Listening to it on repeat while finishing up this piece this week, it struck me how it hasn’t aged a day, timeless, like a good deal of The Charlatans material. Let’s turn it up for one more listen. And then, perhaps, I’ll go back to listen to their entire collection one more time and revel once again in Jon Brookes’ brand of drumming, Rob Collins’ (and then, Tony Rogers’) keyboards and organs and of course, Tim Burgess’s random wording and perfect lyrical delivery.


*This post became a necessity when I realized, while throwing together my list of my favourite tunes of 1994 (the series for which shall start sometime in the near-ish future), that I somehow managed to miss including some great tunes from my very favourite album by one of my favourite bands while counting down my list of Best tunes for 1992. So this post is recompense, in my own little way… many apologies to Tim, Martin, Mark, Jon, and Rob.

**Being typical gen-Xers, I was taking a year off after high school to “work” before heading to university for higher learning and my friend Andrew Rodriguez went back to high school to boost his grades. There was a day in the spring of that year that we called “Tremelo day”, based mostly on the video for the song. On our “Tremelo day”, we both woke up hungover, though I daresay Andrew was moreso than I. Andrew had had a fight with his girlfriend, got kicked out of a party, and proceeded to get rip-roaring drunk the night before and woke up on the couch at a mutual friend’s apartment. I woke up in my bedroom in the basement of my parents’ house, having drunk a bit myself the night before. That weekend’s want ads were left resting on my head, a none too subtle jab at the fact that I was still unemployed almost a year after graduation. Of course, the threat didn’t feel empty at the time so when Andrew showed up at my door not long after I got out of bed, I left with him, both of us unshowered and unshaved, making us a sorry set indeed. We spent the day aimlessly wandering our small town, scraping together the few coins we had to nourish our hungover selves. Somewhere near late afternoon, Andrew made the connection between our meager existence that day and that of the guy in the “Tremelo song” video.

For other top five lists in this series, click here.

Categories
Playlists

Playlist: New tunes from 2022, part four

Saturday morning, December 31st, 2022.

Here we are at the precipice of another year. And though I honestly didn’t have high hopes for this year, it was an improvement on the previous two, which makes me think it can only get better from here. Right?

Right.

If you’ve been paying attention to these pages over the last couple of weeks, you’ve seen me counting down my favourite albums released in 2022, the number one album seeing the light of day just yesterday. And now, keeping with the tradition I started over the last couple of years, I’ve left the final instalment of my annual four-part playlist sharing some of my favourite new tunes released during the year to post on this last day of the year. You are welcome to go back and revisit parts one, two, and three, which include songs from the first three quarters of 2022. This final playlist, much like the previous three, collects twenty-five bangers from the last three months. Usually, I would have to bolster this last part with the b-sides, or tracks that I just missed including in the previous three parts, but there was plenty of great new music this time around and I only needed to add a small handful.

Before I carry on, I just wanted to thank those of you who have been reading and listening along this year and for the past handful. I write these words and share these thoughts and it’s all just for the passion of it, for the love of music. So let’s just enjoy this moment and the music that makes it. These here are the final twenty five tunes of the year that have made it all bearable. Highlights include:

      • Where else would I start this last playlist but something from the newest album Canadian indie pop heroes, Alvvays, and “After the earthquake” is everything that we would have hoped it would be
      • “Let the lights on” is a grimy ear worm that begs repeat listens and Sorry is not apologizing for it
      • Don’t be fooled by the moniker, Skullcrusher is not death metal but delicate and lilting indie pop and “Whatever fits together” is just that
      • “Hurricane” and its country/folk delight has us hoping for more from Plains, the collaborative efforts of Katie Crutchfield and Jess Williamson
      • Canadian quartet Sloan shows us that power pop is still safe in their hands with their latest album and this new single “Magical thinking”
      • Canadian indie folk troubadour Dan Mangan is the latest in a string of artists to pay tribute to former Frightened Rabbit frontman Scott Hutchison, promising everyone that we’ll be “In your corner”
      • I’ve let Charlatans frontman Tim Burgess close things off with a ray of sunshine and hope and “Here comes the weekend” and a brand new year

Here is the entire playlist as I’ve created it:

1. “After the earthquake” Alvvays (from the album Blue rev)

2. “Satellite” Courtney Marie Andrews (from the album Loose future)

3. “Let the lights on” Sorry (from the album Anywhere but here)

4. “Baby don’t you know” Ciel (from the EP Nor in the sun, nor in the dark)

5. “Into the blue” Broken Bells (from the album Into the blue)

6. “Whatever fits together” Skullcrusher (from the album Quiet the room)

7. “Part of the band” The 1975 (from the album Being funny in a foreign language)

8. “Emily smiles” The Lightning Seeds (from the album See you in the stars)

9. “My very best” The Big Moon (from the album Here is everything)

10. “Hurricane” Plains (from the album I walked with you a ways)

11. “See you better now” Wild Pink (from the album ILYSM)

12. “Warm wine” Batts (from the album The nightline)

13. “Abigail” Frankie Cosmos (from the album Inner world peace)

14. “Magical thinking” Sloan (from the album Steady)

15. “One day (it’s being scheduled)” Robyn Hitchcock (from the album Shufflemania!)

16. “Swallow” Girlpuppy (from the album When I’m alone)

17. “In your corner (for Scott Hutchison)” Dan Mangan (from the album Being somewhere)

18. “Out of my head” First Aid Kit (from the album Palomino)

19. “Come on sun” Jason Collett (from the album Head full of wonder)

20. “Morningstar” Smut (from the album How the light felt)

21. “Children of the empire” Weyes Blood (from the album And in the darkness, hearts aglow)

22. “Working for the knife” Mitski (from the album Laurel Hell)

23. “Jackie down the line” Fontaines D.C. (from the album Skinty fia)

24. “Civil liberties” Fake Palms (from the album Lemons)

25. “Here comes the weekend” Tim Burgess (from the album Typical music)

Those of you who are on the Apple Music train can click here to sample the above tracks as a whole playlist.

And as always, wherever you are in the world, I hope you are safe and continue to be well. Above all, enjoy the tunes.


If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.