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Vinyl

Vinyl love: Venus Furs “Venus Furs”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Venus Furs
Album Title: Venus Furs
Year released: 2020
Details: standard black vinyl, hand written note from the artist

The skinny: A week and a half ago, when I started my annual series counting down my favourite albums of the year, I told the story of how I learned about a new act out of Montreal while perusing one of my favourite sources of all things indie music, Under the Radar. The self-titled debut by this very same act, Venus Furs, captured my imagination and drew me in while listening to it on Spotify through my iPod ear phones. It may have been during my second time through that I went on the hunt for it on vinyl, thinking that something this expansive required owning it in a better format. I ordered a copy of it from frontman Paul Kasner’s own label, Silk Screaming records, and received it within a couple of days, complete with a handwritten ‘thank you’ note from the man himself. Always a nice touch. “Venus Furs” ended up squeezing its way into the number 9 spot in my top ten for the year and if you enjoy noisy psych rock in the vein of Spiritualized or My Bloody Valentine, this might just be for you too.

Standout track: “Chaos and confusion”

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Vinyl

Vinyl love: Gateway Drugs “PSA”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Gateway Drugs
Album Title: PSA
Year released: 2020
Details: standard black vinyl, booklet included

The skinny: In a couple of weeks time, I plan to start counting down my favourite albums of 2020 and though I am still finalizing things up – crossing my Ts and dotting my Is – I know that there are a couple of albums that are definitely going to finish up just outside of my top ten that still bear special mention. And you guessed it, this might be one of them. In my opinion, it’s a travesty that Gateway Drugs’ sophomore album, “PSA”, aren’t likely to be on too many radars. I first met up with these indie rockers when I saw them open up for Swervedriver back in 2015 and was completely taken in by their sleek and sexy and pure rock and roll performance. The quartet is three siblings, Noa (guitar), Liv (bass), and Gabe (drums) Niles*, all of whom share and trade vocal duties between them, and a second guitarist in Blues Williams. This sophomore record picks up where the debut, “Magick spells”, left off, playing dirty poker for their very souls at the same table as Jesus and Mary Chain and Black Rebel Motorcycle Club. Here, they’ve upped the ante, though, handing over the production to The Ravonettes’ Sune Rose Wagner. This pressing is bare bones black with a pretty sweet mini-booklet included but the sound is built for your best noise cancelling earphones.

Standout track: “Wait (medication)”

*They may be tired of us mentioning it by now but the father of these three siblings is Prescott Niles, bassist of The Knack. Rock and roll might just be second nature here.

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Vinyl

Vinyl love: Mew “And the glass handed kites”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Mew
Album Title: And the glass handed kites
Year released: 2005
Year reissued: 2020
Details: 2 x 180 gram, black and white marbled vinyl, Limited, Numbered 1450/2500, 15th anniversary expanded, RSD 2020 drop 2

The skinny: So here’s one of the four Record Store Day exclusive releases I managed to pick up from this year’s offerings. This 15th anniversary expanded edition of Mew’s fourth album and undisputed masterpiece, “And the glass handed kites”, was released by Music on Vinyl on the second (September) of the three ‘drops’ this year. The record is pressed onto two 180-gram slabs of white and black marbled vinyl, the second disc being of b-sides and alternate versions of the studio album’s tracks, and it includes a lovely 12-page booklet, as pictured above. This album was my introduction to the Danish band and what an introduction it was. An epic and big sound, songs that ebb and flow into each other, creating a sonic dreamscape that would fit snugly in the same solar system as Spiritualized, Ride, and Sigur Ros. Beautiful stuff and this pressing sounds just amazing, well worth the money.

Standout track: “Why are you looking grave?”