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Tunes

Best tunes of 2010: #13 Gorillaz “On melancholy hill”

<< #14    |    #12 >>

Anyone who’s been reading my words on music for a while now knows that I’ve been a pretty big Blur fan since the very beginning. But what about Damon Albarn’s other music projects? Well, I did enjoy me some of The Good, The Bad & The Queen’s only LP and his solo album, “Everyday robots” also had some very fine moments. Where Gorillaz are concerned, however, my thoughts are decidedly mixed.

I thought the concept was fantastic. A virtual band that was just as much a multimedia experiment as it was a serious musical project, throw in Albarn’s talents and those of Jamie Hewlett, one of the comic artists behind “Tank girl” and you have some serious potential. But given the heavy hip hop influence, especially on the first couple of albums, I didn’t find myself all that interested. There were exceptions, of course. I really liked the first single, “Clint Eastwood”, and also, “Hong Kong”, off the “Help: a day in the life” compilation and this track, “Up on melancholy hill”.

It appears on Gorillaz third album, “Plastic beach”, but I didn’t hear it there first. I blame AUX TV for this. For a while there back in 2010, I spent a lot of time watching that channel, or half-watching it, as the case may be. I was quite enthused to find a cable channel that actually played music videos again. And not just the popular music videos, but quite the mix of music, much of it new and hip. It became part of my early morning routine to switch AUX TV on and listen to tunes while I was making my lunch and brewing espresso for my wife’s and my morning lattes. I discovered a lot of music in this way that year and also rediscovered my love for watching music videos.

The video for “On melancholy hill” was played regularly on AUX in the summer of 2010 and it’s a great one too. Some pretty fantastic animation by Hewlett has band member Noodle gunning down some Korean War era planes before surviving a boat explosion in the open waters. Other fantastic adventures follow under the deep blue sea that include the other band members and some “superfast jellyfish” but you don’t need me to explain all that. You can just watch the video below.

And oh yeah, the song… well, it’s a catchy one. A real pop gem. It could have something to do with the time of year that I first heard it but it’s a real summer song for me. It’s sunshine and happy days. It’s not your typical danceable number but I think it would be a fun one to hear at a club nonetheless. Alternatively, it fits quite nicely in a lounge or playing on your boombox while you languish out by the pool. The melody is just so simple and laidback and Damon Albarn’s vocals are forefront, drifting lazily over the synths, like he’s there just singing you off to la la land. Beautiful.

For the rest of the Best tunes of 2010 list, click here.

Categories
Vinyl

Vinyl love: Alvvays “Antisocialites”

(Vinyl Love is a series of posts that quite simply lists, describes, and displays the pieces in my growing vinyl collection. You can bet that each record was given a spin during the drafting of each corresponding post.)

Artist: Alvvays
Album Title: Antisocialites
Year released: 2017
Details: limited edition, pink

The skinny: It’s the sophomore release by Toronto-based indie pop quartet led by Molly Rankin. The jury is still out since it’s still so new but initial spins have this one ranking just as high on the playability scale as their self-titled debut.

Standout track: “In undertow”

Categories
Tunes

Best tunes of 2010: #17 Band Of Horses “Compliments”

<< #18    |    #16 >>

At the number seventeen spot on this, my best of 2010 list, is “Compliments”, the first single off Band of Horses’ third album, “Infinite arms”.

To be honest, Band of Horses is a group that I know very little about. I can tell you (because I looked it up) that they are an American rock band formed by Ben Bridwell in 2004 and that he really is the only constant in a band membership that seems to be forever in flux. I don’t own physical copies of any of their albums so I’ve never read liner notes or lyrics and never really knew what any of them looked like until I watched a bit of live concert footage on YouTube at my buddy Tim’s place one night. I know that I really liked their first three albums and that those three albums are so consistent that I’m often not sure which songs appear on which album and am even not quite clear on certain songs’ titles, not even the ones I really like.

The funny thing (to me anyway) is that while listening to their music, I was able to create a picture of them in my head and when I saw them on the aforementioned live footage, they closely resembled the image I had of them in my head. On that night anyway, they were a southern rock band, kind of a CCR or Lynyrd Skynyrd for the 2000s, leftover hippies, shaggy and bearded, decked out in jeans and non-descript T-shirts and bandanas. Not that there’s anything wrong with any of that.

And now that I’ve gotten all that out of the way, I gotta say: “Compliments” is a rocking track! It’s anthemic and big. Right from the get go, the reverb guitars catch all attention and the bopping rhythms and crashing cymbals make you want to get up and dance. And if not to go that far, at least to stomp your feet or clap your hands or to join in on the rhythm by making noise in some other way. The gang vocals too, beg for you to join in, no requirement for perfect pitch or a certain tone of voice. Shouting is just fine with Bridwell and company. And damned, if doesn’t feel great.

For the rest of the Best tunes of 2010 list, click here.