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Tunes

Best tunes of 2020: #27 The Psychedelic Furs “Wrong train”

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The Psychedelic Furs have been around forever. The British post-punk band formed in the late 70s and had a string of hits throughout the 80s. I first picked up on them in the latter part of that decade when I first saw the John Hughes film, “Pretty in pink”, whose title was inspired by one of the band’s early hits and of course, that track was re-recorded for the now iconic soundtrack. When I went through a retro 80s kick in the 90s, I picked up on even more of their tunes and ended up getting a copy of one of their best of compilations on CD but that was as far as I ever delved.

Still, I remember thinking it cool and a little bit funny when my friend Eileen was telling me and my wife a story over beers about how she met up with them at a tiny bar in New York when she was younger. She also laughed because she didn’t know who they were then and still didn’t really know how big they were but clearly remembered their name and that they were a ‘great bunch of kids’.

I also didn’t hesitate to ensure to catch their set when they played my favourite local music festival, Ottawa Bluesfest, a couple of years ago, even though the reformed group hadn’t released any new material since 1991’s “World outside”. I was absolutely rewarded by them playing pretty much all the songs that I knew by them but I was also super impressed by how they really rocked the stage, frontman Richard Butler especially tearing it up with those inimitable lungs of his.

So when I heard a couple of years later that the group had released its first album of new material in nearly thirty years, I was leery and almost gave it a by. As it was, I pressed play on Spotify, fully expecting to skip a few songs and give up the ghost in short order. How wrong I was! “Made of rain” was fresh and raw, full of killer hooks and Butler’s rock and roll vocals.

“I took the wrong train
Ate all the wrong pills
I took a cell phone
To call my voice mail”

Track four on the album is a tune called “Wrong train”, a banger that was actually written by the band way back in 2001, near the beginning of their reunion run. Butler wrote it about his experiences living in the suburbs, a bad time in his life tainted further by his break up with his wife, the domestic life gone awry. It’s the roar and rumble of a commuter train, lost in sleep and dazed in the humdrum of the day, Butler’s voice roaring and soaring above it all, looking down at this daily drudgery like an out of body experience.

For the rest of the Best tunes of 2020 list, click here.

Categories
Albums

Best albums of 2008: #1 James “Hey ma”

For those of you who have been following this blog (and its predecessor) for a good amount of time, this pick for the number one spot on this best albums of 2008 list might not come as a huge surprise. You’ll know already that I’m a pretty big James fan and that I continue to follow this band and buy their albums, despite the face that their popularity in North America is pretty much limited to just the one song. However, back in 2008, this pick was a huge surprise, most of all to me.

I had loved James throughout the 1990s and was a little bit crushed when I heard Tim Booth was leaving the band in 2001 to pursue other efforts. They reformed the group six years later when Booth returned to the fold and saw success with their comeback shows. It all went so well that they decided to reconvene for a new album, news I took in with a good deal of reservation. These days, a lot of the bands I loved in my youth are coming back out with brand new albums, many of them quite successfully, but in 2008, the bands that I had previously witnessed trying to recapture the magic of their heyday had not gone as particularly well. As it turned out, though, “Hey ma” was a revelation. It was an album that didn’t try to ride on the band’s back catalogue’s coattails, instead, forging forwards, finding its own feet, and can stand tall with any of their previous work.

This was no more obvious than when my wife and I trekked down to Montreal in September of 2008 to go see the group in a small club. James is a band that my wife loves as well as I and we have both agreed that this show stands as one of our favourites ever. It was a show that both of us sang along to every song in the set and the fact that the setlist included a good deal of “Hey ma” just proved that we loved this album just as much as their previous material.

For those that don’t know the band, James plays big sounding tunes with lot of atmosphere and soul, all anchored by Tim Booth’s expressive vocals and poetic lyrics. Any of the three picks below could stand as a good starting point and if you like these, I recommend voyaging back to check out some of their previous albums as well.


“I wanna go home”: “Kissing is forbidden. Biting leaves marks. Sex is overrated. I need to dance.” The final track of the album is the epitome of slow build into oblivion and ecstasy. It begins with a rumble of bass and the tease of cello, synthesized, of course, and Tim Booth in agony. Then comes the threat of a beat, a tribal one at that, and a whole lot of incidental noise filling in the negative space. These become louder, like shrieking ghosts gaining confidence as the David Baynton-Power asserts himself firmly at the kit. Finally, it is a cacophony of joy and Booth can go home. And dance.

“Waterfall”: Opens with a crushing, thumping beat but not long after, the drums are joined by jangling guitars and Andy Diagram’s horns. At the verses, things let up and Tim Booth goes on about being crushed by the weight of material things. “Watching too much TV I’m an actor in a puppet show. There’s so much stuff in my life no room for me to grow. One day I’m going to break from my life due south down to Mexico. I’m going to burn down my house it’s the only way to let it go.” Then, at the chorus, the rest of James’s players join in, letting loose a waterfall of sound (so to speak), that big sound again. Those of you from Canada might find the track familiar and this is because it was used as the background for a commercial here. But for the life of me, I can’t think of what it was for, nor could I find it with a quick google search. Maybe one of you can help me out here…

“Hey ma”: You might have noticed that the cover of the album is a bit provocative and the band was firm in keeping it as it was (though the gun was removed from the image for the US release). The title track is just as heavy handed, an obvious poke at the quick and just as heavy handed reaction to the 9/11 attacks. “Now the towers have fallen, so much dust in the air. It affected your vision. Couldn’t see yourself clear. From the fall came such choices, even worse than the fall.” And yet, it is also a great pop song, perhaps just as danceable and ear worming as “Laid” was a decade and a half earlier. Listen to it a few times and see if you don’t find yourself singing along to the chorus lines, “Hey ma. the boys in body bags, coming home in pieces.” And that’s the beauty of James: thought-provoking lyrics set to pop hooks wrapped up in a million layers of big sounding music.


In case you missed them, here are the previous albums in this list:

10. Fleet Foxes  “Fleet Foxes”
9. The Submarines “Honeysuckle weeks”
8. Schools of Seven Bells “Alpinisms”
7. Glasvegas “Glasvegas”
6. Spiritualized “Songs in A & E”
5. Elbow “The seldom seen kid”
4. Death Cab For Cutie “Narrow stairs”
3. Vampire Weekend “Vampire Weekend”
2. The High Dials “Moon country”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.