(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)
Artist: Iceage Album Title: Seek shelter Year released: 2021 Details: Limited edition, Indies only, translucent orange
The skinny: I had somehow never heard of Danish rockers Iceage nor listened to any of their music before 2021. However, their fifth album, “Seek shelter”, really grabbed me when I first heard it and after many repeat listens over the year, it wound up at number 9 as part of my 10 favourite albums list when I counted them down in December. Produced by Pete “Sonic Boom” Kember, the nine tracks are reminiscent of the psych rock and the more guitar-heavy side of Britpop that was I big on in the latter part of the 90s. It is massive and eventful music, with a groove that just cannot be ignored. It’s no wonder, then, that early on I decided it was a must for my record shelves and tracked down a copy of this limited edition, translucent orange pressing online. A purchase I do not regret in the least, especially while spinning it and getting lost in the noise.
If you had asked me in my youth if there was a type of music that I disliked, I would have answered without hesitation: Country.
To be fair, it was the music of my parents* and teenagers rarely pick up on the music of the previous generation, at least not right away. Then, the “new” country hit the fan in the 80s and 90s, spraying the music of Shania Twain and Garth Brooks – really more pop than country – all over the radio. Is it any wonder, then, that I wasn’t a fan of the genre? Still, as more time has gone on, I have found myself being drawn in by more bands flying the alt-country banner, music influenced by the country music of old.
Back in 2012, some of the bands that were putting out my favourite music were all rocking this sound, bands like Cuff the Duke, The Wooden Sky and yes, First Aid Kit. This latter act may have considered themselves more of a folk band but if you listen to the twang and slide guitar of today’s song, “Emmylou”, you certainly couldn’t discount their country influences. Then, of course, there’s the lyric content. The song metaphorically references legendary country duos Johnny Cash and June Carter-Cash and Gram Parsons and Emmylou Harris** to bolster the comparison of singing partnerships with entangled lovers.
“Oh the bitter winds are coming in
And I’m already missing the summer
Stockholm’s cold but I’ve been told
I was born to endure this kind of weather”
And, yes, you read and heard that right.
First Aid Kit’s twin driving forces, sisters Johanna and Klara Söderberg, are both from the northern climes of Sweden. It shouldn’t be that surprising that a band of such quality comes from the Scandinavian country**, but that they sound like this is somewhat unexpected. And it’s their sound that gained them such popularity. They first cracked popular attention with a YouTube video of them performing a cover of Fleet Foxes’ “Tiger mountain peasant song” and perhaps because of this, many writers had First Aid Kit stealing the helm of brilliance from that same band. All you have to do is listen to the angelic vocal harmonies sung by the sisters to understand why the critics raved.
“Emmylou” was the second single off of First Aid Kit’s second album “The lion’s roar”. I remember liking the album enough when I first heard it but was far too preoccupied with so much new music being released to spend enough time with it. Then, later in the year, the album happened to come up randomly on my iPod while doing some spring cleaning and it suddenly clicked with me. I must have listened to “Emmylou” a half-dozen times on repeat. I was so hooked that I had to share it with my wife, Victoria. Once she got over the initial shock at the country sound, she really enjoyed the song as well. It really is a beautiful tune and captures the yearning and pure pleasure of love.
“No, I’m not asking much of you
Just sing, little darling, sing with me”
*The music of long road trips and hence, forced agony.
**Back in 2015, First Aid Kit performed this song with Emmylou Harris in attendance and the legendary songstress was moved to tears.
***There have been plenty of excellent Swedish bands over last couple of decades.
For the rest of the Best tunes of 2012 list, click here.
“We were lovers
We were kissers
We were holders of hands
We were make believers
Just losing time”
The four original members of Montreal’s The Stills – vocalist and guitarist Tim Fletcher, guitarist Gregory Paquet, bassist Olivier Corbeil, and drummer Dave Hamelin – met when they were all still teenagers. Each performed in various bands prior to forming The Stills in 2000 and perhaps because of these previous experiences, they quickly gained a following based on their heavy duty live show. They finally released their debut album, “Logic will break your heart”, late in 2003 to critical acclaim*, earning favourable comparisons to Echo & the Bunnymen and fellow post-punk revivalists Interpol. They would go on to release two further albums before amicably splitting up in 2011. The band’s members continue to work in the industry, in other bands, and doing session or production work for other great Canadian acts.
It’s unfortunate to me that the quartet didn’t have more success and longevity, given the promise of their outstanding debut. I remember being super excited when I first heard “Logic will break your heart”, right around the time that I heard “Turn on the bright lights”. I admit that I didn’t feel the same way about those latter albums but that original excitement never waned and I often found myself putting on the debut when I felt the urge to be dark and sombre and angsty.
The third single off that debut would forever remain my favourite by the quartet. “Still in love song” can be universally understood by all but those who have never had a love crushed by someone over whom that person chose someone else, a career, or whatever other passion.
“And you said you’d rather live in TV land
Than say that you care
But you don’t
That’s heartless and I will not cry”
Musically, the tune is – purely and simply – post punk revival at its best. Sinister, arpeggiating guitars, menacing bassline that won’t quit, punishing and bass heavy drum rhythms, snarling vocals, and all this captured in stasis in a vacuous and hermetically sealed wind tunnel. It’s a song that begs repeat plays, tailor made for ear phones and closed eyes and all sorts of other mopery.
*Discounting, of course, the lambasting they received from Pitchfork.. and I always will.
For the rest of the Best tunes of 2003 list, click here.
My (life in) music lists 