Best albums of 1987: #3 The Smiths “Strangeways, here we come”

As I’ve mentioned elsewhere in these pages, The Smiths were ruined for me early on by my old friend and housemate John. It took me years to get over it, easing myself into them over the years, song by song. So although I had heard a number of the songs from the Manchester four-piece’s final album, “Strangeways, here we come”, I never actually listened to it from beginning to end until a few years ago, when I got it as part of the box set and I put the 180 gram slice of wax on my turntable for its first spin.

And yes, it was sweet.

By the time it was released, Andy Rourke, Mike Joyce, Johnny Marr, and Morrissey had been together as a band for only five years but had already released three prior studio albums, three compilations, and a boat load of singles. The band had already built up a cult following, the appreciation of the music press, and were just starting get the attention of the mainstream, music-buying public, scoring a couple of top ten singles in their final year. I keep using the word “final” here because the band split after the recording of “Strangeways, here we come” and before it was released. The word is that Johnny Marr took a break from the band and in ceasing communication, mistook an article claiming the band was finished as a plant to the press by Morrissey. And though they likely haven’t talked much since, the two principal songwriters have both agreed that this final album was the band’s best work together.

This, I think, is debatable and has definitely been much debated, but what can’t be argued is that it sits well amongst the influential indie pop band’s fine catalogue. So many great tunes, it was hard to pick just three for you but here they are nonetheless.

”Unhappy birthday”: This first track here was never released as a single but it’s likely the first tune from this album that I ever heard, due to its inclusion on a retro mixed tape that a friend of mine (not named John) made for me in university. I loved it then and still love it now. So much so that I included as part of my Top Five Tunes list I did for the band back in June. It’s a not-at-all-veiled hate song aimed at some unknown person. Acoustic strumming, harmonium whispers, howls, a dancing bass line, and a jaunty Morrissey, dishing jabs left and right. “And if you should die, I may feel slightly sad (But I won’t cry).” Exactly right.

”Stop me if you think you’ve heard this one before”: “And so I drank one. It became four. And when I fell on the floor, I drank more.” Who knows what this song is about, really? There are references to drinking, buddhists planning mass murders, bicycle accidents leading to various painful injuries, and denials of lying. I cannot figure it out but should I really care? As long as we stop him (oh oh oh, stop him), if we’ve heard this one before. Thankfully none of us has, so we get the big drums, the booming bass, and more of Marr’s jangling Rickenbacker. This was a song that I used to skip over when I first got a copy of “Best… I” on CD but now I can’t stop from repeating it.

”Girlfriend in a coma”: “There were times when I could have murdered her. But you know, I would hate anything to happen to her.” So here’s a perfect example of Morrissey’s lyrical wizardry. In a two minute song, he encapsulates the mixed emotions of a young person dealing with having a girlfriend in a coma, so brilliantly, in fact, that he inspired a novel of the same name by Canadian writer Douglas Coupland. The song is catchy and joyful, shotgun drums and synthesized strings and arpeggiating guitars, belying the seriousness of the situation. A fact of which Morrissey keeps reminding us. “I know, I know, it’s serious.” Seriously good.

Check back next Thursday for album #2. In the meantime, here are the previous albums in this list:

10. Dead Can Dance “Within the realm of the dying sun”
9. Spaceman 3 “The perfect prescription”
8. The Jesus And Mary Chain “Darklands”
7. Jane’s Addiction “Jane’s Addiction”
6. The Sisters of Mercy “Floodland”
5. The Cure “Kiss me, kiss me, kiss me”
4. U2 “The joshua tree”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Best tunes of 1991: #16 Violent Femmes “American music”

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“Can I… Can I put on something like: This is American music. Take one. One, two, three, four…”

Whenever I hear or think about the band Violent Femmes, I think of my friend Jeff from high school, even though I haven’t seen him in a couple of decades (not counting the odd word on Facebook). This is because I lent him my recorded copy of Violent Femmes’ debut self-titled album on cassette at the beginning of our final year (OAC, for those in the know) and no word of a lie, I didn’t get it back until the end of that school year. I started out asking for it daily and he would always make excuses and promise it back the next day. I stopped asking so often after a while and had almost given up hope, only keeping up the charade as an ongoing joke, but then, on the final day of classes, he returned it to me.

Of course, “American music” does not appear on the debut. It’s from the band’s fifth album, “Why do birds sing?”. Really, the only other album besides the debut that I know. Its release came shortly after the band reformed from a brief split and coincided with a tour, whose Toronto stop a bunch of my friends went to see but which I sadly missed. “American music” was another favourite of my friend Jeff’s. He’d often break into a sad impression of frontman Gordon Gano’s nasally vocals when we were hanging out during afternoon spare period and sing: “Do you like American music? I like American music. Don’t you like American music baby!”

Save for the trio’s aforementioned debut, the Femmes have always operated on the periphery of the music industry, sitting precariously on the edge of alternative and mainstream culture. They have a number of songs, though, thanks to usage in films and appearances in TV commercials, that have become part of our collective consciousness. I’d say “American music” is one of these. Though only achieving modest success and moderate airplay, it has become a favourite at the shows the band still performs today.

It is a typically upbeat and off-kilter number for the group, hinting at a love for the red, white, and blue and the Norman Rockwell lifestyle. Gano whines and yelps, Ritchie’s bass lines boom, and Victor DeLorenzo gets us all up dancing at the prom with his get up and go drum beats, whether we have a date to dance with or not.

Yeah. I like American music too… baby.

For the rest of the Best tunes of 1991 list, click here.

Vinyl love: Teenage Fanclub “Thirteen” (+ “Country song” b/w “Eyes wide open”)

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Teenage Fanclub
Album Title: Thirteen
Year released: 1993
Year reissued: 2018
Details: Black vinyl, reissue, remastered at Abbey Road Studios, included bonus 7″ single “Country song” b/w “Eyes wide open”

The skinny: After falling hard for “Bandwagonesque“, I was all over the group’s next album, “Thirteen”, the moment I heard it was being released. The first single (see below) was stunning, as was the rest of the album, and demanded that I get tickets for their show when they swung through Toronto that year. This is the second of the five reissues Teenage Fanclub has released this year, all from their time spent with Creation. Of course, I wanted all of them so expect a few more from the fannies in the coming weeks.

Standout track: “Hang on”