Categories
Tunes

Best tunes of 1993: #21 New Model Army “Bad old world”

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New Model Army is yet another group to whom my friend Tim introduced me, but as opposed to the group who last appeared in this list, this meeting was more immediately successful. He put one of their tracks, “51st state”, on a mixed tape he made for me and its angry folk-punk and intelligent but subversive messaging appealed to my teenaged sensibilities. Then, seeing my interest piqued, he loaned me a CD copy of their 1992 singles compilation, “History”. From there, I was completely sold on the songwriting of Justin Sullivan and the dark and angry workings of his bandmates.

Indeed, it was almost as if it were all part of Tim’s ‘evil’ plotting because in the early part of the summer of 1993, the group was touring North America, complete with a stop in Toronto, and yours truly was a ready-made concert buddy. Nevertheless, it was to be my first ever concert* and to say I was excited was an understatement. I purchased a copy of their latest CD, “The love of hopeless causes”, in preparation and it quickly fell into heavy rotation.

“Bad old world” is the final track on that album, a real rocker to close things off, but what really makes the song notable is the lyrics and the way Sullivan sings them with such conviction. I’ve read that it was written as a sort of sequel to “Green and grey”, one of my favourite tunes off the band’s 1989 album “Thunder and consolation”. And I’m willing to bet that there’s something to this theory and it’s not just because New Model Army played the two songs back to back at that show back in 1993. It’s like the missing piece of the original song we didn’t know we needed but now that we’ve heard it, both songs are just more perfect.

“Green and grey” addresses a missing friend or brother, someone who left the protagonist behind to continue the fight alone. He sings of the brightness and optimism of youth and how nothing has changed where they grew up and there’s a sense of a feeling of betrayal and a lack of understanding for the departure. All this comes out in the form of a letter for which no reply was expected but yet “Bad old world” is that reply, nonetheless.

“Dear Justin, I know it’s been a long time
Remember all those nights we spent sitting up talking in your front room
About leaving this worn out world and starting again far away in a better place
Well that’s where I am now – but still thinking about you”

Where “Green and grey” is as wistful as its fiddle and as bitter as its foreshadowing storm, “Bad old world” is nostalgic in its delivery but also full of hope. The correspondent admits that he got out, leaving the bad old world behind, but he bears no shame and in fact, wants to share this sense of peace with his friend.

“I used to think it was me who’d somehow sold out
Or given in on some almighty cause,
But what difference would it make? It feels good to be out here.”

It truly is a wonderful counterpoint, a comparison of two lives that started at the same point but were then lived very differently.

*This is a story I’ve already regaled as part of my post on their 1990 track, “Vagabonds”, when it appeared at #9 on my best tunes list for that year.

For the rest of the Best tunes of 1993 list, click here.

Categories
Vinyl

Vinyl love: Du Blonde “Homecoming”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Du Blonde
Album Title: Homecoming
Year released: 2021
Year reissued: 2021
Details: Limited edition (limited to 500), signed, reissue, transparent with black, neon yellow and bright pink splatter, came with a small magazine, stickers and two cards

The skinny: Continuing my ‘Vinyl Love’ series that’s highlighting my favourite records of last year, here’s the album that placed number eight on that list. I liked the sound of “Homecoming”, the third album by Beth Jeans Houghton as Du Blonde, right off from the get-go. I hesitated, though, and didn’t pull the trigger on its purchase right away. As time wore on, the grrl-rock-ravaged, salacious glam wore upon me, and I found the collaborations with Ezra Furman, Ride’s Andy Bell, and Garbage front woman, Shirley Manson too much fun to bear. I finally decided the record should be on my shelf, but by this time, it became apparent that I wasn’t the only one to come to this conclusion. All of the initial pressings and variants had sold out. Luckily for me, Du Blonde decided to do another limited run late in the year and this time, I did not hesitate. It’s signed by Du Blonde herself and includes a bunch of stickers and postcards and a hand-drawn zine that explains how she came to create her own record label. And of course, the “Lil Petey’s Pick’n Mix Puke” spatter vinyl looks much lovelier than it is described.

Standout track: “Medicated (feat. Shirley Manson)”

Categories
Tunes

Best tunes of 2012: #5 Divine Fits “Would that not be nice”

<< #6   |    #4 >>

For those who might have missed out on the Divine Fits back in 2012, please take note, especially you fans of Wolf Parade, Handsome Furs, and Spoon.

The term indie rock supergroup was bandied about quite a bit in reference to the group and their sole album, “A thing called the Divine Fits”. But with all due respect to Sam Brown and Alex Fischel (the other two band members)*, the project really was about Dan Boeckner and Britt Daniel. Indeed, the Divine Fits’ template was an amalgam of the two different (but not so different) sounds that we were already used to hearing in each musician’s previous work. These two principals split lead vocal duties between them and there wasn’t a huge leap between the songs sung (and presumably written) by one or the other. All of this substantiated my feeling that these two friends and musicians were meant to work together from the beginning.

I must have listened to “A thing called the Divine Fits” hundreds of times in 2012. But even on my first go through, I remember thinking that it was going to be one of the most exciting releases of the year, right from the opening notes of “My love is real”. The project was an experiment gone completely right in every sense. The two mad scientists at the helm seamlessly fused guitar rock and synth pop into what felt like a whole new genre. Unfortunately, this one album is all that we’ve heard from this collaboration and as far as I know, there’s been no hint at all (from either Daniel or Boeckner) that there’s more music in the tank from these guys.

“You set the room up with flickering light
And if you did, would that not be nice?”

“Would that not be nice” is my favourite track here and would be my recommendation if you were to choose just one of the album’s eleven to sample. Be warned, though, you may not be able to shut it off and stop yourself from switching on the repeat function. It’s got a great groove, a bass line that won’t give up ghost, a hip shaking rhythm, and of course, Britt Daniel just kills it, rock and roll style.

*Drummer Sam Brown had previously worked with New Bomb Turks and later worked with Boeckner in Operators. Keyboardist Alex Fischel would later go on to join Daniel as a part of Spoon.

For the rest of the Best tunes of 2012 list, click here.