Author: jprobichaud

Tunes

100 best covers: #46 R.E.M. “First we take Manhattan”

Post author By jprobichaud
Post date August 15, 2023
2 Comments on 100 best covers: #46 R.E.M. “First we take Manhattan”

I wrote about the very excellent Leonard Cohen tribute album, “I’m your fan”, back in 2020* when I was posting about Pixies’ cover of “I can’t forget”, which appeared at #71 on this list and was on the very same aforementioned compilation.

At the time, I had never heard R.E.M. covering anyone else (or at least, I thought I hadn’t), given I was a somewhat new convert, and this one blew my mind. Indeed, “First we take Manhattan” was one of my early favourites when listening to “I’m your fan” because the Athens, Georgia quartet was one of the only artists on it that I had heard before. The song appeared as track one on the North American release of the compilation, given R.E.M.’s increasingly high profile, but appeared as track 10 everywhere else in the world. I loved the raging and driving guitars and the contrast of Michael Stipe’s deadpan and austere delivery in the verses with the offset harmonies of the chorus. It was all very clear, though, and respectful of the words, allowing them their own space to breathe.

By the time I purchased Leonard Cohen’s “I’m your man” on CD a couple of years later**, I knew all the words by heart and could sing along with Mr. Cohen*** in his exploration on terrorism. And though I loved the poet’s deep voice and sing-speak delivery, I was less a fan of the instrumentation. Heavy on the synths and drum machine, it was definitely a product of its time and was maybe even a little late to the synthpop party. It definitely took me a little to get past that and for many years preferred the R.E.M. cover but I now can appreciate the version Cohen recorded for “I’m your man”.

Interestingly, though, his wasn’t the original recording of the song. That came two years earlier, care of frequent collaborator Jennifer Warnes, when she recorded it for her Cohen tribute album “Famous blue raincoat”. Hers is a much shorter version and more straightforwardly pedestrian than the versions I’ve already mentioned. To be honest, I only listened to it for the first time this past week while preparing to write this post because I suspected I wouldn’t be a fan and… well… I wasn’t wrong. Sure, it’s got Stevie Ray Vaughan on guitars but even those feel a bit wasted here and Warnes’ vocals a bit too cabaret for the subject matter.

So if we consider this last the original, I can definitely put my vote behind R.E.M.’s cover.

R.E.M.’s cover:

Leonard Cohen’s version:

Jennifer Warnes’ original recording:

*Right around the time that the world was deciding whether to shut its doors to take try to stem the rising COVID-19 tide.

**Incidentally, this was the first Leonard Cohen album I ever owned and purchased on the back of this song and “Everybody knows”, which I knew from the film, “Pump up the volume”.

***Yes, that’s right. I heard R.E.M.’s version before Cohen’s.

For the rest of the 100 best covers list, click here.

Tags 1990s, Alternative, Alternative Rock, Best tunes, Compilation, Cover, Covers, Leonard Cohen, R.E.M., Retro, Tribute album

Albums

Best albums of 2010: #3 The National “High violet”

Post author By jprobichaud
Post date August 10, 2023
2 Comments on Best albums of 2010: #3 The National “High violet”

Every time The National releases a new album, I needlessly worry that it can’t possibly be better than their last, that perhaps this time, they’ll finally release a disappointing album, and then, they come up with something that somehow, unbelievably, improves on the last. Such has been my experience with the five-piece, Cincinnati-based indie band, ever since I got into them shortly after the release of their 2007 album, “Boxer”. I’ve since gone back to explore their back catalogue and can attest that, at least for myself, this theory holds true for their pre-“Boxer” work as well.

For those not in the know, The National has made a name for themselves with their dark, brooding, atmospheric music. Early on, they were compared to well-established, influential artists like Leonard Cohen, Nick Cave, and Joy Division, likely mostly due to the lush, baritone vocals of frontman Matt Berninger, but I think his intricate lyric work is another comparison point worth noting. I’ve heard it said that some people find their songs’ meanings too ambiguous but I’ve always liked the images that are invoked and the sometimes conversational tone Berninger takes, as if recounting a story to mates over pints. Yes, they create dark places in all corners of their music… and yet… there’s something oddly uplifting about it all.

If “Boxer” woke the world up to the beautiful music The National was making, “High violet” cemented them in our collective musical consciousness, breaking them into the mainstream but somehow keeping their indie “cred” intact. This album was well reviewed by both Pitchfork and Spin alike and sold very well with the music-buying public. For me, “High violet” is an almost perfect album. There are absolutely no weak songs in the batch. It is an album that is dense with instrumentation, each layer beautifully rendered and thickly applied so as not to be missed. The songs are all miniature symphonies with Berninger’s rich vocals serving as both the centrepiece and yet another cog in the complicated puzzle. I love to turn the volume up, close my eyes, and lose myself in this music, listening to the intense intricacies and discovering new nuances every time.

I consider myself truly blessed that I’ve gotten to see The National perform these and many other of their past and future songs a few times over the years. For those who haven’t had the pleasure, I definitely recommend you do so at your next opportunity. The experience is almost without description.

Anyhoo, here’s my three picks for you out of the eleven fantastic tracks on “High violet”.

“Bloodbuzz Ohio”: Track six starts cranked up with a crazy drum rhythm set against a thin layer of reverberating keys and keeps that same level throughout, and then, Matt Berninger peeks in with those aforementioned conversational vocals, allowing the rich textures in his voice to seep into every pore of the melody. “I still owe money to the money, to the money I owe. I never thought about love when I thought about home.” I don’t know what the heck he is referring to – if it’s personal or if it’s just words that match that melody – but damned if he doesn’t resonate. Especially when you are in the middle of a crowd shouting/screaming/singing along with those words and throwing them into the wall of sound that The National magically creates live.

“Conversation 16”: Speaking of conversational tone, this song’s lyrics sound like random snippets of dialogue picked up from different tables at a morning cafe and jumbled up into one disjointed narrative but one that paints a delicious Norman Rockwell-like image, wrought in the normal National hues. Back when this song appeared at number 22 on my list of favourite tunes for 2010, I wrote how the song reminded me of an exercise assigned to me back when I was a Creative Writing major back in university. Starting from “I think the kids are in trouble” and ending with “‘Cause I’m evil”, the ‘scratching, reverberating guitars and ominous drumming’ carries the conversation along on an almost sinister wavelength, making the banal seem gorgeous and exceptional.

“Runaway”: “We got another thing coming undone. And it’s taking us over. And it’s taking forever.” Track eight was my third favourite song of 2010 and back then, I described “Runaway” as a dirge. Bass drums thumping and laying down life as we know it. Acoustic finger picking, lilting through the dry ice fog and suddenly there’s a hint of horns, a taps for a new generation, sad but uplifting. The track reminds me of R.E.M.’s ability to imbue even the most quiet and delicate track with fiery passion and angst. It slowly builds but not in bombast or speed, no matter how much you think it could explode at any moment, it never does. It is simply beautiful.

Stay tuned for album #2. In the meantime, here are the previous albums in this list:

10. Diamond Rings “Special affections”
9. Bedouin Soundclash “Light the horizon”
8. LCD Soundsystem “This is happening”
7. The Drums “The Drums”
6. The New Pornographers “Together”
5. Stars “The five ghosts”
4. The Radio Dept. “Clinging to a scheme”

You can also check out my Best Albums page here if you’re interested in my other favourite albums lists.

Tags 2010, 2010s, Alternative, American rock, Best albums, Indie, Indie rock, Matt Berninger, The National

Playlists

Playlist: New tunes from 2023, part two

Post author By jprobichaud
Post date July 21, 2023
2 Comments on Playlist: New tunes from 2023, part two

Happy Friday all!

For me, it’s an especially happy Friday because at the end of today’s work day, I’ll be off on vacation leave, taking a much needed break from the office and at the same time, these pages, for just over a week and a half. I’ll be sure to take full advantage of the time away and not think of anything except that moment and the next, and come back fully recharged and refreshed. But before I go, I’ve got one more blast of music to share with you all: part two of my ongoing New Music of 2023 playlist.

To be truthful, I can’t believe I’m posting another one if these already. I typically do each instalment of these four part series of new tunes for the year once every three months but it feels more like three minutes rather than months since the last time I did one. I can’t really recall very much of what I’ve done during the second quarter of 2023. It’s not that I haven’t appreciated each breath I’ve taken, moments shared with my lovely wife, etc and etc, but there’s been so much sameness, it’s hard to extract one moment from the next. It’s been working, eating, sleeping, and mostly more of the same.

Interestingly, the music I’ve been listening to hasn’t quite reflected this same feeling. It’s been for the most part very reflective and present and self-aware. Music that breathes with you and embraces you. It’s not something I purposely sought out but it found me nonetheless. Have a look through and see if you disagree, and don’t worry, it’s not all work and no play. There’s a bunch of fun jams thrown in there to shake things up for you as well.

But I won’t guide your thoughts too much, I’ll present the music that I’ve ridden on during these second three months of 2023. If you’re not sold on checking out all twenty-five, perhaps sample from a few of these highlights:

- - Daughter sets us off on the right track with “Be on you way”, the beautiful and breathless track from “Stereo mind game”, their first album in seven years
  - The brash yet melodic garage rock feels of “Love beyond the grave” reminds us all why we love what Crocodiles are all about
- - Montreal-based dream pop duo Bodywash and their track “Kind of light” had me wondering why on earth I’d never heard of them before this
- - The National are back up to their old tricks with “New Order t-shirt”, weaving stream of conscious narratives and haunting melodies that I dare you to not adore
- - Olivia Jean’s “Trouble” is dark, grimy, and glamourous, not to mention chock full of attitude
  - The ever brilliant James has released a new double album in celebration of their 40 years in existence, reimagining many of their iconic tunes with an orchestra and it includes wonderful new number called “Love make a fool”
  - Pond frontman Nicholas Allbrook is channeling Bowie in “Jackie”, an amazing tune off his new solo album, “Manganese”