Categories
Albums

Best albums of 1988: The honourable mentions (aka #10 through #6)

 

Happy Thursday! And welcome back to my Throwback Thursday (#tbt) best albums series.

I know it’s been a while since the last of these but there’s good reason. If you look back at my sentiments at the time of my last series, you’ll see that I had this crazy idea of whipping through six of these things this year to catch up. Well, halfway through writing for this particular list, I hit a wall. I found the mission way too onerous and ambitious…. So I decided to take a break, take my time writing these posts, and enjoy them again. I’ve decided instead to choose years at random to do throughout future years and maybe even do some theme-based best albums lists. First, though, I wanted to share this particular list with you because I pushed through to finish it and it is a good one with a lot of important albums.

Our destination here is 1988, which is unbelievably just over thirty years ago now. I can’t really say it feels like yesterday because at the time, I was spanning my first and second years of high school. The problems of acne, getting braces, and math homework seem like another world ago. I had yet to hit my growth spurt, hadn’t yet started shaving, and I still hadn’t yet dipped my toes in the theatrical arts, something that would radically change my high school experience from then on out.

This is the second time we are touching down in the 1980s The last time we did so, I mentioned in the introductory post that I was still finding my way in the music world. The pop charts were king. AM radio and music video shows and countdowns, and whatever they played at the high school dances at which I was holding up walls. So yeah, a lot of the albums on this list were not even close to being on my radar back when they were released. In some cases, I came upon them a few years later, some of them took longer to take hold, but all of them are now staples in my collection and revered for their place in my musical education.

Yes, the ten albums in this list are all classics and I am going to kick things off with the first five below. And if you don’t know the trick by now, I will be featuring the top five, an album each Thursday, over the next five weeks. I hope you enjoy this trip back to 1988 with me.


#10 The Sugarcubes “Life’s too good”

Nowadays, we have the international sensations Sigur Rós and Of Monsters and Men but before The Sugarcubes hit the scene, we hadn’t heard much rock music from Iceland. The six-piece alternative outfit were made up of veterans of different music groups from the Reykjavik scene. They released three full-length albums in their four year existence, though none as impactful as their debut, “Life’s too good”. Admittedly, I didn’t first listen to the album until well after their former frontwoman, Björk, had established her solo career with her excellent first two records. However, I have grown to love the quirky, punk-inflected DIY rock of The Sugarcubes’ debut. And it doesn’t at all sound thirty years old.

Gateway tune: Birthday


#9 Erasure “The innocents”

Here is an album that I was definitely listening to in high school, though perhaps not as early as 1988. “The innocents” was Erasure’s third full-length album and first to hit the top 10 in the UK charts, spawning a number of hit singles. The duo of Vince Clark and Andy Bell took 80s synth pop and made a career out of getting people out on the club dance floors. I love many of their singles but this is the only one of their albums that I love all the way through. I am well aware that it could be nostalgia factor here, given that this is the first of theirs that I listened to after my friend John made a copy of it on cassette for me.

Gateway tune: Chains of love


#8 Billy Bragg “Worker’s playtime”

I got into Billy Bragg with the album after this one, 1991’s “Don’t try this at home”, during my final year of high school and only went back to discover this previous album a few years later, when one of my university housemates Meagan had it in her CD collection. “Don’t try this at home” is considered by many his attempt at pop but in 1988 Bragg was still mixing his prototypical protest songs with songs on love. He usually performs these songs live solo on stage with his electric guitar but on record, he had a full band with him, though the music is typically secondary to his words. “Workers playtime” is his third album and is chock full of classics and fan favourites like “Must I paint you a picture?”, “She’s got a new spell”, and the one below, “Waiting for the great leap forwards”.

Gateway tune: Waiting for the great leap forwards


#7 Jane’s Addiction “Nothing’s shocking”

Jane’s Addiction is another artist I was listening to by the end of high school, the introduction coming with the album following the one on this list, in this case, 1990’s “Ritual de lo Habitual”. In 1988, though, the quartet led by founding members Perry Farrell and Eric Avery, and including Dave Navarro and Stephen Perkins, were releasing their second album, their major label debut, “Nothing’s shocking”. Here, the group re-recorded a couple of tracks that appeared on their ‘live’ self-titled debut album and added some explosive new ones that mixed metal, surf, glam, funk, and punk. They were a hard-living group and it shows in the raw angst on so many of the songs here.

Gateway tune: Jane says


#6 Leonard Cohen “I’m your man”

I’m hoping that Canada’s singer/songwriter/poet, Leonard Cohen, needs no introduction to anyone that lands on these pages. His eighth studio album, “I’m your man”, was the first CD I owned by the influential lyricist, after being introduced to him by way of the appearance of “Everybody knows” a couple years later in the film “Pump up the volume”, a favourite of mine at the time. The production and instrumentation on this album definitely sound of its time but Cohen’s rich and deep vocals and excellent lyrics allow you to forgive him. So many great tracks, like the title track, “First we take manhattan”, and the aforementioned, “Everybody knows”. How could I not include this here?

Gateway tune: Everybody knows


Check back next Thursday for album #5 on this list. In the meantime, you can check out my Best Albums page here if you’re interested in my other favourite albums lists.

Categories
Playlists

Playlist: New tunes from 2019, part two

I don’t know how things shook out where you are but here in Ottawa, the winter took its sweet time loosening its hold. We had snow banks well into April and the “April showers” became “May rains”. The Ottawa river and a number of other rivers in the area hit record heights, causing widespread flooding. We still had the heat on in our place into June and almost immediately had to switch on the AC.

So Spring? Not so much this year, really only having it in name.

Luckily, there was quite a bit of good music released to keep our minds off the dreary weather and this playlist features some of my favourite music that came out over the last three months.

Highlights include:

    • “Can’t find my heart”, the first tune off the second EP in a series released this year by Canada’s venerated indie rock collective, Broken Social Scene
    • A lovely tune called “Athens” off the first album by Elizabeth Morris’s (Allo Darlin’) new band, Elva, with Ola Innset (Making Marks)
    • “Wake me when it’s over”, track three of the final album by The Cranberries, “In the end”, released over a year after Dolores O’Riordan’s death
    • “Young enough”, the title track off the sophomore album by Charly Bliss, which this particular music fan needed to listen to many times before got… so if you yourself aren’t sure yet, give it some time
    • The latest album by The National, “I am easy to find”, is yet another twist and turn in the band’s artistic journey and from this new collection of tunes, I’ve included the majestic “Rylan”
    • “The barricade” off the new record by Toronto indie rock legends, The Lowest of the Lowest, which sounds like to these ears like a return to their early days

For those who don’t use Spotify or if the embedded playlist below doesn’t work for you, here is the entire playlist:

1. “Everyday” Weyes Blood (from the album Titanic rising)

2. “That’s where the trouble started” Rose Elinor Dougall (from the album A new illusion)

3. “Can’t find my heart” Broken Social Scene (from the EP Let’s try the after vol. 2)

4. “What I’ve been kicking around” The Tallest Man on Earth (from the album I love you. It’s a fever dream)

5. “Scarecrow” Wand (from the album Laughing matter)

6. “The barrel” Aldous Harding (from the album Designer)

7. “Athens” Elva (from the album Winter sun)

8. “Wake me when it’s over” The Cranberries (from the album In the end)

9. “No halo” Kevin Morby (from the album Oh my god)

10. “Déjà vu” SOAK (from the album Grim town)

11. “Harmony hall” Vampire Weekend (from the album Father of the bride)

12. “White of an eye” Patience (from the album Dizzy spells)

13. “Young enough” Charly Bliss (from the album Young enough)

14. “Fine mess” Interpol (from the EP A fine mess)

15. “Faithless” Operators (from the album Radiant dawn)

16. “Rylan” The National (from the album I am easy to find)

17. “Future shade” Black Mountain (from the album Destroyer)

18. “Almost it” SACRED PAWS (from the album Run around the sun)

19. “Is there a pill?” Richard Hawley (from the album Further)

20. “The barricade” The Lowest of the Low (from the album Agitpop)

21. “Black Friday” Palehound (from the album Black Friday)

22. “The river” AURORA (from the album A different kind of human, step II)

23. “Insignificant” Lust for Youth (from the album Lust for Youth)

24. “Natural” Julia Shapiro (from the album Perfect version)

25. “Her own heart” Hatchie (from the album Keepsake)

Enjoy.

For those of you who are on Spotify, feel free to look me up. My user name is “jprobichaud911”.

Categories
Live music galleries

Live music galleries: Ottawa Bluesfest 2019, day eight – Loon Choir, BlakDenim, The Offspring, Busty and the Bass, Guided by Voices

(Since I’ll be too busy attending Ottawa Bluesfest over the next week or so to continue with this blog’s regularly scheduled programming, I thought I would do a special ‘live galleries’ series this week to share some pics from some of the sets I am enjoying.)

25 years of Bluesfest

Artists: Loon Choir, BlakDenim, The Offspring, Busty and the Bass, Guided by Voices
When: July 12th, 2019
Where: Lebreton Flats Park, Ottawa
Some words: So… last night was my final night at Bluesfest for the year (there are two more days but the music there doesn’t really appeal) and it just happened to coincide with a Friday… so there might have been some beers involved.*

To start things off, I headed back into the Barney Danson theatre to catch local indie, chamber rockers, Loon Choir. Last night marked my third time seeing this cool collective, each time at Bluesfest, but the last time I had seen them was six years ago so I was eager to hear how their sound had evolved. There was certainly a bit more maturity and professionalism but the idealism, especially on the part of the lead vocalist, was alive and well and the eight-piece put forth a wondrous sound.

Just before they finished, I ducked out to the Videotron stage to catch a snippet of another local band about whom I’d heard good things. BlakDenim is a funk/soul/rap outfit that had the small outdoor stage jumping. There were horns, great energy, and a little bit of breakdancing. I was sold. And if it weren’t for the fact that I wanted to get a good spot for the next main stage act, I would have lingered longer.

The Offspring were a band that I knew but never loved back in the heyday of 90s alt-rock and lord knows, I never thought I might ever see them live. However, given they were on the lineup and that I had planned on attending last night, there wasn’t a chance I would miss them. And man, I’m glad I didn’t. They were a hell of a lot of fun, playing pretty much all their hits and throwing in some new bits that weren’t at all out of place. Of course, the beer I had thus far drunk and the energy in the crowd might’ve helped, but I’ve got to admit, they were a highlight of the festival for me.

I then caught a smidgen of the high energy set by Busty and the Bass back on the Videotron stage on the recommendation of a work colleague and would do so again, even given the small sample size. Finally, though, my night ended at the Bluesville stage, where I witnessed a living legend in Robert Pollard and his group Guided by Voices. To be honest, I didn’t stay to the end but given that all their songs were about a minute or two, I still felt that I caught about a million of their songs. And even at that, I felt that the diehards around would’ve loved hours more.

Loon Choir
Kathleen Cauley of Loon Choir
Craig Barlow and Dan Larmour of Loon Choir
Derek Atkinaon of Loon Choir
BlakDenim
Kenny Creole, Karl Acelin, and Crystalena Paquette of BlakDenim
Dexter Holland and Pete Parada of The Offspring
Greg K of The Offspring
Noodles of The Offspring
The Offspring
Busty and The Bass
Robert Pollard of Guided By Voices
Guided By Voices

Once again, Bluesfest has offered me hours of great music, even with the cancellations and the nights I missed. The pass purchase has always been worth my while. Thanks again, organizers, for a job well done.

*My excuse for the lack of quality photos out of the way,