Tag: Indie

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Playlists

Playlist: May (or May not)

It’s been quite a while since I’ve put together and shared one of these playlists on here. In fact, I can’t remember the last time I purposely put together a mix of any sort, even for myself, for my own consumption. I typically just press shuffle on a massive collection I have on Apple Music of some of my favourite songs and go with whatever Apple puts forward. And yeah, of course, it’s always good. However, I felt inspired this week, even as I recover from a nasty spring cold, and decided a new mix was in order.

The inspiration? This winter felt very, very long to me, even longer than normal. December and January actually feel like a complete void to me because of the health issues I was experiencing at the time and then February got cold, real cold, and we received dumping after dumping of snow. March was a mixed bag weather-wise and April seems to have been unseasonably cold and rainy*. Things finally felt like they turned the corner when the calendar was flipped to May last week, even though I haven’t necessarily felt well enough to get outside to enjoy it just yet. The sun has been out, brightening everything and warming everything up. I’ve heard the chirping of birds every morning, the grass on the ground is coming in green and the trees lining my street are starting to bud. All of this has cheered me considerably and has me hoping for good things for the rest of the year.

So I wanted to put together some tunes that reflect this feeling. You know? A collection of the kind of songs that just scream sunshine and flowers. A melody that brings a smile to your face and lyrics that beg to be sung along with. Tunes that perk you up from the very first notes and have you wanting to get up and dance, wherever you are, whoever you’re with.

Many of these songs are old favourites (like “Lay back in the sun”, “Everything you’ve done wrong”, and “Movin’ on up”) and have appeared on many of my mixes over the years, some of which may have already appeared on playlists on this site. Some of these songs are newer ‘classics’ (like “Weighty ghost” and “Dreaming of you”) and some are even brand new tunes that I can’t seem to loosen from my head when the mood takes (like “Somebody new” and “Simmering”).

I’ve kept the playlist to twenty-five songs to keep it from being unwieldy but there were many more that I could have added. Perhaps there will be a volume two to share if the summer turns out to be as positive as I’m hoping it will be and if the mood takes me to make another mix to share so soon. In the meantime, I hope you enjoy this collection of songs as much I’ve enjoyed putting it together and that you play them on repeat like I’ve been doing this week. Perhaps they’ll bring the same wide smile that I’ve had on at times while listening. I sincerely hope so.

For those who don’t use Apple Music, here is the entire playlist, with links to YouTube videos:

1. Spiritualized “Lay back in the sun”
2. Bedouin Soundclash “When the night feels my song”
3. The Waterboys “Glastonbury song”
4. The Cure “Friday I’m in love”
5. The Submarines “You me and the bourgeoisie”
6. The Verve “Bitter sweet symphony”
7. Real Estate “Somebody new”
8. Wintersleep “Weighty ghost”
9. Sloan “Everything you’ve done wrong”
10. Pixies “Here comes your man”
11. The Coral “Dreaming of you”
12. Suede “Beautiful ones”
13. Luna “California (all the way)”
14. Doves “Catch the sun”
15. Violent Femmes “Blister in the sun”
16. Allo Darlin’ “We come from the same place”
17. Primal Scream “Movin’ on up”
18. Morrissey “Sing your life”
19. Belle & Sebastian “The boy with the arab strap”
20. The Radio Dept. “This time around”
21. Young Galaxy “We have everything”
22. Blind Melon “No rain”
23. Pale Blue Eyes “Simmering”
24. The Clientele “Bookshop Casanova”
25. The High Dials “Our time is coming soon”

And here is the promised link to the Apple Music playlist.

*Yeah, I know, April is known to be rainy… but still…

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

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Tunes

100 best covers: #37 The National “Pretty in pink”

<< #38    |    #36 >>

I don’t know how the compilation, “Reprises Inrocks”, ever ended up in my Apple music library*, which song it was that led me to track down the two disc compilation, but it did. And I did. And though, I don’t listen to it all the way through all that often, there are some great tunes on there that are not available anywhere else.

It was released in 2007 by French music and culture magazine, Les Inrockuptibles, whose pages upon whom I have admittedly never glanced, though I have admired a few of their other compilations in the past, most notably the wicked Leonard Cohen and The Smiths tribute albums, “I’m your fan” and “The Smiths is dead”. The twenty five tracks on this one are all covers, some by bands I love and others not, and many are ones that may not seem like they could work on paper, but somehow do nonetheless. Examples include: Ray Lamontagne’s stripped down take on Gnarls Barkley’s “Crazy”, Jose Gonzalez’s unplugged version of Massive Attack’s “Teardrop”, Nina Gordon channelling Frente but doing NWA’s “Straight outta Compton”, and Calexico’s spanish guitar folk rendition of The Clash’s “Guns of Brixton”.

One of the few tracks that I knew would work from the very beginning was Cincinnati, Ohio’s The National taking a crack at The Psychedelic Fur’s classic, “Pretty in pink”. I was still relative new to The National at this point, having just delved into their fourth studio album, “The boxer”, but I was already hooked on their dark and atmospheric sound and completely sold on the rich vocals of frontman Matt Berninger. Even though his voice is quite different from that of Richard Butler, more lounge and laconic than rough and punk, it still feels exactly right for the song.

Originally written and released in 1981, “Pretty in pink” gained a greater following and notoriety when it was re-recorded a few years later for inclusion on the soundtrack for the John Hughes teen 80s film of the same name. Both Furs’ versions are hard to argue with, raw and more guitar heavy, and more upbeat than The National’s cover. The song is a post punk classic and likely a huge inspiration for a band who have long since penned a bunch of post punk revival classics of their own.

I think both of these recordings are incredible and full of life, one sunny and one rainy, but I have to go with the original here, mostly for the nostalgia factor for me.

Cover:

Original:

*It would’ve been iTunes way back then.

For the rest of the 100 best covers list, click here.

Categories
Tunes

Best tunes of 2013: #19 Chvrches “Recover”

<< #20    |    #18 >>

Chvrches (or CHVRCHES) is a synthpop trio out of Glasgow, Scotland that formed back in 2011. Ian Cook and Martin Doherty were university friends and had performed in a bunch of failed bands together over the years and were almost ready to call it quits and get ‘real jobs’. However, Cook had taken an interest in electronic music and was messing around with synthesizers around the same time that he was doing some production work for another band and he found that he liked the sound of their vocalist’s style. Lauren Mayberry was intrigued by Cook’s invitation to work together on some material and after some exploratory sessions, the three musicians realized they were clicking and might have something to build off of. They chose their name, not because of any religious connotations, but because they liked the sound of it and played with the spelling as a nod to a certain esoteric indie subgenre of music.

“Recover” is the group’s second proper single and appears on their debut album, “The bones of what you believe”. It is the first track that I ever heard by the group and though it hooked me immediately, I haven’t been a fan everything they’ve done over the years. They tiptoe quite precariously on the tightrope between indie pop and outright dance pop. I can only tolerate the latter sound for short periods but they do the former so well that I will never outright dismiss them. I also respect their integrity, the way all three members contribute equally, and how frontwoman Mayberry has never allowed big money music to focus on her and use her sex appeal to sell their music.

“I’ll give you one more chance to say we can change our old ways
And you take what you need, and you know you don’t need me”

“Recover” is a blast of energy, lasers streaming and confetti flying. It is dancing in a sweaty and crowded hall while the strobe lights transform reality and melt your ability to properly perceive space and time. You’re tired and all the bodies writhing around you are tired and it is way past midnight and still hours before the sun comes up but the music won’t let you and any of your friends rest. The synths play alternatively like washes, handclaps, backing vocals, distorted bass. It’s all very retro futuristic, like robots made from 80s muscle car parts. And all the while, Mayberry is your guide and ringmaster, breathless herself in her high octave, childlike voice, commanding though, demanding you to live and experience the moment fully.

Wow.

For the rest of the Best tunes of 2013 list, click here.