Categories
Playlists

Playlist: May (or May not)

It’s been quite a while since I’ve put together and shared one of these playlists on here. In fact, I can’t remember the last time I purposely put together a mix of any sort, even for myself, for my own consumption. I typically just press shuffle on a massive collection I have on Apple Music of some of my favourite songs and go with whatever Apple puts forward. And yeah, of course, it’s always good. However, I felt inspired this week, even as I recover from a nasty spring cold, and decided a new mix was in order.

The inspiration? This winter felt very, very long to me, even longer than normal. December and January actually feel like a complete void to me because of the health issues I was experiencing at the time and then February got cold, real cold, and we received dumping after dumping of snow. March was a mixed bag weather-wise and April seems to have been unseasonably cold and rainy*. Things finally felt like they turned the corner when the calendar was flipped to May last week, even though I haven’t necessarily felt well enough to get outside to enjoy it just yet. The sun has been out, brightening everything and warming everything up. I’ve heard the chirping of birds every morning, the grass on the ground is coming in green and the trees lining my street are starting to bud. All of this has cheered me considerably and has me hoping for good things for the rest of the year.

So I wanted to put together some tunes that reflect this feeling. You know? A collection of the kind of songs that just scream sunshine and flowers. A melody that brings a smile to your face and lyrics that beg to be sung along with. Tunes that perk you up from the very first notes and have you wanting to get up and dance, wherever you are, whoever you’re with.

Many of these songs are old favourites (like “Lay back in the sun”, “Everything you’ve done wrong”, and “Movin’ on up”) and have appeared on many of my mixes over the years, some of which may have already appeared on playlists on this site. Some of these songs are newer ‘classics’ (like “Weighty ghost” and “Dreaming of you”) and some are even brand new tunes that I can’t seem to loosen from my head when the mood takes (like “Somebody new” and “Simmering”).

I’ve kept the playlist to twenty-five songs to keep it from being unwieldy but there were many more that I could have added. Perhaps there will be a volume two to share if the summer turns out to be as positive as I’m hoping it will be and if the mood takes me to make another mix to share so soon. In the meantime, I hope you enjoy this collection of songs as much I’ve enjoyed putting it together and that you play them on repeat like I’ve been doing this week. Perhaps they’ll bring the same wide smile that I’ve had on at times while listening. I sincerely hope so.

For those who don’t use Apple Music, here is the entire playlist, with links to YouTube videos:

1. Spiritualized “Lay back in the sun”
2. Bedouin Soundclash “When the night feels my song”
3. The Waterboys “Glastonbury song”
4. The Cure “Friday I’m in love”
5. The Submarines “You me and the bourgeoisie”
6. The Verve “Bitter sweet symphony”
7. Real Estate “Somebody new”
8. Wintersleep “Weighty ghost”
9. Sloan “Everything you’ve done wrong”
10. Pixies “Here comes your man”
11. The Coral “Dreaming of you”
12. Suede “Beautiful ones”
13. Luna “California (all the way)”
14. Doves “Catch the sun”
15. Violent Femmes “Blister in the sun”
16. Allo Darlin’ “We come from the same place”
17. Primal Scream “Movin’ on up”
18. Morrissey “Sing your life”
19. Belle & Sebastian “The boy with the arab strap”
20. The Radio Dept. “This time around”
21. Young Galaxy “We have everything”
22. Blind Melon “No rain”
23. Pale Blue Eyes “Simmering”
24. The Clientele “Bookshop Casanova”
25. The High Dials “Our time is coming soon”

And here is the promised link to the Apple Music playlist.

*Yeah, I know, April is known to be rainy… but still…

If you’re interested in checking out any of the other playlists I’ve created and shared on these pages, you can peruse them here.

Categories
Albums

Best albums of 2024: #1 The Cure “Songs of a lost world”

If you’ve been following along, you might have guessed this album to be here at number one, given its conspicuous absence thus far.

I’ve been a fan of The Cure for many years, close to four decades in fact. Yeah, I’m aging myself here but what can you do? I first got into the post-punk legends led by Robert Smith when I was in high school, shortly after the release of their seminal album, 1989’s “Disintegration“. Alternative music became a passion amongst me and a few friends, with each of us introducing the others to the latest bands, in a time before the internet. I’m pretty sure it was my friend John* that shared “Disintegration”, along with early singles compilation “Staring at the sea”, both of which I dutifully dubbed to blank cassette and quickly wore out from playing.

When “Wish” came out in 1992**, I wasted no time in purchasing it for my burgeoning CD collection and obviously played it to death. Unfortunately, the same can’t be said for 1996’s “Wild mood swings” on either count. I did try to make amends with “Bloodflowers” in 2000*** but that was mostly because I had bought tickets to finally see the band live with my youngest sibling for that tour. I still don’t believe I have heard an ounce of either of the two albums Robert Smith and company released between that album and this year’s release.

All that to say, I certainly wasn’t expecting a new Cure album to be my favourite album of the year when the calendar turned to 2024 last January. But it certainly is and I’ll tell you why.

It could be just me but Robert Smith seems a completely different musician and person than he was in the early 2000s. I remember seeing them for that aforementioned show for the “Bloodflowers” tour and walking away disappointed. The setlist seemed more designed for him than for the audience. Contrast that with the next time I saw the group at Osheaga in 2013, when organizers had to pull the plug to get them to leave the stage, and even then, they performed “Boys don’t cry” without sound. I’ve heard that this is pretty much how all his shows go now. Playing everything he thinks his fans want to hear and having a great time doing it. And he’s been touring lots without releasing anything new for years, though the rumours of new material have been swirling faster and faster of late.

“Songs of a lost world”, The Cure’s 14th long player was finally released in November and it explodes through the speakers. It exudes all this passion that Smith performs with while on stage. People talk about how Cure albums waffle between goth records and pop records but this one feels like it nestles and nuzzles itself snuggly in between both. It is big and bold and is unabashedly The Cure.

At just eight songs, our number one album feels way too short, like we wouldn’t have minded it go on for another 45 minutes at least. However, Robert Smith has assured us that he’s got enough material in the can for a few more albums to come soon. Until then, let’s listen to this again and again and you could do worse than go with any of these, my three picks for you.


“Alone”: “This is the end of every song that we sing.” Quite the line to start off an album with. Indeed, it’s the first line on the first song and the first single to be released off the album. And that it comes just shy of the three and a half minute mark of a nearly seven minute song and that it just happens to be the first piece of new music to be released by The Cure in 16 years is both heartbreaking and beautiful. Of course, this was not random. Robert Smith knew he needed a great line to open the album and it might very well have been the reason that the long promised album kept getting pushed back. He’s readily admitted that once this line was written, the rest of the album fell easily into place. And this line, this song, is well worth all the waiting. The sweeping and trudging and haunting darkness that prefaces these words is simply gorgeous, so easy to get wrapped up in, that you almost don’t want any vocals to appear, that they might mar the perfection in some way. But of course, Smith doesn’t let this happen. His words, morose, moody, satisfied, whatever, they make the perfection even more so. How does it get better? Read on friends.

“All I ever am”: “My weary dance with age and resignation moves me slow, toward a dark and empty stage where I can sing of all I know.” The penultimate track on the album sounds like Mr. Smith reflecting on his mortality. But he does so with panache and in a way that only The Cure can do it. Of course, it’s morbid and morose, but it’s also set against an aggressive and tribal beat and haunting synths, ambulance sirens and elevated heart rhythms. There’s soaring guitars demanding to be forefront and twinkling keys content to take the back seat. It’s all very big and epic and romantic. And begs for more.

“A fragile thing”: “Don’t tell me how you miss me, I could die tonight of a broken heart.” This line and so many like it in this song is heartbreaking. The whole song is heartbreaking. Heartbreaking and truthful and real and beautiful. A song about a relationship in trouble, love when love is not enough, love that hurts, a relationship whose story is linear and long foretold. And the music is just as haunting. Menacing keys from an early eighties slasher flick, set against shimmering and blinding cymbals, and a foreboding bass line, the kind that keeps you up at night, cold sweat from a nightmare, reaching for comfort but only finding an indentation where a warm body should be. This is the kind of Cure single we’ve been waiting a couple of decades for and we are more than grateful to be able to crank it up and let all soak over us. Over and over and over again.

*Or maybe it was Tim?

**It was also around this time that I purchased an original pressing of “Mixed up” on vinyl. Sadly, I lost that one to one of my younger siblings when I moved away to university. I’ve since purchased a reissue.

***Thankfully, it was a better album than its predecessor.


I hope those of you that have been following along this mini-series of my favourite albums from last year. I am going to try to get back into a rhythm and a regular schedule after this. For those of you who haven’t been following along, here are the previous albums in this list that you’ve missed:

10. Quivers “Oyster cuts”
9. The Jesus And Mary Chain “Glasgow eyes”
8. The Last Dinner Party “Prelude to ecstasy”
7. Vampire Weekend “Only god was above us”
6. Real Estate “Daniel”
5. Wild Pink “Dulling the horns”
4. Wunderhorse “Midas”
3. Gift “Illuminator”
2. Ride “Interplay”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Live music galleries

Live music galleries: The Cure [2013]

(I got the idea for this series while sifting through the ‘piles’ of digital photos on my laptop. It occurred to me to share some of these great pics from some of my favourite concert sets from time to time. Until I get around to the next one, I invite you to peruse my ever-growing list of concerts page.)

The Cure live at Osheaga 2013

Artist: The Cure
When: August 2nd, 2013
Where: River stage, Osheaga, Jean Drapeau Park, Montreal
Context: I was doing this thing in the spring and early summer this year, posting pics from some of the great sets* I caught at Montreal’s Osheaga music festival back in 2013: a sort of ten year anniversary celebration of a great weekend spent with music and friends. However, I never got around to what was possibly my favourite set of the whole weekend, something I’ve decided to remedy before this year was up.

I had seen The Cure once before back in 2000 for their Bloodflowers tour but this time, it was ultimately more satisfying because the setlist was so wonderfully mixed. The night was cool and pleasant and Robert Smith was at the top of his game, sounding as he did in his prime, but perhaps performing with more joy than he ever had back then. It was a wondrous two hour set, playing everything any fans would ever want to hear. It seemed like it could, and would, go on forever. In fact, festival organizers had to cut the sound just near the end of “Boy’s don’t cry” after the band had gone on way past curfew.
Point of reference song: Boys don’t cry

Robert Smith from far away
Reeves Gabrels and Jasson Cooper
Roger O’Donnell
Reeves Gabrels and Robert Smith
Robert Smith closeup

*Past galleries from this festival weekend have included the following: