Categories
Tunes

Eighties’ best 100 redux: #94 Echo & The Bunnymen “Lips like sugar” (1987)

<< #95    |    #93 >>

Echo and the Bunnymen originally formed as the trio of Ian McCulloch, Will Sargent, and Les Pattinson in Liverpool in 1978. Drummer Pete de Freitas would eventually replace the band’s drum machine as the fourth member in 1980. It was this lineup that recorded and released the band’s first five and best-loved albums: “Crocodiles” (1980), “Heaven up here” (1981), “Porcupine” (1983), “Ocean rain” (1984), and “Echo and the Bunnymen” (1987). After McCulloch left to pursue a solo career in 1988 and de Freitas died a year later, the remaining two members carried on with new recruits and released a mostly forgettable album in 1990 before dissolving a few years later. The name and band was revived in 1997 after McCulloch and Sargent successfully worked together again as Electrafixion on one album and then, Pattinson returned to work with them.

I original got into the group with a cover. I was super haunted by their version of The Doors’ “People are strange”* that appeared on the “Lost boys” soundtrack, a film that I watched despite my parents warnings as a teen and then, watched and rewatched many times over. I came upon this very song, “Lips like sugar”, on an 80s compilation, a bunch of years later, and from there, it was an easy hop, skip, and jump to the rest of their singles.

“Lips like sugar” was originally released as the second single off Echo & the Bunnymen’s 1987, eponymously-named fifth record, the group’s most commercially successful album in North America. In fact, frontman Ian McCulloch initially disliked the song because he thought it sounded too commercial. His view towards it has softened considerably over the years, likely because he was right. Money does have a way of changing views towards the positive.

Regardless of its commercial activity, it’s a great song. Evoking fantastical imagery and that magical feeling of early love and longing, in that time when the object of your affection is near perfection. Pounding drums echoing that of a racing heartbeat, guitars jangle and ring and chirp and roll off into the distance, and all the while, McCulloch wavers between croons and howls, all bouncing and reverberating off of prison walls of his own making. This definitely wasn’t what mainstream sounded like back then, but it certainly paved the way for what was to come.

Original Eighties best 100 position: n/a

Favourite lyric: “She floats like a swan / grace on the water” It’s a great image and it so completely sets the tone and gives you a clear image of who McCulloch is pining over.

Where are they now?: Echo and the Bunnymen is still very much a going concern, though these days the only remaining original members are Ian McCulloch and Will Sargent. They last released an album of new material in 2014 (“Meteorites”) and back in 2018, released an album called “The stars, the oceans, and the moon”, which was mostly reworked versions of earlier tunes.

*This very cover of The Doors’ classic appeared at number sixty-eight on my ongoing list of 100 favourite cover songs.

For the rest of the Eighties’ best 100 redux list, click here.

Categories
Live music galleries

Live music galleries: Wild Nothing [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

Wild Nothing @ Osheaga 2013

Artist: Wild Nothing
When: August 3rd, 2013
Where: Green stage, Osheaga, Jean Drapeau Park, Montreal
Context: Ten years ago this summer, I attended Montreal’s Osheaga arts and music festival with my good friends Tim and Mark. It was an unforgettable weekend and we saw countless amazing performances over the festival’s three days. I’ve already posted photos* from some of the weekend’s sets and plan to share a few more of these in the months leading up to this year’s edition, which I will sadly not be attending. Some of these posts will have fewer photos than my normal galleries, including today’s, but this should not be taken to be indicative of the quality of the performances, but of the difficulty of obtaining quality pics while being so completely in the moment.

After a good night’s sleep and a filling brunch of Montreal smoked meat at Schwartz’s deli, my friends and I got back to the festival grounds early to catch a few bands we’d had our eyes on. Tim excused himself to the next stage over to catch Canadian country singer Corb Lund and Mark and I went to the Green stage to take in hyped up indie rockers, Wild Nothing. The shimmering guitars and washes and soft soothing vocals put me right back into the shadows of 90s shoegaze. The band blasted through their set of delicious and syrupy sweet guitar pop to get to as many of his songs as possible in their short, early set. It was a nice warmup for what would turn out to be another great day for live music.
Point of reference song: Paradise

Jack Tatum of Wild Nothing
Nathan Goodman on guitar
Jeremiah Johnson on drums
Kevin Knight, Jeff Haley, Jeremiah Johns, and Jack Tatum

*Past galleries from this festival weekend have included the following:

Categories
Vinyl

Vinyl love: The Weakerthans “Reconstruction site”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Weakerthans
Album Title: Reconstruction site
Year released: 2003
Year reissued: 2013
Details: 20th anniversary, limited to 1000 copies, brown with red splatter

The skinny: Like the last post in this series, today’s album is celebrating its 20th anniversary this year but in the case of “Reconstruction site”, the pressing in my collection is the one done to celebrate this very milestone. The Weakerthans are one of those bands that I had always known quite well and had seen live a bunch of times but never fully appreciated until after they disbanded. I am now quite in love with all four of the Canadian indie rock quartet’s albums – the sound, the style, and the outstanding songwriting – and have been working hard on tracking them all down for my vinyl shelves. So when I saw the group’s penultimate record was getting the 20th anniversary reissue treatment, I did a bit of internet digging to track down a copy. I finally found a Canadian distributor in Cut Loose Merch that was selling this sweet brown and red splatter colour variant. Supporting a Canadian company and paying in domestic currency? Yes, please and thank you.

Standout track: “One great city!”