Tag: The Rural Alberta Advantage

Categories
Albums

Best albums of 2023: Five honourable mentions

Happy Friday! And happy first day of December!

It’s now officially the last month of the year and you know what that means… the start of the infamous end of the year extravaganza.

I’ve been doing this thing, counting down my favourite albums of the year for every year that this blog has been in existence. Indeed, I’ve even been doing it for longer if you count the years that I was ranking my favourite annual releases on my old blog, Music Insanity.

This additional post I’ve allowed myself, though, kicking things off and sharing some additional great albums that didn’t quite make the top ten is something I started last year and have decided to carry it forward into this year. As you might’ve guessed by now, I do enjoy making lists but sometimes I find my own rules constricting and worry that they result in some excellent releases not getting their due on these pages.

So… these five albums are just some of the great ones that deserve some honourable mention, ones that if you haven’t listened to them yet, I highly recommend you do. They are not ranked but listed alphabetically. The ranking will start with the next post.

Emma Anderson “Pearlies”:  Emma Anderson was a founding member and principal songwriter of 90s shoegaze icons Lush and then, one half of indie pop duo Sing Sing in the 2000s, and here in 2023, we’re finally getting her debut solo album and it’s just as fantastic as you’d suspect.
Check out: “The presence”

Nation of Language “Strange disciple”:  The third album by the Brooklyn-based indie pop trio sees the group building upon their OMD-influenced sound, moving in slightly different directions, but just enough to keep their tight, synth pop tunes fresh.
Check out: “Weak in your light”

The National “First two pages of Frankenstein”:  It’s been four years since their last record and members of The National had themselves admitted to finding the well a bit dry. However, 2023 has seen them release two new albums*, though in my opinion, “First two pages of Frankenstein” is the more compelling of the two.
Check out: “New Order T-shirt”

Postdata “Run wild”:  Wintersleep frontman Paul Murphy started Postdata as a side project in 2010 and “Run wild” is the fourth in a string of very excellent introspective and atmospheric albums that he has released since.
Check out: “Try”

The Rural Alberta Advantage “The rise & the fall”: To put together their first full-length album since 2017, the Toronto-based indie folk rock trio added an additional seven tracks to the six already released as an EP last year and the results are more of the frenetically told tales of Canadian minutiae that we know and love.
Check out: “Real life”

*The other is “Laugh track”, released in mid-September.

I’ll be back very soon with albums #10 through #6 for my Best albums of 2023 list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Vinyl

Vinyl love: The Rural Alberta Advantage “The wild”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Rural Alberta Advantage
Album Title: The wild
Year released: 2017
Details: Yellow vinyl, limited to 200, signed by the band, OBI strip

The skinny: So this impromptu mini-series showcasing the vinyl releases of Toronto-based indie folk rock trio, The Rural Alberta Advantage, comes to an end at four posts (so far). In 2016, it was announced that founding member Amy Cole was replaced by Robin Hatch and the group immediately went on the road to tour new material. “The wild” is the result of these road-tested tunes and though you can hear more polish, with Nils Edenloff’s raucous strumming and hollering and Paul Banwatt’s ever present drum-pounding, these ten tracks are no less ‘wild’ than the band’s previous work. I admit that I was a bit apprehensive at the personnel change but found that Hatch was a worthy replacement when I heard advance singles on YouTube so I jumped all over this second pressing by Paper Bag Records. As usual, the Canadian label’s packaging is fun, complete with an OBI strip, a signed cover, and a pretty yellow disc. (As a post-script: It’s been four years since this album was released, Amy Cole has returned to the group, and given the activity on social media, I expect I’ll have to add a fifth instalment to this series at some date in the not-too-distant future.)

Standout track: “White lights”

Categories
Vinyl

Vinyl love: The Rural Alberta Advantage “Mended with gold”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: The Rural Alberta Advantage
Album Title: Mended with gold
Year released: 2014
Details: Black vinyl with gold flecked splatter, limited to 300

The skinny: Without planning it, I kind of started a mini-series on one of my favourite Canadian indie rock bands, The Rural Alberta Advantage. Over the last two weekends, I have given their first two records, “Hometowns” and “Departing”, the Vinyl Love treatment, mostly because I was in a mood to listen to them, but now that I’ve started, I might as well go the whole way. The Toronto-based trio released their third record on Paper Bag Records in 2011. I somehow missed out on pre-ordering the first pressing in black and gold striped vinyl that was limited to 300 units. Yeah, that one sold out super quick but I managed to get in on the second run, this one also limited to 300 and pressed to what looks at first glance as plain black vinyl, but if you look real close, you catch the glints of flecked gold streaks. And much like the first two, I fell for music on “Mended with gold”, pretty much on first listen. The production on this one is amped right up, giving the trio a real rocking sound, especially showcasing the spellbinding drumming of Paul Banwatt, whose work has always put this band in a class of its own in the indie folk realm.

Standout track: “Terrified”